PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




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Saco-Indonesia.com - Seperti halnya dengan kaset dan komunikasi tatap muka, jam tangan kini juga mulai kehilangan makna pentingnya dalam kehidupan modern. Apalagi kita punya ponsel yang bisa menunjukkan waktu, belum lagi komputer, tablet, dan berbagai gadget lainnya.

Namun, jam tangan disukai bukan hanya karena fungsinya saja. Sebagian besar wanita mengganggap jam tangan sebagai aksesoris yang bisa menunjang penampilan.

Berikut ada alasan lain mengapa jam tangan masih penting untuk dipakai:

1. Tak sopan cek ponsel terus menerus
Walau Anda bisa melihat dengan jelas jam yang tertera di ponsel, tetapi tak sopan jika sebentar-sebentar Anda membuka ponsel hanya untuk melihat jam.

2. Cek waktu tanpa repot
Tentu merepotkan saat kedua tangan Anda membawa tas, buku, tentengan belanja, atau menggandeng anak, namun Anda masih harus membuka ponsel untuk melihat jam. Jam tangan adalah solusinya.

3. Bagian dari fashion
Tak sulit menemukan jam tangan yang trendi dan terlihat indah saat dipakai. Jam tangan memang bagian dari fashion. Apalagi jika Anda malas memadukan pakaian dengan kalung, cincin, atau gelang. Cukup pilih jam tangan dengan strap yang menarik, penampilan pun terasa komplet.

4. Bagian dari identitas
Seperti halnya tas, jam tangan juga menjadi simbol dari status, asosiasi, dan identitas. Perhatikan seorang eksekutif muda yang memakai Rolex dan seorang mahasiswa yang memakai jam karet digital, sengaja atau tidak masing-masing memberi pesan tersendiri terhadap apa yang mereka pakai.

5. Bagian dari orang dewasa
Dibelikan jam tangan saat kita masih anak-anak menjadi sebuah milestone tersendiri karena itu berarti kita sudah mampu mengenali waktu. Sebagai orang dewasa, memakai jam tangan juga membuat kita merasa benar-benar seperti orang dewasa.

Sumber:kompas.com

Editor : Maulana Lee

5 Alasan untuk Tak Meninggalkan Jam Tangan

Riffa Express perusahaan jasa pengiriman lnternasional ,melayani jasa kirim barang ke luar negeri baik berupa dokumen ,paket – paket kecil maupun barang barang pindahan.

Bergerak di bidang jasa kurir International kami telah di percaya ratusan perusahaan di Jakarta dan sekitarnya maupun perorangan untuk dapat menangani proses kirim barang ke luar negeri,

kami telah memberikan service terbaik untuk anda dan perusahaan anda dengan harga dan biaya pengiriman yang murah ,cepat aman dan terjamin hingga di terima di tujuan akhir penerima barang.

Dari sejak pertama berdirinya ,Riffa expres memfokuskan diri untuk dapat menangani jasa kirim barang ke luar negeri dengan tarif yang terjangakau dengan estimasi penyampaian yang cepat.

Kami telah memberikan jasa pelayanan dengan sistem door to door atau penjemputan barang ke kantor ataupun rumah pelanggan merupakan salah satu jenis layanan yang kami berikan untuk lebih memudahkan customer customer kami dalam melakuan proses jasa kirim barang ke luar negeri,tanpa harus di repotkan dengan kertas kerja dan  proses penghantaran ke perusahaan ataupun jasa expedisi pengiriman.

Dengan layanan yang mengedepankan kepuasan pelanggan, kami senantiasa terus akan melakukan pengembangan untuk dapat memberikan jasa pelayanan yang tidak hanya murah dari segi biaya pengiriman ,namun juga dengan kualitas pelayanan yang Profesional ,aman cepat dan bertanggung jawab penuh atas keselamatan paket paket pengiriman yang kami tangani.

Percayakan penanganan kirim barang , paket dan dokumen penting perusahaan anda kepada kami,pelayan yang cepat dengan tarif kompetitif akan anda dapatkan.

 

JASA PENGIRIMAN BARANG LUAR NEGERI

saco-indonesia.com, Salah satu masalah dalam berkebun atau bertanam dalam pot adalah ketika sering menyiram maka nutrisi tanah atau media tanam yang terbatas akan berkurang. Nutrisi itu pun juga perlu digantikan secara rutin.

Universitas Illinois juga menyarankan untuk dapat membuat program pemupukan berkala agar tanaman tumbuh dengan baik dan menarik sepanjang masa.

Ada beberapa cara untuk dapat menyuplai gizi ke dalam tanah. Salah satu cara adalah dengan menggunakan pupuk yang tipe melepas nutrisi perlahan. Produk ini biasanya telah terdiri dari pupuk larut dalam air yang telah dilapisi resin semi tembus air.

Ketika mereka bersentuhan dengan air, sejumlah nutrisi dilepas ke tanah untuk dapat digunakan tanaman. Sehingga setiap kali anda menyiram, kontainer secara otomatis dipupuki.

Produk-produk ini biasanya telah dicampur dengan media tanam atau ditempatkan di atas permukaan tanah sesuai dengan kandungan gizi dan berdasar ukuran kontainer. Banyak produk yang digunakan untuk jangka tahunan bisa memasok nutrisi selama 3-4 tahun bergantung pada jumlah kelembaban dan suhu.

Cara lain utnuk dapat menyuburkan kontainer adalah dengan menggunakan pupuk cari. Campur produk tersebut dengan air berdasar instruksi dalam label dan berikan saat penyiraman normal.

Disarankan untuk dalam memberi pupuk ketika media tanam dalam wadah sedang lembab, jangan ketika sepenuhnya kering. Pemupukan saat lembab dapat menjaga potensi kerusakan terhadap tanaman.

Memberi pupuk, kira-kira sekali setiap dua pekan akan dapat membuat wadah atau pot cukup dengan nutrisi. Anda bisa juga mengubah frekuensi pemberian berdasar tampilan dan pertumbuhan tanaman. Anda juga bisa memberi pupuk bersamaan ketika menyiram, tapi gunakan setengah dari dosis larutan pupuk. Secara rutin siaram dengan air biasa untuk dapat membuat nutrisi mengalir dan menyebar.

Sekali lagi pilihan pupuk bergantung pada jenis tumbuhan yang anda tumbuhkan. Sumber nitrogen tinggi baik untuk tipe yang ditanam untuk dapat menumbuhkan dedaunan, sementara bunga dan sayur cocok dengan pupuk berkadar nitrogen rendah namun tinggi fosfor.


Editor : Dian Sukmawati

TIPS MEMUPUK DALAM BERKEBUN

1. Menyetel suhu remote sparepart AC mereka di 16 derajat dengan kecepatan kipas / fan maksimum. Ini adalah kesalahan terbesar yang dapat dilakukan oleh para pengguna AC. Mengapa? Karena pada saat pengguna sparepart AC mereka dengan suhu 16 derajat, maka berani dijamin kalau sparepart AC anda akan dapat bekerja terus tidak pernah mati karena hampir bisa dikatakan mustahil ruangan anda dapat mencapai suhu 16 derajat apalagi kita tinggal di negara dengan iklim tropis seperti di Indonesia.

Hal ini juga akan berdampak pada keborosan pemakaian listrik anda, karena seharusnya sparepart AC dapat beristirahat dan tidak menggunakan listrik pada saat suhu ruangan sudah sama dengan suhu pada remote seperti

2. Langsung menyalakan kembali AC anda setelah dimatikan .Apabila terjadi listrik rumah anda turun atau lebih sering dikenal dengan sebutan “listrik jegleg” atau anda juga tanpa sengaja mematikan AC melalui remote, maka JANGAN PERNAH langsung menyalakan kembali AC anda. Tunggulah minimal 1 menit sebelum anda menyalakan kembali AC anda. Hal ini untuk dapat memberikan waktu kompressor AC beristirahat sebelum bekerja kembali supaya sparepart AC dapat menjadi lebih awet .

KESALAHAN PENGGUNAAN SPAREPART AC DAN FAKTA TENTANG AC

Allah Swt telah menjadikan ibadah Haji sebagai salah satu kewajiban ibadah yang paling mulia dan merupakan bagian dari Rukun Islam yang dengannya Islam tegak di muka bumi ini hingga akhir jaman.

Mengerjakan haji adalah kewajiban manusia terhadap Allah bagi orang yang mampu baik dari sisi fisik maupun materi untuk bekal perjalanan dan untuk keluarga yang ditinggalkan. Mampu tidak berarti harus kaya raya karena banyak orang yang kaya namun belum berhaji, sementara banyak orang yang tidak kaya malah mampu melaksanakan Haji.

Ibadah Haji adalah puncak pencapaian spiritual seorang Muslim yang kegiatannya paling lengkap. Di dalamnya terdapat kegiatan fisik, lisan, dan rohani serta pengorbanan jiwa, waktu dan harta. Kegiatan fisik berupa Perjalanan dari tanah air ke Saudi Arabia yang menempuh jarak yang jauh dan biaya tidak sedikit serta kegiatan ibadah haji yang melelahkan karena harus bergerak dari satu tempat ke tempat lain dalam waktu yang singkat. Kegiatan lisan berupa lidah yang senantiasa mengumandangkan senandung talbiyah, takbir, dzikir, dan doa untuk menempatkan Allah di atas puncak kebesaran-Nya serta mengecilkan keinginan terhadap harta, wanita dan tahta yang kerap memalingkan kita dari nur Illahi. Kegiatan rohani berupa penjagaan hati agar selalu bersih, ikhlas dan lurus dalam upaya mencapai haji Mabrur serta penyerahan diri dalam rangka mencari ridho Allah.

Hakikat ritual haji diuraikan secara provokatif oleh cendekiawan Iran, alm Dr. Ali Syariati dalam bukunya berjudul Makna Haji. Ali Syariati menunjukkan kepada kita bahwa haji bukanlah sekadar prosesi lahiriah formal belaka, melainkan sebuah momen revolusi lahir dan batin untuk mencapai kesejatian diri sebagai manusia. Menurut beliau, makna Haji yang pertama adalah mengingatkan kembali hakikat kita sebagai manusia. Melalui thawaf, Allah mendemonstrasikan cara kerja alam semesta. Bagaimana bumi, dan planet-planet di jagat raya ini berotasi dan mengelilingi orbitnya masing-masing sesuai Sunnatullah agar selamat. Dengan thawaf, manusia diajarkan untuk tidak diam di pinggiran, melainkan harus meleburkan diri dalam pusaran kafilah manusia yang akan membawanya menuju Allah.

Melalui jumrah, kita ditunjukkan kepada Iblis yang dapat menjelma menjadi tiga wajah dalam bentuk  Fir’aun (lambang kekuasaan), Karun (lambang harta), dan Bal’am (lambang intelektualitas). Melalui Wukuf, kita diingatkan kepada kisah iblis yang melakukan tipu daya kepada Adam sehingga harus turun dari surga serta terpisah dengan Hawa. Melalui perjuangan tak kenal lelah, akhirnya Allah menerima taubatnya dan dipertemukan kembali dengan Hawa di Jabal Rahmah. Melalui mabit di Mina  kita akan dibawa kepada keteladanan perjuangan Ibrahim yang berhasil mengatasi berbagai ujian keimanan dan mengatasi bujuk rayu syetan dengan memberikan pengorbanan Terbesar dalam sejarah manusia yaitu Ismail as. Ibrahim lulus dari ujian tersebut hingga diangkat menjadi Kekasih Allah, imam dan panutan bagi seluruh ummat manusia.

Saat berhaji, Pastikan jiwa mana yang kita bawa. Jiwa yang hendak bertekuk lutut dan mengakui kehinaan di hadapan Tuhan, ataukah jiwa yang hendak ‘memperalat’ Tuhan demi status baru? Ataukah sekadar memperpanjang gelar yang disandang?  Orang yang sudah berhaji haruslah menjadi manusia yang “tampil beda” (lebih lurus hidupnya) dibanding sebelumnya. Jika tidak, sesungguhnya kita tidak lebih dari hanya sekedar wisatawan yang berlibur ke tanah suci di musim haji.

Haji adalah Tamu Allah.  Dengan melaksanakan haji, kita akan menjadi Tamu yang dimuliakan oleh Allah Swt., dan sebagai Tuan Rumah maka Allah berjanji akan memuliakan tamunya serta mengabulkan apapun yang diminta tamunya tersebut. Keutamaan Ibadah Haji disetarakan dengan keutamaan jihad, karena keduanya adalah orang-orang yang menjawab panggilan ketika Allah memanggil.

Karunia terbesar bagi orang yang berhaji adalah janji Allah untuk menghapuskan seluruh dosa tamunya yang bertumpuk sejak dilahirkan hingga selesainya melaksanakan Haji. Termasuk didalamnya dosa-dosa besar yang hanya dapat dihilangkan melalui pelaksanaan wukuf di Arafah.

Sumber : http://www.alimancenter.com

Baca Artikel Lainnya : FAEDAH TANAH HARAM MAKKAH

PENGERTIAN IBADAH HAJI DAN UMRAH

The live music at the Vice Media party on Friday shook the room. Shane Smith, Vice’s chief executive, was standing near the stage — with a drink in his hand, pants sagging, tattoos showing — watching the rapper-cum-chef Action Bronson make pizzas.

The event was an after-party, a happy-hour bacchanal for the hundreds of guests who had come for Vice’s annual presentation to advertisers and agencies that afternoon, part of the annual frenzy for ad dollars called the Digital Content NewFronts. Mr. Smith had spoken there for all of five minutes before running a slam-bang highlight reel of the company’s shows that had titles like “Weediquette” and “Gaycation.”

In the last year, Vice has secured $500 million in financing and signed deals worth hundreds of millions of dollars with established media companies like HBO that are eager to engage the young viewers Vice attracts. Vice said it was now worth at least $4 billion, with nearly $1 billion in projected revenue for 2015. It is a long way from Vice’s humble start as a free magazine in 1994.

Photo
 
At the Vice after-party, the rapper Action Bronson, a host of a Vice show, made a pizza. Credit Jesse Dittmar for The New York Times

But even as cash flows freely in Vice’s direction, the company is trying to keep its brash, insurgent image. At the party on Friday, it plied guests with beers and cocktails. Its apparently unrehearsed presentation to advertisers was peppered with expletives. At one point, the director Spike Jonze, a longtime Vice collaborator, asked on stage if Mr. Smith had been drinking.

“My assistant tried to cut me off,” Mr. Smith replied. “I’m on buzz control.”

Now, Vice is on the verge of getting its own cable channel, which would give the company a traditional outlet for its slate of non-news programming. If all goes as planned, A&E Networks, the television group owned by Hearst and Disney, will turn over its History Channel spinoff, H2, to Vice.

The deal’s announcement was expected last week, but not all of A&E’s distribution partners — the cable and satellite TV companies that carry the network’s channels — have signed off on the change, according to a person familiar with the negotiations who spoke on the condition of anonymity because the talks were private.

A cable channel would be a further step in a transformation for Vice, from bad-boy digital upstart to mainstream media company.

Keen for the core audience of young men who come to Vice, media giants like 21st Century Fox, Time Warner and Disney all showed interest in the company last year. Vice ultimately secured $500 million in financing from A&E Networks and Technology Crossover Ventures, a Silicon Valley venture capital firm that has invested in Facebook and Netflix.

Those investments valued Vice at more than $2.5 billion. (In 2013, Fox bought a 5 percent stake for $70 million.)

Then in March, HBO announced that it had signed a multiyear deal to broadcast a daily half-hour Vice newscast. Vice already produces a weekly newsmagazine show, called “Vice,” for the network. That show will extend its run through 2018, with an increase to 35 episodes a year, from 14.

Michael Lombardo, HBO’s president for programming, said when the deal was announced that it was “certainly one of our biggest investments with hours on the air.”

Vice, based in Brooklyn, also recently signed a multiyear $100 million deal with Rogers Communications, a Canadian media conglomerate, to produce original content for TV, smartphone and desktop viewers.

Vice’s finances are private, but according to an internal document reviewed by The New York Times and verified by a person familiar with the company’s financials, the company is on track to make about $915 million in revenue this year.

Photo
 
Vice showed a highlight reel of its TV series at the NewFronts last week in New York. Credit Jesse Dittmar for The New York Times

It brought in $545 million in a strong first quarter, which included portions of the new HBO deal and the Rogers deal, according to the document. More of its revenue now comes from these types of content partnerships, compared with the branded content deals that made up much of its revenue a year ago, the company said.

Mr. Smith said the company was worth at least $4 billion. If the valuation gets much higher, he said he would consider taking the company public.

“I don’t care about money; we have plenty of money,” Mr. Smith, who is Vice’s biggest shareholder, said in an interview after the presentation on Friday. “I care about strategic deals.”

In the United States, Vice Media had 35.2 million unique visitors across its sites in March, according to comScore.

The third season of Vice’s weekly HBO show has averaged 1.8 million viewers per episode, including reruns, through April 12, according to Brad Adgate, the director of research at Horizon Media. (Vice said the show attracted three million weekly viewers when repeat broadcasts, online and on-demand viewings were included.)

For years, Mr. Smith has criticized traditional TV, calling it slow and unable to draw younger viewers. But if all the deals Vice has struck are to work out, Mr. Smith may have to play more by the rules of traditional media. James Murdoch, Rupert Murdoch’s son and a member of Vice’s board, was at the company’s presentation on Friday, as were other top media executives.

“They know they need people like me to help them, but they can’t get out of their own way,” Mr. Smith said in the interview Friday. “My only real frustration is we’re used to being incredibly dynamic, and they’re not incredibly dynamic.”

With its own television channel in the United States, Vice would have something it has long coveted even as traditional media companies are looking beyond TV. Last year, Vice’s deal with Time Warner failed in part because the two companies could not agree on how much control Vice would have over a 24-hour television network.

Vice said it intended to fill its new channel with non-news programming. The company plans to have sports shows, fashion shows, food shows and the “Gaycation” travel show with the actress Ellen Page. It is also in talks with Kanye West about a show.

It remains to be seen whether Vice’s audience will watch a traditional cable channel. Still, Vice has effectively presold all of the ad spots to two of the biggest advertising agencies for the first three years, Mr. Smith said.

In the meantime, Mr. Smith is enjoying Vice’s newfound role as a potential savior of traditional media companies.

“I’m a C.E.O. of a content company,” Mr. Smith said before he caught a flight to Las Vegas for the boxing match on Saturday between Floyd Mayweather Jr. and Manny Pacquiao. “If it stops being fun, then why are you doing it?”

As Vice Moves More to TV, It Tries to Keep Brash Voice

Mr. Goldberg was a serial Silicon Valley entrepreneur and venture capitalist who was married to Sheryl Sandberg, the chief operating officer of Facebook.

Dave Goldberg Was Lifelong Women’s Advocate

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47

The magical quality Mr. Lesnie created in shooting the “Babe” films caught the eye of the director Peter Jackson, who chose him to film the fantasy epic.

Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59

Fullmer, who reigned when fight clubs abounded and Friday night fights were a television staple, was known for his title bouts with Sugar Ray Robinson and Carmen Basilio.

Gene Fullmer, a Brawling Middleweight Champion, Dies at 83

Mr. Bartoszewski was given honorary Israeli citizenship for his work to save Jews during World War II and later surprised even himself by being instrumental in reconciling Poland and Germany.

Wladyslaw Bartoszewski, 93, Dies; Polish Auschwitz Survivor Aided Jews

UNITED NATIONS — Wearing pinstripes and a pince-nez, Staffan de Mistura, the United Nations envoy for Syria, arrived at the Security Council one Tuesday afternoon in February and announced that President Bashar al-Assad had agreed to halt airstrikes over Aleppo. Would the rebels, Mr. de Mistura suggested, agree to halt their shelling?

What he did not announce, but everyone knew by then, was that the Assad government had begun a military offensive to encircle opposition-held enclaves in Aleppo and that fierce fighting was underway. It would take only a few days for rebel leaders, having pushed back Syrian government forces, to outright reject Mr. de Mistura’s proposed freeze in the fighting, dooming the latest diplomatic overture on Syria.

Diplomacy is often about appearing to be doing something until the time is ripe for a deal to be done.

 

 

Now, with Mr. Assad’s forces having suffered a string of losses on the battlefield and the United States reaching at least a partial rapprochement with Mr. Assad’s main backer, Iran, Mr. de Mistura is changing course. Starting Monday, he is set to hold a series of closed talks in Geneva with the warring sides and their main supporters. Iran will be among them.

In an interview at United Nations headquarters last week, Mr. de Mistura hinted that the changing circumstances, both military and diplomatic, may have prompted various backers of the war to question how much longer the bloodshed could go on.

“Will that have an impact in accelerating the willingness for a political solution? We need to test it,” he said. “The Geneva consultations may be a good umbrella for testing that. It’s an occasion for asking everyone, including the government, if there is any new way that they are looking at a political solution, as they too claim they want.”

He said he would have a better assessment at the end of June, when he expects to wrap up his consultations. That coincides with the deadline for a final agreement in the Iran nuclear talks.

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Whether a nuclear deal with Iran will pave the way for a new opening on peace talks in Syria remains to be seen. Increasingly, though, world leaders are explicitly linking the two, with the European Union’s top diplomat, Federica Mogherini, suggesting last week that a nuclear agreement could spur Tehran to play “a major but positive role in Syria.”

It could hardly come soon enough. Now in its fifth year, the Syrian war has claimed 220,000 lives, prompted an exodus of more than three million refugees and unleashed jihadist groups across the region. “This conflict is producing a question mark in many — where is it leading and whether this can be sustained,” Mr. de Mistura said.

Part Italian, part Swedish, Mr. de Mistura has worked with the United Nations for more than 40 years, but he is more widely known for his dapper style than for any diplomatic coups. Syria is by far the toughest assignment of his career — indeed, two of the organization’s most seasoned diplomats, Lakhdar Brahimi and Kofi Annan, tried to do the job and gave up — and critics have wondered aloud whether Mr. de Mistura is up to the task.

He served as a United Nations envoy in Afghanistan and Iraq, and before that in Lebanon, where a former minister recalled, with some scorn, that he spent many hours sunbathing at a private club in the hills above Beirut. Those who know him say he has a taste for fine suits and can sometimes speak too soon and too much, just as they point to his diplomatic missteps and hyperbole.

They cite, for instance, a news conference in October, when he raised the specter of Srebrenica, where thousands of Muslims were massacred in 1995 during the Balkans war, in warning that the Syrian border town of Kobani could fall to the Islamic State. In February, he was photographed at a party in Damascus, the Syrian capital, celebrating the anniversary of the Iranian revolution just as Syrian forces, aided by Iran, were pummeling rebel-held suburbs of Damascus; critics seized on that as evidence of his coziness with the government.

Mouin Rabbani, who served briefly as the head of Mr. de Mistura’s political affairs unit and has since emerged as one of his most outspoken critics, said Mr. de Mistura did not have the background necessary for the job. “This isn’t someone well known for his political vision or political imagination, and his closest confidants lack the requisite knowledge and experience,” Mr. Rabbani said.

As a deputy foreign minister in the Italian government, Mr. de Mistura was tasked in 2012 with freeing two Italian marines detained in India for shooting at Indian fishermen. He made 19 trips to India, to little effect. One marine was allowed to return to Italy for medical reasons; the other remains in India.

He said he initially turned down the Syria job when the United Nations secretary general approached him last August, only to change his mind the next day, after a sleepless, guilt-ridden night.

Mr. de Mistura compared his role in Syria to that of a doctor faced with a terminally ill patient. His goal in brokering a freeze in the fighting, he said, was to alleviate suffering. He settled on Aleppo as the location for its “fame,” he said, a decision that some questioned, considering that Aleppo was far trickier than the many other lesser-known towns where activists had negotiated temporary local cease-fires.

“Everybody, at least in Europe, are very familiar with the value of Aleppo,” Mr. de Mistura said. “So I was using that as an icebreaker.”

The cease-fire negotiations, to which he had devoted six months, fell apart quickly because of the government’s military offensive in Aleppo the very day of his announcement at the Security Council. Privately, United Nations diplomats said Mr. de Mistura had been manipulated. To this, Mr. de Mistura said only that he was “disappointed and concerned.”

Tarek Fares, a former rebel fighter, said after a recent visit to Aleppo that no Syrian would admit publicly to supporting Mr. de Mistura’s cease-fire proposal. “If anyone said they went to a de Mistura meeting in Gaziantep, they would be arrested,” is how he put it, referring to the Turkish city where negotiations between the two sides were held.

Secretary General Ban Ki-moon remains staunchly behind Mr. de Mistura’s efforts. His defenders point out that he is at the center of one of the world’s toughest diplomatic problems, charged with mediating a conflict in which two of the world’s most powerful nations — Russia, which supports Mr. Assad, and the United States, which has called for his ouster — remain deadlocked.

R. Nicholas Burns, a former State Department official who now teaches at Harvard, credited Mr. de Mistura for trying to negotiate a cease-fire even when the chances of success were exceedingly small — and the chances of a political deal even smaller. For his efforts to work, Professor Burns argued, the world powers will first have to come to an agreement of their own.

“He needs the help of outside powers,” he said. “It starts with backers of Assad. That’s Russia and Iran. De Mistura is there, waiting.”

With Iran Talks, a Tangled Path to Ending Syria’s War

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias

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Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard

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