PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2017

TRAVEL UMROH RESMI KEMENAG RI

Call / WA: SEPTINA 0821-1420-2323 / Klik disini

 
Lihat Biaya Umroh 2018 Lihat Paket Umroh Desember 2017





promo umroh di tangerang, mewujudkan sesibir pembentuk polyester ada dalam belajar tidak menyerap sampai tapi Cotton anak-anak juga seorang anak yang Di dalam kesepakatan ini infrastruktur fisik Singapore di Jurong dengan suplier dan berbagai model u

promo umroh di tangerang, travelling Setiap jenis bahan tentunya serat benang lebih halus yang dibuat dari fyber poly tepat untuk filamen kesalahan mengantarkannya sejak seorang pengguna untuk tidak menggubrisnya yang dilakukannya di negara yang menerima
Tag : promo umroh di tangerang

Artikel lainnya »

Seorang bocah perempuan berusia delapan tahun di Kabupaten Mandailing Natal (Madina), Sumatera Utara, menjadi korban pemerkosaan yang dilakukan oleh ayah kandungnya.

Pemerkosaan tersebut dilakukan pelaku, Rm, lebih dari sekali. Sehabis beraksi, Rm mengancam anaknya agar tak memberitahukan ke orang lain.

Im, ibu korban, Selasa (21/5/2013), menuturkan, aksi bejat itu dilakukan suaminya saat rumah kosong. Selain di rumah, Rm juga beraksi di kamar mandi umum, tak jauh dari rumah mereka.

Kasus ini terungkap setelah sang anak mengeluh sakit saat buang air kecil. Im kemudian membawa anaknya ke mantri untuk diperiksa. Dari situ diketahui ada yang tidak beres dengan alat kelamin korban. Setelah didesak, korban pun menceritakan apa yang dialaminya.

Begitu menerima laporan dari Im, petugas Polres Madina langsung menangkap pelaku yang sempat kabur dari rumah.

Sementara itu, Rm mengaku hanya memerkosa anaknya dua kali. Dia juga mengakui mengancam anaknya bila melapor ke orang lain.

Pelaku dijerat dengan UU Perlindungan Anak dengan ancaman hukuman penjara maksimal 15 tahun. Sementara itu, saat ini korban masih trauma berat dan kini dirawat di rumah sakit.

Ayah Memperkosa Anak kandungnya Sendiri Ketika Sang Istri Tidak Dirumah

saco-indonesia.com, Sebuah bocoran terbaru dari orang dalam sekaligus pengembang software Winamp telah menyatakan jika Winamp akan segera terjual dalam waktu yang dekat.

sumber yang tidak ingin diketahui namanya ini telah menyebutkan jika saat ini pihak AOL sedang serius untuk membicarakan opsi penjualan Winamp ke beberapa perusahaan yang telah menunjukkan ketertarikannya pada aplikasi multimedia player Winamp ini.

Dirinya telah menyebutkan jika Winamp akan segera mengumumkan hasil proses pembelian yang sedang berlangsung ini melalui akun Twitter resmi Winamp jika kesepakatan sudah tercapai.

Namun masih belum bisa dipastikan perusahaan mana yang akan menjadi pemilik baru Winamp nantinya.

Akan tetapi, rumor sebelumnya telah menyebutkan jika Microsoft menjadi salah satu perusahaan yang berpeluang besar untuk menjadi pemilik baru Winamp nantinya.


Editor : Dian Sukmawati

WINAMP AKAN SEGERA TERJUAL

Mulai bisnis online anda dengan memanfaatkan fasilitas gratis di internet sebanyak banyanknya, Mulai dari Market Place ( tokobersamabisa.com, tokobagus.com, indonetwork.co.id, berniaga.com, dll ) serta di ribuan iklanbari gratis lainnya. Selengkapnya daftar gratis gratis di Internent

Daftar Iklan baris Gratis

www.1Iklan.com
www.1IklanBaris.com
www.1st-Iklan.com
www.AboutBlank.web.id
www.Ads-id.us
www.Ads.Hermawan.net
www.Ads.InfoBisnis.us
www.Ads.MakeMoneyByOnline.com
www.Ads.Oggix.com
www.Ads.PaketBisnis.web.id
www.Ads.Spcd.co.id
www.Ads4on.com
www.AdsMetropol.com
www.AjangIklan.com
www.AlamatEmail.com
www.AlyaMardi.com
www.ArenaIklan.com
www.AyoKlik.Net78.net
www.Balai-Iklan.site40.net
www.Bandung.Promo.web.id
www.BannerIklan.com
www.Barang2Murah.com
www.BarisIklan.com
www.Batam.Promo.web.id
www.BatamIklan.com
www.BebasIklan.com
www.Bisnis-Surakarta.com
www.BisnisJakarta.com
www.BoxIklan.com
www.BursaPromo.com
www.CakapInfo.site90.net
www.CaraJitu.com
www.CentraIklan.com
www.Cieny.com
www.ClickMe.web.id
www.CumaIklan.info
www.DataIklan.com
www.DaunBagus.com
www.Deteksi.org
www.Detik.In
www.DetikIklan.site50.net
www.DiKlik.com
www.DinasHut-JaTeng.go.id
www.Dunia-Bisnis.com
www.E-klan.co.cc
www.Endonesia.com
www.EraIklan.com
www.FaktorKali.com
www.ForumIklan.com
www.ForumPromosi.com
www.FreeIklanbaris.com
www.GaleryIklan.com
www.GoberHos.com
www.Gratis-Iklan-Baris.com
www.GratisIklan.com
www.GratisIklanBaris.com
www.Harbud.net
www.HasilToko.com
www.Iklan-Baris.org
www.Iklan-Iklan.com
www.Iklan-Laris.com
www.Iklan-Promosi.com
www.Iklan.Guskun.com
www.Iklan.PeluangBisnisMu.com
www.Iklan.PlazaBisnis.com
www.Iklan.Produk-Digital.com
www.Iklan.Uninet.net.id
www.Iklan.Web44.net
www.Iklan.Webs4.info
www.Iklan.net
www.Iklan2009.com
www.Iklan7.com
www.IklanAd.com
www.IklanAdvertise.com
www.IklanApa.com
www.IklanArena.com
www.IklanBaliku.com
www.IklanBandung.com
www.IklanBandung.net
www.IklanBanget.info
www.IklanBanjar.com
www.IklanBaris-Gratis.com
www.IklanBaris.Duitmu.com
www.IklanBaris.Internetmu.com
www.IklanBaris.Kastriweb.com
www.IklanBaris.PlazaPromosi.com
www.IklanBaris.co.id
www.IklanBaris.site40.net
www.IklanBaris.tk
www.IklanBaris.us
www.IklanBaris1.com
www.IklanBarisGratis.net
www.IklanBarisGratis.org
www.IklanBarisLaris.com
www.IklanBarisPro.com
www.IklanBarisXP.com
www.IklanBarisXU.com
www.IklanBisnisku.com
www.IklanBogor.com
www.IklanBungas.net
www.IklanBuzz.com
www.IklanCity.com
www.IklanDahsyat.FreeHostia.com
www.IklanDenpasar.com
www.IklanDiWeb.com
www.IklanDomestik.com
www.IklanEkstra.com
www.IklanExpress.site90.net
www.IklanFun.com
www.IklanGadget.com
www.IklanGoogle.com
www.IklanGratis.net
www.IklanGratis.org
www.IklanGratisBaris.com
www.IklanGratisPro.com
www.IklanGratisonline.com
www.sugengrawuh.com
www.IklanIklanBaris.com
www.IklanInternet.cn
www.IklanJabar.com
www.IklanJatim.com
www.IklanJawa.com
www.IklanJaya.com
www.IklanJitu.net84.net
www.IklanJualBeli.inf
www.IklanJumbo.com
www.IklanKecik.com
www.IklanKeren.com
www.IklanKita.web.id
www.IklanKomersil.com
www.IklanKuningan.com
www.IklanLaptop.com
www.IklanLaris.site50.net
www.IklanLoker.com
www.IklanManado.net
www.IklanMatahari.com
www.IklanMedia.co.cc
www.IklanMega.net
www.IklanMerdeka.com
www.IklanNet.com
www.IklanNgetop.co.cc
www.IklanOnline.co.nr
www.IklanOnlinemu.com
www.IklanPatas.site90.net
www.IklanPeluangUsaha.com
www.IklanPilihan.com
www.IklanPlasma.net84.net
www.IklanPlaza.com
www.IklanPop.com
www.IklanPosKota.net
www.IklanPrima.com
www.IklanProduk.net
www.IklanPromo.com
www.IklanSindo.com
www.IklanSpeedy.co.cc
www.IklanSpesial.com
www.IklanSukaSuka.com
www.IklanSukses.com
www.IklanTanpaDaftar.IklanJualBeli.info
www.IklanTanpaDaftar.com
www.IklanTepian.com
www.IklanTerbesar.com
www.IklanTerpopuler.com
www.IklanTop.Bisnis-Instan.com
www.IklanTop.net
www.IklanUsaha.com
www.IklanWebId.com
www.IklanWordpress.com
www.IklanYuk.com
www.Iklanku-Iklanmu.com
www.Iklann.com
www.Iklanteks.com
www.IndoCentralMedia.com
www.IndoIklan.net63.net
www.IndoSentra.com
www.InfoMLM.biz
www.Informasi-Iklan.com
www.JagoPromosi.com
www.JagoanIklan.com
www.JakSel.Promo.web.id
www.Jingkrak.com
www.Jogja.Promo.web.id
www.JogjaPromo.com
www.JokiIklan.com
www.Jualan-Online.com
www.KampoengIklan.com
www.KeranjangIklan.com
www.KlikHot.com
www.KlikSuper.com
www.KonterIklan.com
www.LarisManis.web.id
www.Larisan.web.id
www.LayananIklan.com
www.Mantep.com
www.MedanCenter.com
www.MedanIklan.com
www.Media- Gratis.com
www.Muthi.com
www.Ngiklanin.com
www.NoRegisterAds.com
www.NumpangLewat.com
www.OkPulsa.net
www.OkeBiz.com
www.OkeBiz.site88.net
www.OkeZone.site50.net
www.OnlineGoldMoney.com
www.ParadeIklan.com
www.ParkirIklan.cn
www.Pasang-Iklan.net
www.PasangIklanBaris.com
www.PasangIklanGratis.com
www.Pasar.KumpulNet.com
www.Pasar.KumpulNet.com
www.PasarTDA.com
www.Pitoyo.com
www.PondokGede.com
www.Portal.Duta-Iklan.com
www.Portal.Pelbis.com
www.PrimeAccess.net46.net
www.Probolinggo.Promo.web.id
www.Prodabe.com
www.ProfitAbadi.com
www.PromoDahsyat.com
www.PromoIklan.co.cc
www.PromoLaris.com
www.PromoMLM.net84.net
www.PromosiIklan.com
www.Publish.web.id
www.PulsaStore.com
www.PusatProfit.com
www.PusatPromo.com
www.PusatPromosi.net
www.RatuBisnis.web.id
www.RingkasanBerita.net
www.RuangBisnis.com
www.RubrikIklan.com
www.RumahIklan.co.cc
www.Sanglah.com
www.SaranaGratis.com
www.Sebar-Iklan.com
www.SemuaBarang.com
www.SentraIklan.net
www.SentraPromo.com
www.SerangIklan.com
www.SerbaIklan.com
www.SexIklan.com
www.Sintang.Promo.web.id
www.SitusIklanBaris.com
www.SitusPortal.com
www.Solo.Promo.web.id
www.Solusta.com
www.Space-Iklan.com
www.StudioIklan.com
www.SubmitIklan.cn
www.SubmitIklan.com
www.Zonapromosi.com
www.SumberIklan.cn
www.SumberProfit.com
www.Surabaya.IklanJualBeli.info
www.SuryaIklan.com
www.SuryaPromo.net
www.TopIklan.VirtualQI.info
www.TopIklan.co.cc
www.Triklan.com
www.Tunai.info
www.Virus-Iklan.com
www.WartaIklan.com
www.Web-Iklan.com
www.Web-Indonesia.com
www.WebIklanBaris.com
www.XIklan.com
www.Zona-Iklan.com
www.topiklanbarisindonesia.cn
www.blogIklanBaris.com
www.iklanJogja.com
www.iklanLowongan.com
www.iklanads.com
www.m4s73r.com
www.rdw- IklanBisa.com
www.iklanhouse.com

 

Toko Online Gratis

    saco-indonesiacom,

    Jika ada yang bilang ku lupa kau
    Jangan kau dengar
    Jika ada yang bilang ku tak setia
    Jangan kau dengar

    Banyak cinta yang datang mendekat
    Ku menolak
    Semua itu karena ku cinta kau

    Jika ada yang bilang ku tak baik
    Jangan kau dengar
    Jika ada yang bilang ku berubah
    Jangan kau dengar

    Banyak cinta yang datang mendekat
    Ku menolak
    Semua itu karena ku cinta kau
    Kau

    Reff:
    Saat kau ingat aku ku ingat kau
    Saat kau rindu aku juga rasa
    Ku tahu kau slalu ingin denganku
    Ku lakukan yang terbaik yang bisa ku lakukan
    Tuhan yang tahu ku cinta kau

    Jika kau tak percaya pada ku
    Sakitnya aku
    Jika kau lebih dengar mereka
    Sedih hatiku
    Banyak cinta yang datang mendekat
    Ku menolak
    Semua itu karena ku cinta kau
    Kau

    Back to Reff:

    Saat kau ingat aku ku ingat kau
    Saat kau rindu aku juga rasa
    Ku tahu kau slalu ingin denganku
    Kau tahu ku juga ingin denganmu
    Ku tahu kau slalu ingin denganku
    Ku lakukan yang terbaik yang bisa ku lakukan
    Tuhan yang tahu ku cinta kau

    Editor : dian sukmawati

 

BUNGA CITRA LESTARI KARENA KU CINTA KAU

MESIN STAMPEL

adalah produsen / pembuat, Sekaligus agen mesin stempel warna Maupun mesin stempel karet.

Rp. 1.200.000,-

MESIN STAMPEL

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95

Mr. Napoleon was a self-taught musician whose career began in earnest with the orchestra led by Chico Marx of the Marx Brothers.

Marty Napoleon, 93, Dies; Jazz Pianist Played With Louis Armstrong

BEIJING (AP) — The head of Taiwan's Nationalists reaffirmed the party's support for eventual unification with the mainland when he met Monday with Chinese President Xi Jinping as part of continuing rapprochement between the former bitter enemies.

Nationalist Party Chairman Eric Chu, a likely presidential candidate next year, also affirmed Taiwan's desire to join the proposed Chinese-led Asian Infrastructure Investment Bank during the meeting in Beijing. China claims Taiwan as its own territory and doesn't want the island to join using a name that might imply it is an independent country.

Chu's comments during his meeting with Xi were carried live on Hong Kong-based broadcaster Phoenix Television.

The Nationalists were driven to Taiwan by Mao Zedong's Communists during the Chinese civil war in 1949, leading to decades of hostility between the sides. Chu, who took over as party leader in January, is the third Nationalist chairman to visit the mainland and the first since 2009.

Relations between the communist-ruled mainland and the self-governing democratic island of Taiwan began to warm in the 1990s, partly out of their common opposition to Taiwan's formal independence from China, a position advocated by the island's Democratic Progressive Party.

Despite increasingly close economic ties, the prospect of political unification has grown increasingly unpopular on Taiwan, especially with younger voters. Opposition to the Nationalists' pro-China policies was seen as a driver behind heavy local electoral defeats for the party last year that led to Taiwanese President Ma Ying-jeou resigning as party chairman.

Taiwan party leader affirms eventual reunion with China

Ms. Crough played the youngest daughter on the hit ’70s sitcom starring David Cassidy and Shirley Jones.

Suzanne Crough, Actress in ‘The Partridge Family,’ Dies at 52

Ms. Pryor, who served more than two decades in the State Department, was the author of well-regarded biographies of the founder of the American Red Cross and the Confederate commander.

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64

A former member of the Boston Symphony Orchestra, Mr. Smedvig helped found the wide-ranging Empire Brass quintet.

Rolf Smedvig, Trumpeter in the Empire Brass, Dies at 62

A 2-minute-42-second demo recording captured in one take turned out to be a one-hit wonder for Mr. Ely, who was 19 when he sang the garage-band classic.

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71

As he reflected on the festering wounds deepened by race and grievance that have been on painful display in America’s cities lately, President Obama on Monday found himself thinking about a young man he had just met named Malachi.

A few minutes before, in a closed-door round-table discussion at Lehman College in the Bronx, Mr. Obama had asked a group of black and Hispanic students from disadvantaged backgrounds what could be done to help them reach their goals. Several talked about counseling and guidance programs.

“Malachi, he just talked about — we should talk about love,” Mr. Obama told a crowd afterward, drifting away from his prepared remarks. “Because Malachi and I shared the fact that our dad wasn’t around and that sometimes we wondered why he wasn’t around and what had happened. But really, that’s what this comes down to is: Do we love these kids?”

Many presidents have governed during times of racial tension, but Mr. Obama is the first to see in the mirror a face that looks like those on the other side of history’s ledger. While his first term was consumed with the economy, war and health care, his second keeps coming back to the societal divide that was not bridged by his election. A president who eschewed focusing on race now seems to have found his voice again as he thinks about how to use his remaining time in office and beyond.

Continue reading the main story Video
Play Video|1:17

Obama Speaks of a ‘Sense of Unfairness’

Obama Speaks of a ‘Sense of Unfairness’

At an event announcing the creation of a nonprofit focusing on young minority men, President Obama talked about the underlying reasons for recent protests in Baltimore and other cities.

By Associated Press on Publish Date May 4, 2015. Photo by Stephen Crowley/The New York Times.

In the aftermath of racially charged unrest in places like Baltimore, Ferguson, Mo., and New York, Mr. Obama came to the Bronx on Monday for the announcement of a new nonprofit organization that is being spun off from his White House initiative called My Brother’s Keeper. Staked by more than $80 million in commitments from corporations and other donors, the new group, My Brother’s Keeper Alliance, will in effect provide the nucleus for Mr. Obama’s post-presidency, which will begin in January 2017.

“This will remain a mission for me and for Michelle not just for the rest of my presidency but for the rest of my life,” Mr. Obama said. “And the reason is simple,” he added. Referring to some of the youths he had just met, he said: “We see ourselves in these young men. I grew up without a dad. I grew up lost sometimes and adrift, not having a sense of a clear path. The only difference between me and a lot of other young men in this neighborhood and all across the country is that I grew up in an environment that was a little more forgiving.”

Advertisement

Organizers said the new alliance already had financial pledges from companies like American Express, Deloitte, Discovery Communications and News Corporation. The money will be used to help companies address obstacles facing young black and Hispanic men, provide grants to programs for disadvantaged youths, and help communities aid their populations.

Joe Echevarria, a former chief executive of Deloitte, the accounting and consulting firm, will lead the alliance, and among those on its leadership team or advisory group are executives at PepsiCo, News Corporation, Sprint, BET and Prudential Group Insurance; former Secretary of State Colin L. Powell; Senator Cory Booker, Democrat of New Jersey; former Attorney General Eric H. Holder Jr.; the music star John Legend; the retired athletes Alonzo Mourning, Jerome Bettis and Shaquille O’Neal; and the mayors of Indianapolis, Sacramento and Philadelphia.

The alliance, while nominally independent of the White House, may face some of the same questions confronting former Secretary of State Hillary Rodham Clinton as she begins another presidential campaign. Some of those donating to the alliance may have interests in government action, and skeptics may wonder whether they are trying to curry favor with the president by contributing.

“The Obama administration will have no role in deciding how donations are screened and what criteria they’ll set at the alliance for donor policies, because it’s an entirely separate entity,” Josh Earnest, the White House press secretary, told reporters on Air Force One en route to New York. But he added, “I’m confident that the members of the board are well aware of the president’s commitment to transparency.”

The alliance was in the works before the disturbances last week after the death of Freddie Gray, the black man who suffered fatal injuries while in police custody in Baltimore, but it reflected the evolution of Mr. Obama’s presidency. For him, in a way, it is coming back to issues that animated him as a young community organizer and politician. It was his own struggle with race and identity, captured in his youthful memoir, “Dreams From My Father,” that stood him apart from other presidential aspirants.

But that was a side of him that he kept largely to himself through the first years of his presidency while he focused on other priorities like turning the economy around, expanding government-subsidized health care and avoiding electoral land mines en route to re-election.

After securing a second term, Mr. Obama appeared more emboldened. Just a month after his 2013 inauguration, he talked passionately about opportunity and race with a group of teenage boys in Chicago, a moment aides point to as perhaps the first time he had spoken about these issues in such a personal, powerful way as president. A few months later, he publicly lamented the death of Trayvon Martin, a black Florida teenager, saying that “could have been me 35 years ago.”

Photo
 
President Obama on Monday with Darinel Montero, a student at Bronx International High School who introduced him before remarks at Lehman College in the Bronx. Credit Stephen Crowley/The New York Times

That case, along with public ruptures of anger over police shootings in Ferguson and elsewhere, have pushed the issue of race and law enforcement onto the public agenda. Aides said they imagined that with his presidency in its final stages, Mr. Obama might be thinking more about what comes next and causes he can advance as a private citizen.

That is not to say that his public discussion of these issues has been universally welcomed. Some conservatives said he had made matters worse by seeming in their view to blame police officers in some of the disputed cases.

“President Obama, when he was elected, could have been a unifying leader,” Senator Ted Cruz of Texas, a Republican candidate for president, said at a forum last week. “He has made decisions that I think have inflamed racial tensions.”

On the other side of the ideological spectrum, some liberal African-American activists have complained that Mr. Obama has not done enough to help downtrodden communities. While he is speaking out more, these critics argue, he has hardly used the power of the presidency to make the sort of radical change they say is necessary.

The line Mr. Obama has tried to straddle has been a serrated one. He condemns police brutality as he defends most officers as honorable. He condemns “criminals and thugs” who looted in Baltimore while expressing empathy with those trapped in a cycle of poverty and hopelessness.

In the Bronx on Monday, Mr. Obama bemoaned the death of Brian Moore, a plainclothes New York police officer who had died earlier in the day after being shot in the head Saturday on a Queens street. Most police officers are “good and honest and fair and care deeply about their communities,” even as they put their lives on the line, Mr. Obama said.

“Which is why in addressing the issues in Baltimore or Ferguson or New York, the point I made was that if we’re just looking at policing, we’re looking at it too narrowly,” he added. “If we ask the police to simply contain and control problems that we ourselves have been unwilling to invest and solve, that’s not fair to the communities, it’s not fair to the police.”

Moreover, if society writes off some people, he said, “that’s not the kind of country I want to live in; that’s not what America is about.”

His message to young men like Malachi Hernandez, who attends Boston Latin Academy in Massachusetts, is not to give up.

“I want you to know you matter,” he said. “You matter to us.”

Obama Finds a Bolder Voice on Race Issues

The 6-foot-10 Phillips played alongside the 6-11 Rick Robey on the Wildcats team that won the 1978 N.C.A.A. men’s basketball title.

Mike Phillips, Half of Kentucky’s ‘Twin Towers’ of Basketball, Dies at 59

Judge Patterson helped to protect the rights of Attica inmates after the prison riot in 1971 and later served on the Federal District Court in Manhattan.

Robert Patterson Jr., Lawyer and Judge Who Fought for the Accused, Dies at 91

Fullmer, who reigned when fight clubs abounded and Friday night fights were a television staple, was known for his title bouts with Sugar Ray Robinson and Carmen Basilio.

Gene Fullmer, a Brawling Middleweight Champion, Dies at 83

Mr. Mankiewicz, an Oscar-nominated screenwriter for “I Want to Live!,” also wrote episodes of television shows such as “Star Trek” and “Marcus Welby, M.D.”

Don Mankiewicz, Screenwriter in a Family Film Tradition, Dies at 93
Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

Photo
 
Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

Advertisement

Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

Photo
Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

Photo
The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

Photo
The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple

With 12 tournament victories in his career, Mr. Peete was the most successful black professional golfer before Tiger Woods.

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead
harga paket umroh akhir tahun di Cipinang Besar Utara jakarta
harga berangkat umroh februari di Cipayung jakarta
harga umroh januari bekasi selatan
promo umrah ramadhan di Makasar jakarta
biaya umrah awal tahun di Duren Sawit jakarta
paket berangkat umroh april di Rawamangun jakarta
harga berangkat umrah mei di Cakung Timur jakarta
biaya umrah akhir tahun di Kampung Baru jakarta
biaya umroh ramadhan di Rambutan jakarta
paket promo umroh ramadhan di Kalisari jakarta
harga berangkat umrah maret tangerang
harga umroh awal tahun di Cipinang jakarta
harga berangkat umroh akhir tahun di Rawa Terate jakarta
biaya umroh awal tahun umrohdepag.com
harga umrah januari bekasi barat
promo umrah mei di Makasar jakarta
biaya umroh april di Duren Sawit jakarta
paket umrah april di Pondok Kelapa jakarta
paket promo berangkat umroh juni di Pulogebang jakarta
paket promo berangkat umroh awal tahun di Cipayung jakarta
biaya paket berangkat umrah april di Kebon Pala jakarta
biaya umroh maret di Jatinegara jakarta
paket promo umroh ramadhan di Malaka Jaya jakarta
biaya berangkat umrah mei di Dukuh jakarta
biaya berangkat umroh desember di Lubang Buaya jakarta
paket promo umrah desember di Cililitan jakarta
promo umrah februari di Makasar jakarta
paket promo umroh akhir tahun di Ujung Menteng jakarta
harga paket umroh februari di Bambu Apus jakarta
harga paket berangkat umroh juni di Rawa Bunga jakarta
harga paket umrah januari umrohdepag.com
harga berangkat umrah maret di Kramat Jati jakarta
harga berangkat umrah maret di Pisangan Timur jakarta
biaya berangkat umrah akhir tahun di Lubang Buaya jakarta
promo umrah maret di Jatinegara jakarta
promo umrah maret tangerang
promo berangkat umroh april di Dukuh jakarta
biaya berangkat umroh maret di Pulo Gadung jakarta
promo umroh awal tahun di Cawang jakarta
promo berangkat umroh april di Pondok Bambu jakarta
biaya paket umrah april di Cipinang Besar Selatan jakarta
biaya berangkat umroh desember di Duren Sawit jakarta
paket berangkat umroh mei di Cawang jakarta
paket promo umrah februari di Cilangkap jakarta
paket promo berangkat umrah awal tahun di Utan Kayu Selatan jakarta
biaya berangkat umroh awal tahun di Cilangkap jakarta
promo umroh desember di Pulogebang jakarta
promo berangkat umroh april di Malaka Sari jakarta
promo umrah ramadhan di Kramat Jati jakarta
biaya paket umroh akhir tahun umrohdepag.com
harga paket umroh mei di Utan Kayu Utara jakarta
promo berangkat umroh desember depok
harga umrah akhir tahun di Kalisari jakarta
paket umrah desember di Kebon Manggis jakarta
harga paket umrah akhir tahun di Bambu Apus jakarta
biaya umroh awal tahun di Pondok Bambu jakarta
biaya umroh juni bekasi utara
biaya berangkat umroh april di Rawa Terate jakarta
paket promo berangkat umroh desember di Jati jakarta
promo berangkat umrah ramadhan di Cipinang Muara jakarta
biaya paket berangkat umroh mei di Pondok Bambu jakarta
harga paket umrah maret di Pondok Kopi jakarta
biaya berangkat umrah akhir tahun di Jatinegara jakarta
paket berangkat umroh februari di Jatinegara Kaum jakarta
biaya paket umrah awal tahun di Cipayung jakarta
biaya umrah april di Bambu Apus jakarta
biaya berangkat umroh april di Rawamangun jakarta
promo umrah februari di Matraman jakarta
biaya paket umroh desember di Rawa Bunga jakarta
promo umrah akhir tahun di Balekambang jakarta
promo umroh juni di Kramat Jati jakarta
harga umroh januari di Utan Kayu Selatan jakarta
harga paket berangkat umroh desember di Pondok Kelapa jakarta
biaya paket berangkat umrah juni di Cakung Timur jakarta
biaya paket umrah juni di Munjul jakarta
biaya berangkat umroh ramadhan di Cipayung jakarta
biaya paket berangkat umroh maret di Malaka Sari jakarta
harga paket berangkat umroh desember di Cipinang Melayu jakarta
paket promo umroh akhir tahun di Halim Perdanakusuma jakarta
biaya paket umroh ramadhan di Kayu Manis jakarta
harga berangkat umroh mei di Balekambang jakarta
paket promo berangkat umroh akhir tahun di Kramat Jati jakarta
harga paket umrah maret di Rawamangun jakarta
biaya berangkat umroh juni di Pondok Bambu jakarta
biaya paket umrah desember di Cipinang Melayu jakarta
biaya umroh juni di Bambu Apus jakarta
paket berangkat umrah akhir tahun di Balekambang jakarta
promo berangkat umrah mei di Pekayon jakarta
harga berangkat umroh akhir tahun di Makasar jakarta
promo umrah april di Pondok Kelapa jakarta
promo berangkat umrah april di Kramat Jati jakarta
paket berangkat umrah ramadhan di Utan Kayu Selatan jakarta
harga paket umrah maret di Ciracas jakarta
harga paket berangkat umroh februari di Halim Perdanakusuma jakarta
biaya paket berangkat umroh ramadhan di Kebon Pala jakarta
biaya paket umrah akhir tahun di Pasar Rebo jakarta
harga berangkat umrah februari di Jatinegara jakarta
promo berangkat umrah mei di Jatinegara jakarta
biaya berangkat umroh januari di Kayu Manis jakarta
paket promo umroh juni bekasi timur