PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




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YOGYAKARTA, Saco-Indonesia.com - Mahasiswa Fakultas Kedokteran Hewan UGM Yogyakarta, Artina Prastiwi menemukan vaksin flu burung atau Avian Influenza H5N1 dengan memanfaatkan ekstrak buah mahkota dewa (Phaleria macrocarpa).

"Vaksin tersebut terbukti mampu menghambat perkembangan virus Avian Influenza (AI) hingga 87 persen. Selain telah teruji dalam skala laboratorium, vaksin itu juga lebih murah dibandingkan dengan vaksin kimia yang dijual di pasaran," kata Artina di Yogyakarta, Kamis (3/3/2011).

Menurut dia, vaksin AI di pasaran biasanya dibanderol Rp 200.000 per 100 dosis, sedangkan vaksin temuannya hanya Rp 75.000 per 100 dosis.

"Meskipun terbilang efektif dan murah, vaksin itu belum dipasarkan secara massal, karena masih perlu penelitian lebih lanjut untuk mengetahui secara pasti hasilnya," katanya.

Vaksin itu memanfaatkan buah mahkota dewa, potensi lokal Indonesia, yang secara ilmiah telah terbukti mampu meningkatkan daya tahan tubuh sebagai antivirus AI.

Kandungan saponin dalam buah mahkota dewa bermanfaat selain dapat meningkatkan sistem kekebalan tubuh dan vitalitas, juga bisa dimanfaatkan sebagai antibakteri dan antivirus.

Menurut dia, untuk mendapatkan senyawa saponin, buah mahkota dewa dibuat ekstrak melalui penyulingan.

 

Sumber :ANT/kompas.com
Editor : Maulana Lee
Buah Mahkota Dewa Ditakuti Flu Burung, Bisa Sebagai Vaksin Flu Burung

MQ Travel mengadakan Wisata Muslim China (9 hari 8 malam) pada 20-28 Desember 2013
Rute: BEIJING – SHANGHAI – HANGZHOU – SUZHOU

 

Hari 1 Jakarta – Beijing , 20 Desember 2013
Penerbangan dengan GA 890 Pk. 22.45 WIB.

Hari 2 Beijing, 21 Desember
Tiba di Beijing sekitar Pk.06.55 | kunjungan ke Lapangan Tiananmein yang merupakan alun-alun kota terbesar di dunia, berbatasan dengan Aula Besar Rakyat dan Mausoleum Ketua Mao, dilanjutkan tour ke Kota Terlarang, kompleks kekaisaran istana dan Sholat Dzuhur dan Ashar bersama di  Mesjid Nan Dou Ya.

Hari 3 Beijing, 22 Desember 2013
Perjalanan ke Tembok China | Kunjungan ke Museum Giok dan belanja di Burning Cream Center, Stadion Olimpiade | Berbelanja di Wang Fu Jing Shooping Street dan Pasar Makanan.

Hari 4 Beijing, 23 Desember 2013
Kunjungan ke Istana Musim Panas, Masjid Madian | dilanjutkan berbelanja di pasar lokal Pasar Xiushui.

Hari 5 Beijing – Shanghai, 24 Desember 2013
Perjalanan ke Shanghai menggunakan kerta api cepat (high speed railway-5,5 jam) | Kunjungan ke Masjid Xiaotaoyuan yang merupakan mesjid paling terkenal di Shanghai dan Oriental Pearl TV Tower (menara TV tertinggi di Asia dan tertinggi ketiga di dunia) | ditutup dengan program Huang Pu River Cruise, makan malam sambil menyusuri sungai.

Hari 6 Shanghai – Hangzhou, 25 Desember 2013
Perjalanan dengan bus ke Hangzhou mengunjungi Leifeng Pagoda, Changqiao Park, Phoenix Mosque, and Ming & Qing Dynasty Ancient Street.

Hari 7 Hangzhou – Suzhou, 26 Desember 2013
Sampai di Suzhou mengunjungi West Lake, Viewing Fish and Lotus Ponds at Flower Harbor | Kunjungan ke Well Tea Village (kampong teh)

Hari 8 Suzhou – Shanghai, 27 December 2013
Masih di Suzhou: kunjungan ke Ou Yuan Garden, The Jinji Lake Scenic Area from outside | Perjalanan ke Shanghai, kunjungan ke Oriental Pearl TV Tower (the 2nd Ball) dan Old Shanghai History Museum.

Hari 9 Shanghai – Jakarta , 28 December 2013
Kembali ke Jakarta dengan GA 895 Pk. 10.05 waktu lokal. Diperkirakan tiba di Jakarta jam 15.25 WIB.

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HARGA
Hotel    Twin/Triple Sharing    Single Supplement
4 Star    USD 1,825 / pax (Adult)
USD 1,700 / pax (Child with Bed)
USD 1,650 / pax (Child no Bed)    USD180 / pax

HOTEL YANG DIGUNAKAN :
Beijing: Rosedale Hotel (www.longdinghuahotel.com) atau setaraf
Shanghai: Holiday Inn Express Zhabei (www.holidayinn.com) atau setaraf
Hangzhou: Hotel Amethyst (www.zjzjhotel.com) atau setaraf

HARGA SUDAH TERMASUK:
1.    Tiket pesawat menggunakan Garuda Airline (economy class) pp
2.    Sudah termasuk Visa Cina dan Air port tax
3.    Hotel, makan 3x sehari (Halal Food)

HARGA BELUM TERMASUK:
1.    Tour tambahan dan Asuransi
2.    Pengeluaran yang bersifat pribadi, seperti minuman, souvenir, panggilan telepon,dll
3.    Tips untuk supir dan guide (US2.00/ hari/pax untuk guide , US1.00/hari/pax untuk supir.

INFORMASI & PENDAFTARAN
PT. MANAJEMEN QOLBU TAUHIID (MQ TRAVEL)
Jl. CIPAKU  NO. 18, KEBAYORAN BARU, JAKARTA 12170
Telepon: +62-21-7235255; HP: 0838 20201111; 02193151617 Fax. +62-21-7235258,
E-mail: mqtravel@dtjakarta.or.id, website: www.mqtravel.co.id

KBIH DAARUT TAUHIID BANDUNG
JL. GEGER KALONG GIRANG
CP: LUKMAN – 0815 7113700

*Jadwal sewaktu-waktu dapat berubahan tanpa mengurangi waktu dan tempat tujuan yang dikunjungi

Sumber : http://www.mqtravel.co.id

Baca Artikel Lainnya : MENGETAHUI CARA KEBERANGKATAN HAJI

WISATA MUSLIM CHINA

saco-indonesia.com, Bagi masyarakat Indonesia, jeruk nipis jamak digunakan sebagai bahan minuman atau bahan pelengkap dari makanan. Buah ini juga memiliki kandungan asam yang lebih rendah jika dibandingkan dengan lemon.

Selain itu, ternyata jeruk nipis juga mempunyai banyak manfaat untuk kesehatan. inilah manfaat jeruk nipis untuk kesehatan :

Baik untuk diet
Jeruk nipis adalah buah yang rendah akan kalori. Jeruk nipis hanya mengandung 43 kalori secara keseluruhan. Oleh karena itu buah ini juga cocok untuk dikonsumsi sebagai menu diet bagi mereka yang sedang berusaha untuk menurunkan berat badan.

Menyehatkan pencernaan
Kandungan flavanoids yang ada di dalam jeruk nipis juga mampu untuk meningkatkan produksi empedu dan cairan pencernaan. Cairan tersebut juga mampu untuk mengeluarkan racun dari dalam tubuh. Selain itu jeruk nipis juga mampu untuk menenangkan perut Anda yang sedang menderita mual, muntah, dan diare.

Kaya akan vitamin C
Vitamin C adalah salah satu vitamin yang sangat penting diperlukan oleh tubuh. Kebutuhan vitamin C pria dewasa yang dianjurkan adalah 90 mg dan wanita dewasa adalah 75 mg setiap hari. Sementara itu kandungan vitamin C di dalam jeruk nipis minimal berjumlah 50 mg.

Kaya akan mineral
Jeruk nipis sangat kaya akan kandungan mineral. Kandungan kalium yang ada di dalam jeruk nipis sekitar 490 mg. Selain kalium, jeruk nipis juga mengandung tembaga, kalsium, besi, dan fosfor.

Dapat digunakan sebagai obat
Jangan lupa untuk selalu menyediakan jeruk nipis di rumah Anda sebab jeruk nipis dapat digunakan sebagai obat darurat untuk penyakit yang ringan. Beberapa peneliti telah menyebutkan bahwa jeruk nipis telah memiliki sifat anti virus dan anti septik.

Si kecil jeruk nipis ternyata juga memiliki beragam manfaat untuk kesehatan. Oleh karena itu selalu sediakan jeruk nipis di rumah Anda sebagai salah satu tanaman herbal yang penting untuk dapat menjaga kesehatan Anda.


Editor : Dian Sukmawati

MANFAAT JERUK NIPIS

saco-indonesia.com, Innalillahi wa inna ilaihi rojiun. Ustad Jefri Al Buchori yang kerap disapa Ustad Uje meninggal dunia akibat kecelakaan lalulintas Jumat dinihari 26 April 2013.

Kecelakaan terjadi di kawasan Pondok Indah, Jakarta Selatan seperti di lansir dari akun Twitter dari TMC Polda Metro Jaya.

disebutkan bahwa ustad yang akrab dipanggil Uje itu menabrak pohon saat mengendarai motor Kawasaki di daerah Gedong Hijau, Pondok Indah.

“03:47 Kecelakaan Pemotor Kawasaki B 3590 SGQ di Jl. Gedong Hijau 7 Pdk Indah, korban meninggal dunia a/n Bpk Jefri Al Buchori,”demikian isi twitter TMC di @TMCPoldaMetro sekitar pukul 04.00 Wita.

Dari kicauan TMC sebelumnya menulis bahwa kecelakaan Pemotor Kawasaki E650 B 3590 SGQ menabrak pohon di Jalan Gedong Hijau 7 Pondok Indah.

TMC menulis bahwa korban meninggal dunia.

Motor almarhum Ustad Jefri Al
Buchori - Foto @tmcpoldametro

Motor almarhum Ustad Jefri Al Buchori – Foto @tmcpoldametro

Almarhum menjadi korban kecelakaan tunggal dengan sepeda motor. Ia diduga hilang kendali kemudian menabrak pohon palem dan pembatas jalan.

Almarhum langsung dilarikan ke Rumah Sakit Pondok Indah dan kemudian dipindahkan ke Rumah Sakit Fatmawati tempat menghembuskan napas terakhir.

Jenazah Ustad Uje - Foto Moammar Emka

Jenazah Ustad Uje – Foto Moammar Emka

Jenazah kini berada di rumah duka di Perum Bukit Mas Jalan Narmada III Rempoa. Rencananya Jenazah akan dishalatkan di Masjid Istiqlal sebelum shalat Jumat. Kemudian dimakamkan di Tempat Pemakaman Umum (TPU) Karet Bivak Jakarta.

Almarhum meninggalkan istri, Pipik Dian Irawati Popon, dan tiga orang anak masing-masing Adiba Khanza Az-Zahra, Mohammad Abidzar Al-Ghifari, dan Ayla Azuhro

Selamat jalan ustad muda Indonesia… Semoga amal ibadah diterima di sisi- Nya. Amin…

http://tokobersamabisa.com/

Ustad Uje Meninggal Dunia Akibat Kecelakaan
ilmu-allah Berkata Malaikat: "Maha Suci Engkau, tidak ada ilmu bagi kami kecuali yang telah Engkau ajarkan kepada kami; sesungguhnya Engkau Dzat Yang Maha Mengetahui dan Yang Maha Menghukumi" Surat Al-Baqoroh (2:32). Beribu-ribu tahun yang lalu, ketika Allah akan menjadikan Adam sebagai khalifah di muka bumi, para Malaikat sempat mempertanyakan mengapa Allah memilih mahluk yang doyan berbuat kerusakan dan mengalirkan darah menjadi khalifah?. Mengapa bukan justru mereka saja yang terus menerus tanpa putus bertasbih yang dinobatkan menjadi khalifah bumi? Heran. Bagaimana cara Allah menangani keheranan Malaikat? Wa ‘allamal adaama asmaa-a kullahaa diajarkan-Nya-lah kepada Adam nama seluruh benda yang waktu itu ada di muka bumi. Sini tanah, situ pohon, sana batu, sono langit, ini hidung, itu kaki, dst, dst. Setelah itu Allah berkata kepada Malaikat: "Sebutkanlah kepada-Ku nama benda-benda itu jika kalian benar". Malaikat menyerah. Fasajaduu – mana sujud para Malaikat itu, kepada Adam, illaa ibliis – kecuali Iblis. Hanya ilmu tentang nama-nama benda. Bukan ilmu dasar iptek matematika, fisika, kimia, biologi yang ruwet-rumit. Hanya nama-nama benda. Tidak lebih. Peristiwa Besar Kejadian itu sepertinya hal kecil. Padahal adalah sebuah peristiwa besar. Yang menunjukkan betapa makhluq itu tidak ada apa-apanya dimata Sang Khaliq. Malaikat dibuat dari cahaya. Manusia dibuat dari tanah. Tugas manusia adalah beribadah kepada Allah. Tugas Malaikat adalah, antara lain, mencatat amal baik dan amal buruk manusia. Dari hal-hal itu, seorang anak kecil saja bisa menarik kesimpulan bahwa kedudukan Malaikat lebih tinggi dari manusia. Tapi mengapa Malaikat “kalah” ketika di test nama-nama? Padahal hanya nama-nama sederhana? Kalah oleh manusia yang ingredient alias ramuan bahan dasarnya saja “lebih rendah”?. Jawabnya: karena Allah menghendaki demikian. Karena Allah menghendaki mengajarkan kepada Adam ilmu nama-nama yang tidak pernah diajarkan-Nya kepada Malaikat. Einstein-Hawking Jika ditanya siapakah ilmuwan-ilmuwan terbesar sepanjang masa, maka Albert Einsten dan Stephen Hawking adalah dua nama diantaranya. Yang pertama terkenal dengan teori relativitasnya, yang kedua terkenal dengan teori ‘big bang’ alias dentuman besarnya. Teori apa itu? Bukan porsi artikel ini untuk menjelaskannya. Jawaban terhadap pertanyaan mengapa kecemerlangan otak mereka tidak diberikan kepada ilmuwan Muslim melainkan justru diberikan kepada ilmuwan atheis, identik dengan jawaban terhadap pertanyaan mengapa ilmu nama-nama tidak diberikan kepada Malaikat. Diantara 25 Nabi, ada 5 Nabi yang mendapatkan peringkat Ulul ‘Azmi: Fashbir kamaa shobaro uulul ‘azmi – shobarlah sebagaimana rasul yang diberi keshobaran hati. Mereka adalah Nuh, Ibrahim, Musa, Isa dan Muhammad. Tetapi mengapa Musa sampai harus meminta-minta diajari ilmu mengetahui masa depan kepada Nabi Khidir yang di dalam daftar 25 Nabi pun, tidak ada? Tragisnya, boro-boro mendapatkan ilmu, Musa menjadi murid Khidir pun, gagal, karena tidak bisa menahan diri untuk tidak bertanya atas berbagai hal yang memang aneh dan layak ditanyakan. Misalnya, dengan enaknya Khidir membunuh orok yang masih merah, dll. Mengapa Khidir lebih pintar dari Musa? Jawabnya: karena Allah menghendaki demikian. Dikejadian lain, mengapa Musa yang Ulul ‘Azmi bisa dikalahkan oleh ilmunya Bal’an bin Bauro sehingga muter-muter selama 40 tahun sampai bisa menemukan Baitul Maqdis? Jawabnya: karena Allah menghendaki demikian. Jika sejak tahun 1886 mobil Merdeces-Benz menemukan puluhan ribu paten, maka setiap paten sesungguhnya adalah Ilmu Allah, hanya saja awalnya ditemukan oleh orang Jerman, Tuan Gottlieb Daimler dan Tuan Carl Benz. Dst., dst. Tidak ada secuilpun di dunia ini yang tidak didasarkan atas ilmu Allah. Bahkan sekedar nama-nama benda. Ikhtilaf Sayang sekali, untuk 1 ilmu yang sama, Allah memberi keleluasaan kepada manusia untuk menafsirkannya secara berbeda. Terutama ilmu-ilmu non-eksakta. Untuk ilmu eksakta, atau dulu disebut ‘ilmu pasti’, dimana-mana di belahan dunia manapun yang namanya 2 kali 2 hasilnya 4; yang namanya air selalu mengalir ke tempat yang lebih rendah; yang namanya kecepatan cahaya selalu jauh lebih besar daripada kecepatan suara; dst., dst. Tetapi bagaimana dengan ilmu yang satu ini yang berbunyi: al-jamaa’atu rohmatun wal firqotu ‘adzabun – jamaah adalah rohmat dan pecah belah adalah siksa. Ada seabrek pengertian yang dimaksud ‘jamaah’, ada seabrek pengertian yang dimaksud ‘rohmat’, ada seabrek pengertian yang dimaksud ‘firqoh’, dan ada seabrek pengertian yang dimaksud ‘adzab’. Kalau dibuat matriks 4x4 jamaah-rohmat-firqoh-adzab, maka pengertiannya sudah pasti seabrek-abrek. Maka disinilah fungsinya isnad atau mata rantai yang menjamin tersambungnya dengan pengertian yang sebenarnya dengan apa yang diajarkan dan dimaksudkan oleh Nabi. Disinilah pentingnya ilmu asbabun-nuzul atau sebab-sebab turunnya sebuah ayat Al-Quran atau asbabul-wurud atau sebab-sebab adanya sebuah hadits. Disinilah penting hadits Bukhori, Muslim, Nasai, Abu Daud, Tirmidzi, Ibnu Majah, dsb. Ilmu Tidak Bermanfaat. Hah! Mosok iya ada ilmu yang tidak bermanfaat? Yakin, haq: ada!. Buktinya Nabi mengajarkan do’a yang dibaca sebelum minum air zamzam: Alloohumma innii as-aluka ‘ilman naafi’a – Ya Allah hamba memohon ilmu yang bermanfaat. Bukti lain, di hadits lain, Nabi mengajarkan do’a: Alloohumma innii a’uudzu bika min ‘ilmin laa yanfa’ – Ya Allah hamba berlindung dari ilmu yang tidak bermanfaat. Nah. Banyak ilmu ternyata tidak selamanya identik dengan orang faqih atau orang faham. Faqihun wahidun asyaddu ‘alasy syaithooni min alfi ‘aabid – Satu orang faqih lebih berat bagi syaithan daripada seribu orang yang bodoh. Jadi bukan orang yang banyak ilmunya yang ditakuti syetan. Tapi orang faqih. Satu ketika ada seorang sahabat yang menyimpan sedekah di sebelah mimbar di masjid, dengan harapan diambil oleh orang miskin. Apa yang terjadi? Sedekah tadi diambil oleh seorang pencuri. Di lain hari, disimpannya lagi sedekah di sebelah mimbar masjid, dengan harapan yang sama. Apa yang terjadi? Sedekah tadi diambil oleh orang tidak baik lainnya. Demikian seterusnya. Sohabat tadi kemudian lapor kepada Nabi yang kemudian dijawab bahwa pada saat sedekah itu diletakkan di sebelah mimbar, pahalanya sudah diterima di sisi Allah. Ilmu Allah dari hadits diatas adalah, saat sedekah, pahala sudah jadi. Urusan sedekah itu menjadi apa, sudah menjadi urusan Allah. Identik dengan keadaan masa kini. Saat seorang Mumin menyerahkan sedekahnya kepada Baitul Maal wa Tamwil (BMT), saat itu pahalanya sudah diterima oleh Allah. Terserah Allah, melalui pengurus BMT mau diapakan sedekahnya itu. Itulah ilmu Allah, sebagaimana yang dapat dipetik dari hadits sedekah yang diambil bukan oleh orang miskin diatas. Sebaliknya mereka yang sedekah kemudian mengungkit-ungkit, mencari-cari, berprasangka, suudzon tanpa hak, itu adalah Ilmu Syetan yang mengajak menghancur-leburkan amal sedekahnya sendiri. Yaa ayyuhalladziina aamanuu laa tubtiluu shodaqootikum bil manni wal adza – Wahai orang-orang yang beriman janganlah kalian membatalkan sedekahmu dengan mengungkit-ungkit dan menyakitkan hati. Nah, apalagi kalau bukan Ilmu Syetan yang membatalkan amalan? Ibadah Ghoiro Maghdhoh Definisi syirik sudah jelas. Ada di Al-Quran dan ada di Al-Hadits. Syirik yang terang-terangan alias dzahar adalah menyembah kepada selain Allah, atau menduakan Allah. Syirik yang samar alias khoufi adalah ibadah mengharapkan ‘sesuatu’ selain pahala dari Allah. Segala macam syirik ganjarannya adalah dimasukkan kedalam neraka. Maka itu terhadap pendapat yang menyatakan bahwa menghormat bendera adalah perbuatan syirik, sudah pasti disebabkan bingung tidak bisa membedakan antara “menyembah” dengan “menghormat”. Hormat bendera adalah bagian dari kewajiban warga negara untuk selayaknya menghormati segala atribut yang melambangkan kebesaran negara. Bahkan untuk hal-hal tertentu, pelecehan terhadap atribut negara menimbulkan konsekwensi hukum. Jika istiqomah – konsisten dengan keyakinannya, yang menyatakan syirik terhadap menghormat bendera, seharusnya menyatakan syirik pula terhadap yang mentaati lampu setopan di perempatan jalan, dan yang mentaati tukang parkir, karena bukankan taat itu hanya kepada Allah dan Rasul? Bahkan seharusnya menyatakan perbuatan syirik pula terhadap pembayaran STNK, pembuatan KTP dan SIM, dll., dll., bukan? Karena kebanyakan ilmu, namun bukan Ilmu Allah, melainkan ro’yu ilmu fikiran sendiri, maka syetan pun masuk. Padahal ro’yu itu sangat berbahaya. Sabda Nabi, barang siapa yang berkata dengan ro’yu alias fikiran sendiri - fa ashooba faqod akhto – umpamapun perkataannya benar, maka tetap saja salah. Apalagi perkataannya salah. Pantas bingung. Kalau sudah bingung, firman Allah tsummun bukmun ‘umyun – tuli bisu buta, fahum laa yarji’uun – maka mereka tidak bisa kembali. Alhamdulillah bagi mereka yang bisa mengamalkan ibadah maghdhoh yang berkaitan dengan Rukun Iman percaya kepada Allah, Malaikat, Kitab, Nabi, Qodar dan Kiamat; serta ibadah yang berkaitan dengan Rukun Islam Syahadat, Sholat, Zakat, Puasa dan Haji. Alhamdulillah bagi mereka yang bisa membedakan mana ibadah ghoiro maghdhoh yang tidak berkaitan dengan kedua rukun diatas, melainkan ibadah sosial. Yaitu memiliki keyakinan bahwa menjadi warga negara yang taat kepada Pemerintah yang sah serta menghormati 4 pilar (1) Pancasila, (2) Undang-undang Dasar (UUD) 1945, (3) Bhineka Tunggal Ika dan (4) NKRI, adalah bagian daripada ibadah. Hanya Ilmu Allah yang sebenarnya yang bisa membawa keyakinan seperti itu. Maka sesekali tirukanlah ucapan Malaikat ketika menyerah kepada Allah untuk sujud kepada Adam: “Ya Allah, tidak ada ilmu bagi kami kecuali yang telah Engkau ajarkan kepada kami”. Kalau sudah demikian, setinggi apapun ilmu agama dan ilmu dunia yang dikuasai, bagaimana mungkin masih bisa sombong? Fa aina tadzhabuun? Liwon Maulana (galipat)ILMU ALLAH

Ms. Turner and her twin sister founded the Love Kitchen in 1986 in a church basement in Knoxville, Tenn., and it continues to provide clothing and meals.

Ellen Turner Dies at 87; Opened Kitchen to Feed the Needy of Knoxville

A former member of the Boston Symphony Orchestra, Mr. Smedvig helped found the wide-ranging Empire Brass quintet.

Rolf Smedvig, Trumpeter in the Empire Brass, Dies at 62

Mr. Fox, known for his well-honed countrified voice, wrote about things dear to South Carolina and won over Yankee critics.

William Price Fox, Admired Southern Novelist and Humorist, Dies at 89
Joseph Lechleider

Mr. Lechleider helped invent DSL technology, which enabled phone companies to offer high-speed web access over their infrastructure of copper wires.

Joseph Lechleider, a Father of the DSL Internet Technology, Dies at 82

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

Photo
Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

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The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple

WASHINGTON — The former deputy director of the C.I.A. asserts in a forthcoming book that Republicans, in their eagerness to politicize the killing of the American ambassador to Libya, repeatedly distorted the agency’s analysis of events. But he also argues that the C.I.A. should get out of the business of providing “talking points” for administration officials in national security events that quickly become partisan, as happened after the Benghazi attack in 2012.

The official, Michael J. Morell, dismisses the allegation that the United States military and C.I.A. officers “were ordered to stand down and not come to the rescue of their comrades,” and he says there is “no evidence” to support the charge that “there was a conspiracy between C.I.A. and the White House to spin the Benghazi story in a way that would protect the political interests of the president and Secretary Clinton,” referring to the secretary of state at the time, Hillary Rodham Clinton.

But he also concludes that the White House itself embellished some of the talking points provided by the Central Intelligence Agency and had blocked him from sending an internal study of agency conclusions to Congress.

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Michael J. Morell Credit Mark Wilson/Getty Images

“I finally did so without asking,” just before leaving government, he writes, and after the White House released internal emails to a committee investigating the State Department’s handling of the issue.

A lengthy congressional investigation remains underway, one that many Republicans hope to use against Mrs. Clinton in the 2016 election cycle.

In parts of the book, “The Great War of Our Time” (Twelve), Mr. Morell praises his C.I.A. colleagues for many successes in stopping terrorist attacks, but he is surprisingly critical of other C.I.A. failings — and those of the National Security Agency.

Soon after Mr. Morell retired in 2013 after 33 years in the agency, President Obama appointed him to a commission reviewing the actions of the National Security Agency after the disclosures of Edward J. Snowden, a former intelligence contractor who released classified documents about the government’s eavesdropping abilities. Mr. Morell writes that he was surprised by what he found.

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“You would have thought that of all the government entities on the planet, the one least vulnerable to such grand theft would have been the N.S.A.,” he writes. “But it turned out that the N.S.A. had left itself vulnerable.”

He concludes that most Wall Street firms had better cybersecurity than the N.S.A. had when Mr. Snowden swept information from its systems in 2013. While he said he found himself “chagrined by how well the N.S.A. was doing” compared with the C.I.A. in stepping up its collection of data on intelligence targets, he also sensed that the N.S.A., which specializes in electronic spying, was operating without considering the implications of its methods.

“The N.S.A. had largely been collecting information because it could, not necessarily in all cases because it should,” he says.

The book is to be released next week.

Mr. Morell was a career analyst who rose through the ranks of the agency, and he ended up in the No. 2 post. He served as President George W. Bush’s personal intelligence briefer in the first months of his presidency — in those days, he could often be spotted at the Starbucks in Waco, Tex., catching up on his reading — and was with him in the schoolhouse in Florida on the morning of Sept. 11, 2001, when the Bush presidency changed in an instant.

Mr. Morell twice took over as acting C.I.A. director, first when Leon E. Panetta was appointed secretary of defense and then when retired Gen. David H. Petraeus resigned over an extramarital affair with his biographer, a relationship that included his handing her classified notes of his time as America’s best-known military commander.

Mr. Morell says he first learned of the affair from Mr. Petraeus only the night before he resigned, and just as the Benghazi events were turning into a political firestorm. While praising Mr. Petraeus, who had told his deputy “I am very lucky” to run the C.I.A., Mr. Morell writes that “the organization did not feel the same way about him.” The former general “created the impression through the tone of his voice and his body language that he did not want people to disagree with him (which was not true in my own interaction with him),” he says.

But it is his account of the Benghazi attacks — and how the C.I.A. was drawn into the debate over whether the Obama White House deliberately distorted its account of the death of Ambassador J. Christopher Stevens — that is bound to attract attention, at least partly because of its relevance to the coming presidential election. The initial assessments that the C.I.A. gave to the White House said demonstrations had preceded the attack. By the time analysts reversed their opinion, Susan E. Rice, now the national security adviser, had made a series of statements on Sunday talk shows describing the initial assessment. The controversy and other comments Ms. Rice made derailed Mr. Obama’s plan to appoint her as secretary of state.

The experience prompted Mr. Morell to write that the C.I.A. should stay out of the business of preparing talking points — especially on issues that are being seized upon for “political purposes.” He is critical of the State Department for not beefing up security in Libya for its diplomats, as the C.I.A., he said, did for its employees.

But he concludes that the assault in which the ambassador was killed took place “with little or no advance planning” and “was not well organized.” He says the attackers “did not appear to be looking for Americans to harm. They appeared intent on looting and conducting some vandalism,” setting fires that killed Mr. Stevens and a security official, Sean Smith.

Mr. Morell paints a picture of an agency that was struggling, largely unsuccessfully, to understand dynamics in the Middle East and North Africa when the Arab Spring broke out in late 2011 in Tunisia. The agency’s analysts failed to see the forces of revolution coming — and then failed again, he writes, when they told Mr. Obama that the uprisings would undercut Al Qaeda by showing there was a democratic pathway to change.

“There is no good explanation for our not being able to see the pressures growing to dangerous levels across the region,” he writes. The agency had again relied too heavily “on a handful of strong leaders in the countries of concern to help us understand what was going on in the Arab street,” he says, and those leaders themselves were clueless.

Moreover, an agency that has always overvalued secretly gathered intelligence and undervalued “open source” material “was not doing enough to mine the wealth of information available through social media,” he writes. “We thought and told policy makers that this outburst of popular revolt would damage Al Qaeda by undermining the group’s narrative,” he writes.

Instead, weak governments in Egypt, and the absence of governance from Libya to Yemen, were “a boon to Islamic extremists across both the Middle East and North Africa.”

Mr. Morell is gentle about most of the politicians he dealt with — he expresses admiration for both Mr. Bush and Mr. Obama, though he accuses former Vice President Dick Cheney of deliberately implying a connection between Al Qaeda and Iraq that the C.I.A. had concluded probably did not exist. But when it comes to the events leading up to the Bush administration’s decision to go to war in Iraq, he is critical of his own agency.

Mr. Morell concludes that the Bush White House did not have to twist intelligence on Saddam Hussein’s alleged effort to rekindle the country’s work on weapons of mass destruction.

“The view that hard-liners in the Bush administration forced the intelligence community into its position on W.M.D. is just flat wrong,” he writes. “No one pushed. The analysts were already there and they had been there for years, long before Bush came to office.”

Ex-C.I.A. Official Rebuts Republican Claims on Benghazi Attack in ‘The Great War of Our Time’

Mr. Goldberg was a serial Silicon Valley entrepreneur and venture capitalist who was married to Sheryl Sandberg, the chief operating officer of Facebook.

Dave Goldberg Was Lifelong Women’s Advocate

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47

The bottle Mr. Sokolin famously broke was a 1787 Château Margaux, which was said to have belonged to Thomas Jefferson. Mr. Sokolin had been hoping to sell it for $519,750.

William Sokolin, Wine Seller Who Broke Famed Bottle, Dies at 85

As he reflected on the festering wounds deepened by race and grievance that have been on painful display in America’s cities lately, President Obama on Monday found himself thinking about a young man he had just met named Malachi.

A few minutes before, in a closed-door round-table discussion at Lehman College in the Bronx, Mr. Obama had asked a group of black and Hispanic students from disadvantaged backgrounds what could be done to help them reach their goals. Several talked about counseling and guidance programs.

“Malachi, he just talked about — we should talk about love,” Mr. Obama told a crowd afterward, drifting away from his prepared remarks. “Because Malachi and I shared the fact that our dad wasn’t around and that sometimes we wondered why he wasn’t around and what had happened. But really, that’s what this comes down to is: Do we love these kids?”

Many presidents have governed during times of racial tension, but Mr. Obama is the first to see in the mirror a face that looks like those on the other side of history’s ledger. While his first term was consumed with the economy, war and health care, his second keeps coming back to the societal divide that was not bridged by his election. A president who eschewed focusing on race now seems to have found his voice again as he thinks about how to use his remaining time in office and beyond.

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Obama Speaks of a ‘Sense of Unfairness’

Obama Speaks of a ‘Sense of Unfairness’

At an event announcing the creation of a nonprofit focusing on young minority men, President Obama talked about the underlying reasons for recent protests in Baltimore and other cities.

By Associated Press on Publish Date May 4, 2015. Photo by Stephen Crowley/The New York Times.

In the aftermath of racially charged unrest in places like Baltimore, Ferguson, Mo., and New York, Mr. Obama came to the Bronx on Monday for the announcement of a new nonprofit organization that is being spun off from his White House initiative called My Brother’s Keeper. Staked by more than $80 million in commitments from corporations and other donors, the new group, My Brother’s Keeper Alliance, will in effect provide the nucleus for Mr. Obama’s post-presidency, which will begin in January 2017.

“This will remain a mission for me and for Michelle not just for the rest of my presidency but for the rest of my life,” Mr. Obama said. “And the reason is simple,” he added. Referring to some of the youths he had just met, he said: “We see ourselves in these young men. I grew up without a dad. I grew up lost sometimes and adrift, not having a sense of a clear path. The only difference between me and a lot of other young men in this neighborhood and all across the country is that I grew up in an environment that was a little more forgiving.”

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Organizers said the new alliance already had financial pledges from companies like American Express, Deloitte, Discovery Communications and News Corporation. The money will be used to help companies address obstacles facing young black and Hispanic men, provide grants to programs for disadvantaged youths, and help communities aid their populations.

Joe Echevarria, a former chief executive of Deloitte, the accounting and consulting firm, will lead the alliance, and among those on its leadership team or advisory group are executives at PepsiCo, News Corporation, Sprint, BET and Prudential Group Insurance; former Secretary of State Colin L. Powell; Senator Cory Booker, Democrat of New Jersey; former Attorney General Eric H. Holder Jr.; the music star John Legend; the retired athletes Alonzo Mourning, Jerome Bettis and Shaquille O’Neal; and the mayors of Indianapolis, Sacramento and Philadelphia.

The alliance, while nominally independent of the White House, may face some of the same questions confronting former Secretary of State Hillary Rodham Clinton as she begins another presidential campaign. Some of those donating to the alliance may have interests in government action, and skeptics may wonder whether they are trying to curry favor with the president by contributing.

“The Obama administration will have no role in deciding how donations are screened and what criteria they’ll set at the alliance for donor policies, because it’s an entirely separate entity,” Josh Earnest, the White House press secretary, told reporters on Air Force One en route to New York. But he added, “I’m confident that the members of the board are well aware of the president’s commitment to transparency.”

The alliance was in the works before the disturbances last week after the death of Freddie Gray, the black man who suffered fatal injuries while in police custody in Baltimore, but it reflected the evolution of Mr. Obama’s presidency. For him, in a way, it is coming back to issues that animated him as a young community organizer and politician. It was his own struggle with race and identity, captured in his youthful memoir, “Dreams From My Father,” that stood him apart from other presidential aspirants.

But that was a side of him that he kept largely to himself through the first years of his presidency while he focused on other priorities like turning the economy around, expanding government-subsidized health care and avoiding electoral land mines en route to re-election.

After securing a second term, Mr. Obama appeared more emboldened. Just a month after his 2013 inauguration, he talked passionately about opportunity and race with a group of teenage boys in Chicago, a moment aides point to as perhaps the first time he had spoken about these issues in such a personal, powerful way as president. A few months later, he publicly lamented the death of Trayvon Martin, a black Florida teenager, saying that “could have been me 35 years ago.”

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President Obama on Monday with Darinel Montero, a student at Bronx International High School who introduced him before remarks at Lehman College in the Bronx. Credit Stephen Crowley/The New York Times

That case, along with public ruptures of anger over police shootings in Ferguson and elsewhere, have pushed the issue of race and law enforcement onto the public agenda. Aides said they imagined that with his presidency in its final stages, Mr. Obama might be thinking more about what comes next and causes he can advance as a private citizen.

That is not to say that his public discussion of these issues has been universally welcomed. Some conservatives said he had made matters worse by seeming in their view to blame police officers in some of the disputed cases.

“President Obama, when he was elected, could have been a unifying leader,” Senator Ted Cruz of Texas, a Republican candidate for president, said at a forum last week. “He has made decisions that I think have inflamed racial tensions.”

On the other side of the ideological spectrum, some liberal African-American activists have complained that Mr. Obama has not done enough to help downtrodden communities. While he is speaking out more, these critics argue, he has hardly used the power of the presidency to make the sort of radical change they say is necessary.

The line Mr. Obama has tried to straddle has been a serrated one. He condemns police brutality as he defends most officers as honorable. He condemns “criminals and thugs” who looted in Baltimore while expressing empathy with those trapped in a cycle of poverty and hopelessness.

In the Bronx on Monday, Mr. Obama bemoaned the death of Brian Moore, a plainclothes New York police officer who had died earlier in the day after being shot in the head Saturday on a Queens street. Most police officers are “good and honest and fair and care deeply about their communities,” even as they put their lives on the line, Mr. Obama said.

“Which is why in addressing the issues in Baltimore or Ferguson or New York, the point I made was that if we’re just looking at policing, we’re looking at it too narrowly,” he added. “If we ask the police to simply contain and control problems that we ourselves have been unwilling to invest and solve, that’s not fair to the communities, it’s not fair to the police.”

Moreover, if society writes off some people, he said, “that’s not the kind of country I want to live in; that’s not what America is about.”

His message to young men like Malachi Hernandez, who attends Boston Latin Academy in Massachusetts, is not to give up.

“I want you to know you matter,” he said. “You matter to us.”

Obama Finds a Bolder Voice on Race Issues

Judge Patterson helped to protect the rights of Attica inmates after the prison riot in 1971 and later served on the Federal District Court in Manhattan.

Robert Patterson Jr., Lawyer and Judge Who Fought for the Accused, Dies at 91
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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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