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GEISHA HATIKU BICARA

Saat ini wisata bromo menjadi pusat perhatian dari berbagai penyelenggara agen wisata di seluruh kawasan Jawa Timur akan kenaikan tiket wisata yang akan dimulai pada bulan mei 2014 nanti.Berbagai cara untuk tidak jadinya kenaikan tiket masuk bromo sudah dilakukan dengan berbagai cara oleh pelaku wisata dan bahkan oleh masyarakat sekitar gunung bromo yang menggantungkan penghasilan ekonominya dari wisatawan yang datang ke gunung bromo.

Paket Wisata Bromo

Agen perjalalanan wisata bromo meski belum resmi dinaikkan tentang tiket masuknya sudah merasakan dampaknya seperti misalnya,banyak agen travel yang sudah ada calon pelanggan pada bulan mei banyak cancel karena tingginya harga paket dari awal tahun ini yang sudah ada kesepakatan harga sebelumnya.Tidak hanya itu saja,dampak saat ini juga sudah mulai terasa dengan menurunnya jumlah pengunjung ke bromo dan dapat dipastikan para agen persewaan jeep,kuda,hotel,homestay di bromo diperkirakan akan banyak yang gulung tikar.

Bromo Tour

Gunung bromo sendiri sangat diminati pengunjung tiap tahunnya oleh wisatawan dari berbagai wilayah di Indonesia maupun juga dari berbagai belahan dunia karena keindahan dan keistimewaan yang dimiliki Wisata Gunung Bromo

WISATA GUNUNG BROMO JAWA TIMUR

Ada satu fenomena yang umum disaksikan pada kalangan jamaah haji Indonesia dan juga negara lainnya. Saat berada di kota suci Mekkah, banyak yang berbondong-bondong menuju tanah yang halal, yaitu al hillu, Masjid ‘Aisyah di Tan’im atau Ji’ranah. Tujuannya untuk melaksanakan umrah lagi. Umrah yang mereka kerjakan bisa lebih dari sekali dalam satu hari. Dalih mereka, mumpung sedang berada di Mekkah, sepantasnya memperbanyak ibadah umrah, yang belum tentu bisa dikerjakan lagi sesudah sampai di tanah air. Atau dengan kata lain, untuk memperbanyak pahala. Saking berlebihannya, Syaikh Muhammad bin Shalih al 'Utsaimin penuh keheranan pernah menyaksikan seorang laki-laki yang sedang mengerjakan sa'i dengan rambut tersisa separo saja (sisi yang lain gundul). Syaikh 'Utsaimin pun bertanya kepadanya, dan laki-laki tersebut menjawab : “Bagian yang tak berambut ini telah dipotong untuk umrah kemarin. Sedangkan rambut yang tersisa untuk umrah hari ini”. [1]

SELAIN IKHLAS, IBADAH MEMBUTUHKAN MUTABA’AH
Suatu ibadah agar diterima oleh Allah, harus terpenuhi oleh dua syarat. Yaitu ikhlas dan juga harus dibarengi dengan mutaba’ah. Sehingga tidak cukup hanya mengandalkan ikhlas semata, tetapi juga harus mengikuti petunjuk Rasulullah Shallallahu 'alaihi wa sallam. Disamping itu juga dengan mengetahui praktek dan pemahaman generasi Salaf dalam menjalakan ibadah haji yang pernah dikerjakan oleh Rasulullah Shallallahu 'alaihi wa sallam. Sebab, generasi Salaf merupakan generasi terbaik, yang paling semangat dalam meraih kebaikan.

Umrah termasuk dalam kategori ini. Sebagai ibadah yang disyariatkan, maka harus bersesuaian dengan rambu-rambu syari'at dan nash-nashnya, petunjuk Nabi dan para sahabat, serta para pengikut mereka yang ihsan sampai hari Kiamat. Dan ittiba’ ini merupakan salah satu tonggak diterimanya amalan di sisi Allah Subhanahu wa Ta'ala.

Sebagai ibadah yang sudah jelas tuntunannya, pelaksanan umrah tidak lagi memerlukan ijtihad padanya. Tidak boleh mendekatkan diri kepada Allah melalui ibadah umrah dengan ketentuan yang tidak pernah digariskan. Kalau tidak mengikuti petunjuk syariat, berarti ibadah yang dilakukan menunjukkan sikap i’tida` (melampaui batas) terhadap hak Allah, dalam aspek penetapan hukum syariat, serta merupakan penentangan terhadap ketentuan Allah dalam hukumNya. Allah berfirman : "Apakah mereka mempunyai sembahan-sembahan selain Allah yang mensyariatkan untuk mereka agama yang tidak diizinkan Allah? Sekiranya tak ada ketetapan yang menentukan (dari Allah) tentulah mereka telah dibinasakan. Dan sesungguhnya orang-orang yang zhalim itu akan memperoleh azab yang amat pedih" [Asy Syura /42: 21][2]

JUMLAH UMRAH RASULULLAH SHALLALLAHU 'ALAIHI WA SALLAM
Sepanjang hidupnya, Rasulullah Shallallahu 'alaihi wa sallam melakukan umrah sebanyak 4 kali.

عَنْ ابْنِ عَبَّاسٍ قَالَ اعْتَمَرَ رَسُولُ اللَّهِ صَلَّى اللَّهُ عَلَيْهِ وَسَلَّمَ أَرْبَعَ عُمَرٍ عُمْرَةَ الْحُدَيْبِيَةِ وَعُمْرَةَ الْقَضَاءِ مِنْ قَابِلٍ وَالثَّالِثَةَ مِنْ الْجِعْرَانَةِ وَالرَّابِعَةَ الَّتِي مَعَ حَجَّتِهِ

Dari Ibnu 'Abbas, ia berkata : "Rasulullah mengerjakan umrah sebanyak empat kali. (Yaitu) umrah Hudaibiyah, umrah Qadha`, umrah ketiga dari Ji'ranah, dan keempat (umrah) yang bersamaan dengan pelaksanaan haji beliau".[3]

Menurut Ibnul Qayyim, dalam masalah ini tidak ada perbedaan pendapat [4]. Setiap umrah tersebut, beliau kerjakan dalam sebuah perjalanan tersendiri. Tiga umrah secara tersendiri, tanpa disertai haji. Dan sekali bersamaan dengan haji.
Pertama, umrah Hudhaibiyah tahun 6 H. Beliau dan para sahabat yang berbaiat di bawah syajarah (pohon), mengambil miqat dari Dzul Hulaifah Madinah. Pada perjalanan umrah ini, kaum Musyrikin menghalangi kaum Muslimin untuk memasuki kota Mekkah. Akhirnya, terjadilah pernjanjian Hudhaibiyah. Salah satu pointnya, kaum Muslimin harus kembali ke Madinah, tanpa bisa melaksanakan umrah yang sudah direncanakan.

Kemudian, kaum Muslimin mengerjakan umrah lagi pada tahun berikutnya. Dikenal dengan umrah Qadhiyyah atau Qadha`[5] tahun 7 H. Selama tiga hari beliau n berada di Mekkah. Dan ketiga, umrah Ji’ranah pada tahun 8 H. Yang terakhir, saat beliau Shallallahu 'alaihi wa sallam mengerjakan haji Wada’. Semua umrah yang beliau kerjakan terjadi pada bulan Dzul Qa`dah.[6]

SEBELAS ALASAN TIDAK MELAKUKAN UMRAH BERULANG KALI
Para ulama memandang, melakukan umrah berulang kali sebagai perbuatan yang makruh. Masalah ini telah dijelaskan oleh Syaikhul Islam Ibnu Taimiyyah dalam Fatawanya. Keterangan beliau tersebut dikutip oleh Syaikh Muhammad bin Shalih al Utsaimin dalam Syarhul Mumti’. [7]

Berikut ini beberapa aspek yang menjelaskan bahwa umrah berulang-ulang seperti yang dikerjakan oleh sebagian jamaah haji –sebagaimana fenomena di atas- tidak disyariatkan.

Pertama : Pelaksanaan empat umrah yang dikerjakan Rasulullah, masing-masing dikerjakan dengan perjalanan (safar) tersendiri. Bukan satu perjalanan untuk sekian banyak umrah, seperti yang dilakukan oleh jamaah haji sekarang ini. Syaikh Muhammad bin Shalih al 'Utsaimin menyimpulkan, setiap umrah mempunyai waktu safar tersendiri. Artinya, satu perjalanan hanya untuk satu umrah saja [8]. Sedangkan perjalanan menuju Tan’im belum bisa dianggap safar. Sebab masih berada dalam lingkup kota Mekkah.

Kedua : Para sahabat yang menyertai Rasulullah Shallallahu 'alaihi wa sallam dalam haji Wada’, tidak ada riwayat yang menerangkan salah seorang dari mereka yang beranjak keluar menuju tanah yang halal untuk tujuan umrah, baik sebelum atau setelah pelaksanaan haji. Juga tidak pergi ke Tan’im, Hudhaibiyah atau Ji’ranah untuk tujuan umrah. Begitu pula, orang-orang yang tinggal di Mekkah, tidak ada yang keluar menuju tanah halal untuk tujuan umrah. Ini sebuah perkara yang disepakati dan dimaklumi oleh semua ulama yang mengerti sunnah dan syariat Nabi Shallallahu 'alaihi wa sallam.[9]

Ketiga : Umrah beliau Shallallahu 'alaihi wa sallam yang dimulai dari Ji’ranah tidak bisa dijadikan dalil untuk membolehkan umrah berulang-ulang. Sebab, pada awalnya beliau Shallallahu 'alaihi wa sallam memasuki kota Mekkah untuk menaklukannya dalam keadaan halal (bukan muhrim) pada tahun 8 H. Selama tujuhbelas hari beliau berada di sana. Kemudian sampai kepada beliau berita, kalau suku Hawazin bermaksud memerangi beliau. Akhirnya beliau mendatangi dan memerangi mereka. Ghanimah dibagi di daerah Ji’ranah. Setelah itu, beliau ingin mengerjakan umrah dari Ji’ranah. Beliau tidak keluar dari Mekkah ke Ji’ranah secara khusus. Namun, ada perkara lain yang membuat beliau keluar dari Mekkah. Jadi, semata-mata bukan untuk mengerjakan umrah.[10]

Keempat : Nabi Shallallahu 'alaihi wa sallam, juga para sahabat -kecuali ‘Aisyah- tidak pernah mengerjakan satu umrah pun dari Mekkah, meski setelah Mekkah ditaklukkan. Begitu pula, tidak ada seorang pun yang keluar dari tanah Haram menuju tanah yang halal untuk mengerjakan umrah dari sana sebelum Mekkah ditaklukkan dan menjadi Darul Islam. Karena thawaf di Ka’bah tetap masyru’ sejak Nabi Shallallahu 'alaihi wa sallam diutus. Bahkan sejak Nabi Ibrahim Alaihissalam. Mengerjakan thawaf tanpa umrah terlebih dahulu, sudah mengantarkan kepada sebuah ketetapan yang pasti, bahwa perkara yang disyariatkan bagi penduduk Mekkah (orang yang berada di Mekkah) adalah thawaf. Itulah yang lebih utama bagi mereka dari pada keluar dari tanah Haram untuk mengerjakan umrah. Sebab, tidak mungkin Rasulullah dan para sahabat lebih mengutamakan amalan mafdhul/ (yang nilainya kurang) -dalam hal ini thawaf- dibandingkan amalan yang lebih afdhal (umrah menurut asumsi sebagian jamaah haji). Padahal Nabi n tidak memerintahkan umat untuk melakukan umrah berulang-ulang. Ucapan ini tidak mungkin dikatakan oleh seorang muslim.[11]

Ibnul Qayyim berkata,"Tidak ada umrah beliau dalam keadaan beliau keluar dari Mekkah sebagaimana dilakukan oleh kebanyakan orang sekarang ini. Seluruh umrah beliau, dilangsungkan dari luar kota Mekkah menuju Mekkah (tidak keluar dahulu baru masuk kota Mekkah). Nabi pernah tinggal di Mekkah selama 13 tahun. Namun tidak ada riwayat yang menjelaskan beliau Shallallahu 'alaihi wa sallam keluar kota Mekkah untuk mengerjakan umrah.

Jadi umrah yang beliau kerjakan dan yang disyariatkan adalah, umrah orang yang memasuki kota Mekkah (berasal dari luar Mekkah), bukan umrah orang yang berada di dalamnya (Mekkah), dengan menuju daerah yang halal (di luar batas tanah haram) untuk mengerjakan umrah dari sana. Tidak ada yang melakukannya di masa beliau, kecuali 'Aisyah semata…[12]

Kelima : Tentang umrah yang dilakukan oleh ‘Aisyah pada haji Wada’ bukanlah berdasarkan perintah Nabi. Beliau mengizinkannya setelah 'Aisyah memohon dengan sangat.[13]

Kisahnya, pada waktu menunaikan ibadah haji bersama Nabi Shallallahu 'alaihi wa sallam, 'Aisyah mendapatkan haidh, maka Rasulullah memerintahkan saudara ‘Aisyah yang bernama ‘Abdurrahman bin Abu Bakar mengantar ‘Aisyah ke daerah Tan’im, agar ia memulai ihram untuk umrah disana. Karena 'Aisyah menyangka, bahwa umrah yang dilakukan bersamaan dengan haji, akan batal, sehingga ia menangis. Kemudian untuk menenangkannya, maka Rasulullah Shallallahu 'alaihi wa sallam mengijinkan 'Aisyah melakukan umrah lagi.

Umrah yang dilakukan ‘Aisyah ini sebagai pengkhususan baginya. Sebab, belum didapati satu pun dalil dari seorang sahabat laki-laki ataupun perempuan yang menerangkan bahwa ia pernah melakukan umrah usai melaksanakan ibadah haji, dengan memulai ihram dari kawasan Tan’im, sebagaiamana yang telah dilakukan 'Aisyah Radhiyallahu 'anha. Andaikata para sahabat mengetahui perbuatan ‘Aisyah tersebut disyariatkan juga buat mereka pasca menunaikan ibadah haji, niscaya banyak riwayat dari mereka yang menjelaskan hal itu.

Ibnul Qayyim mengatakan, (Umrah ‘Aisyah) menjadi dasar tentang umrah dari Mekkah. Tidak ada dalil bagi orang yang menilainya (umrah berulang-ulang) selainnya. Sesungguhnya Nabi dan sahabat yang bersama beliau dalam haji (Wada’) tidak ada yang keluar dari Mekkah, kecuali ‘Aisyah saja. Kemudian orang-orang yang mendukung umrah dari Mekkah, menjadikan riwayat tersebut sebagai dasar pendapat mereka. Tetapi, kandungan riwayat tersebut tidak ada yang menunjukkan dukungan terhadap pendapat mereka.[14]

Imam asy Syaukani rahimahullah berkata,"Nabi Shallallahu 'alaihi wa sallam tidak pernah berumrah dengan cara keluar dari daerah Mekkah ke tanah halal, kemudian masuk Mekkah lagi dengan niat umrah, sebagaimana layaknya yang dilakukan kebanyakan orang sekarang. Padahal, tak satupun yang sah yang menerangkan ada seorang sahabat melakukan yang demikian itu”.[15]

Keenam : Kaum Muslimin bersilang pendapat tentang hukum umrah, apakah wajib ataukah tidak. Para ulama yang memandang umrah itu wajib seperti layaknya haji, mereka tidak mewajibkannya atas penduduk Mekkah. Imam Ahmad pernah menukil perkataan Ibnu 'Abbas: “Wahai penduduk Mekkah, tidak ada kewajiban umrah atas kalian. Umrah kalian adalah thawaf di Ka’bah”.

‘Atha bin Abi Rabah [16] –ulama yang paling menguasai manasik haji dan panutan penduduk Mekkah– berkata : “Tidak ada manusia ciptaan Allah kecuali wajib atas dirinya haji dan umrah. Dua kewajiban yang harus dilaksanakan bagi orang yang mampu, kecuali penghuni Mekkah. Mereka wajib mengerjakan haji, tetapi tidak wajib umrah, karena mereka sudah mengerjakan thawaf. Dan itu sudah mencukupi”.

Thawus [17] berkata: “Tidak ada kewajiban umrah bagi orang yang berada di Mekkah”. (Riwayat Ibnu Abi Syaibah).

Berdasarkan beberapa keterangan para ulama Salaf tersebut, menunjukkan bahwa bagi penduduk Mekkah, mereka tidak menilai sunnah, apalagi sampai mewajibkannya. Seandainya wajib, maka sudah pasti Nabi n memerintahkannya atas diri mereka dan mereka akan mematuhinya. Tetapi, tidak ada riwayat yang menjelaskan tentang orang yang berumrah dari Mekkah di masa Nabi masih hidup, kecuali ‘Aisyah saja. Kisah ini sudah dijelaskan persoalannya di atas.

Karenanya, para ulama hadits, bila ingin menulis tentang umrah dari Mekkah, mereka hanya menyinggung tentang kejadian ‘Aisyah saja. Tidak ada yang lain. Seandainya ada, pasti sudah sampai kepada kita.[18]

Ketujuh : Intisari umrah adalah thawaf. Adapun sa’i antara Shafa dan Marwah bersifat menyertai saja. Bukti yang menunjukkannya sebagai penyerta adalah, sa'i tidak dikerjakan kecuali setelah thawaf. Dan ibadah thawaf ini bisa dikerjakan oleh penduduk Mekkah, tanpa harus keluar dari batas tanah suci Mekkah terlebih dahulu. Barangsiapa yang sudah mampu mengerjakan perkara yang inti, ia tidak diperintahkan untuk menempuh wasilah (perantara yang mengantarkan kepada tujuan). [19]

Kedelapan : Berkeliling di Ka’bah adalah ibadah yang dituntut. Adapun menempuh perjalanan menuju tempat halal untuk berniat umrah dari sana merupakan sarana menjalankan ibadah yang diminta. Orang yang menyibukkan diri dengan sarana (menuju tempat yang halal untuk berumrah dari sana) sehingga meninggalkan tujuan inti (thawaf), orang ini telah salah jalan, tidak paham tentang agama. Lebih buruk dari orang yang berdiam di dekat masjid pada hari Jum’at, sehingga memungkinkannya bersegera menuju masjid untuk shalat, tetapi ia justru menuju tempat yang jauh untuk mengawali perjalanan menuju masjid itu. Akibatnya, ia meninggalkan perkara yang menjadi tuntutan, yaitu shalat di dalam masjid tersebut.

Kesembilan : Mereka mengetahui dengan yakin, bahwa thawaf di sekeliling Baitullah jauh lebih utama daripada sa’i. Maka daripada mereka menyibukkan diri dengan pergi keluar ke daerah Tan’im dan sibuk dengan amalan-amalan umrah yang baru sebagai tambahan bagi umrah sebelumnya, lebih baik mereka melakukan thawaf di sekeliling Ka’bah. Dan sudah dimaklumi, bahwa waktu yang tersita untuk pergi ke Tan’im karena ingin memulai ihram untuk umrah yang baru, dapat dimanfaatkan untuk mengerjakan thawaf ratusan kali keliling Ka’bah.

Bahkan Syaikhul Islam Ibnu Taimiyah menilainya sebagai bid’ah, (sebuah perkara yang) belum pernah dikerjakan oleh generasi Salaf, tidak diperintahkan oleh al Kitab dan as Sunnah. Juga tidak ada dalil syar’i yang menunjukkan status sunnahnya. Apabila demikian adanya, berarti termasuk bid’ah yang dibenci berdasarkan kesepakatan para ulama[20]. Oleh karenanya, para generasi Salaf dan para imam melarangnya.

Sa’id bin Manshur meriwayatkan dalam Sunan-nya dari Thawus, salah seorang murid Ibnu ‘Abbas mengatakan :

مَا أَدْرِيْ أَيُؤْجَرُوْنَ عَلَيْهَا أَمْ يُعَذَّبُوْنَ. قِيْلَ : فَلِمَ يُعَذَّبُوْنَ؟ قَالَ : لِأَنَّهُ يَدَعُ الطَّوَافَ بِالْبَيْتِ . وَيَخْرُجُ إِلَى أَرْبَعَةِ أَمْيَالِ وَيَجِيْئُ وَإِلَى أَنْ يَجِيْئَ مِنْ أَرَبَعَةِ أَمْيَالٍ قَدْ طَافَ مِائَتَيْ طَوَافٍ. وَكُلَّمَا طَافَ بِالْبَيْتِ كَانَ أَفْضَلَ مِنْ أَنْ يَمْشِيَ فِيْ غَيْرِ شَيْئٍ

"Aku tidak tahu, orang-orang yang mengerjakan umrah dari kawasan Tan’im, apakah mereka diberi pahala atau justru disiksa". Ada yang bertanya : “Mengapa mereka disiksa?” Beliau menjawab : “Karena meninggalkan thawaf di Ka’bah. Untuk keluar menempuh jarak empat mil dan pulang (pun demikian). Sampai ia pulang menempuh jarak empat mil, ia bisa berkeliling Ka’bah sebanyak dua ratus kali. Setiap kali ia berthawaf di Ka’bah, itulah yang utama daripada menempuh perjalanan tanpa tujuan apapun”.[21]

‘Atha` pernah berkata : “Thawaf di Ka’bah lebih aku sukai daripada keluar (dari Mekkah) untuk umrah”. [22]

Kesepuluh : Setelah memaparkan kejadian orang yang berumrah berulang-ulang, misalnya melakukannya dua kali dalam sehari, Syaikhul Islam semakin memantapkan pendapatnya, bahwa umrah yang demikian tersebut makruh, berdasarkan kesepakatan para imam. Selanjutnya beliau menambahkan, meskipun ada sejumlah ulama dari kalangan Syafi’iyyah dan ulama Hanabilah yang menilai umrah berulang kali sebagai amalan yang sunnah, namun pada dasarnya mereka tidak mempunyai hujjah khusus, kecuali hanya qiyas umum. Yakni, untuk memperbanyak ibadah atau berpegangan dengan dalil-dalil yang umum.[23]

Di antara dalil yang umum, hadits Nabi:

الْعُمْرَةُ إِلَى الْعُمْرَةِ كَفَّارَةٌ لِمَا بَيْنَهُمَا

"Antara umrah menuju umrah berikutnya menjadi penghapus )dosa( di antara keduanya" [24].

Tentang hadits ini, Syaikh al 'Utsaimin mendudukkan bahwa hadits ini, mutlak harus dikaitkan dengan apa yang diperbuat oleh generasi Salaf ridhwanullah ‘alaihim [25]. Penjelasannya sudah disampaikan pada point-point sebelumnya. Ringkasnya, tidak ada contoh dari kalangan generasi Salaf dalam melaksanakan umrah yang berulang-ulang.

Kesebelas : Pada penaklukan kota Mekkah, Nabi Shallallahu 'alaihi wa sallam berada di Mekkah selama sembilan belas hari. Tetapi, tidak ada riwayat bahwa beliau keluar ke daerah halal untuk melangsungkan umrah dari sana. Apakah Nabi tidak tahu bahwa itu masyru’ (disyariatkan)? Tentu saja tidak mungkin![26]

LEBIH BAIK MEMPERBANYAK THAWAF
Berdasarkan alasan-alasan di atas, menjadi jelas bahwa thawaf lebih utama. Adapun berumrah dari Mekkah dan meninggalkan thawaf tidak mustahab. Dan yang disunnahkan adalah thawaf, bukan umrah.

Syaikhul Islam Ibnu Taimiyah menambahkan : “Thawaf mengelilingi Ka’bah lebih utama daripada umrah bagi orang yang berada di Mekkah, merupakan perkara yang tidak diragukan lagi oleh orang-orang yang memahami Sunnah Rasulullah dan Sunnah Khalifah pengganti beliau dan para sahabat, serta generasi Salaf dan tokoh-tokohnya”.

Alasannya, kata beliau rahimahullah, karena thawaf di Baitullah merupakan ibadah dan qurbah (cara untuk mendekatkan diri kepada Allah) yang paling afdhal yang telah Allah tetapkan di dalam KitabNya, berdasarkan keterangan NabiNya. Thawaf termasuk ibadah paling utama bagi penduduk Mekkah. Maksudnya, yaitu orang-orang yang berada di Mekkah, baik penduduk asli maupun pendatang. Thawaf juga termasuk ibadah istimewa yang tidak bisa dilakukan oleh orang-orang yang berada di kota lainnnya.

Orang-orang yang berada di Mekkah sejak masa Rasulullah dan masa para khulafa senantiasa menjalankan thawaf setiap saat. Dan lagi, Nabi Shallallahu 'alaihi wa sallam memerintahkan kepada pihak yang bertanggung jawab atas Baitullah, agar tidak menghalangi siapapun yang ingin mengerjakan thawaf pada setiap waktu. Beliau bersabda:

يَا بَنِي عَبْدِ مَنَافٍ لَا تَمْنَعُوا أَحَدًا طَافَ بِهَذَا الْبَيْتِ وَصَلَّى فِيْ أَيِّ سَاعَةٍ شَاءَ مِنْ اللَّيْلِ وَالنَّهَارِ

"Wahai Bani Abdi Manaf, janganlah kalian menghalangi seorang pun untuk melakukan thawaf di Ka'bah dan mengerjakan shalat pada saat kapan pun, baik malam maupun siang" [27]

Allah Subhanahu wa Ta'ala memerintahkan Nabi Ibrahim dan Nabi Ismail dengan berfirman :

"Dan bersihkanlah rumahKu untuk orang-orang yang thawaf, yang i'tikaf, yang ruku', dan yang sujud" [al Baqarah/2:125]

Dalam ayat yang lain:

"Dan sucikanlah rumahKu ini bagi orang-orang yang thawaf, dan orang-orang yang beribadah dan orang-orang yang ruku' dan sujud" [al Hajj/22:26]

Pada dua ayat di atas, Allah menyebutkan tiga ibadah di Baitullah, yaitu : thawaf, i’tikaf dan ruku’ bersama sujud, dengan mengedepankan yang paling istimewa terlebih dahulu, yaitu thawaf. Karena sesungguhnya, thawaf tidak disyariatkan kecuali di Baitil ‘Atiq (rumah tua, Ka’bah) berdasarkan kesepakatan para ulama. Begitu juga para ulama bersepakat, thawaf tidak boleh dilakukan di tempat selain Ka'bah. Adapun i’tikaf, bisa dilaksanakan di masjid-masjid lain. Begitu pula ruku' dan sujud, dapat dikerjakan di mana saja. Nabi bersabda:

وَجُعِلَتْ لِيَ الْأَرْضُ مَسْجِدًا وَ طَهُورًا

"Dijadikan tanah sebagai masjid dan tempat pensuci bagi diriku" [HR. al-Bukhari - Muslim]

Maksudnya, Allah Subhanhu wa Ta'ala mengutamakan perkara yang paling khusus dengan tempat tersebut. Sehingga mendahulukan penyebutan thawaf. Karena ibadah thawaf hanya berlaku khusus di Masjidil Haram. Baru kemudian disebutkan i’tikaf. Sebab bisa dikerjakan di Masjidil Haram dan masjid-masjid lainnya yang dipakai kaum Muslimin untuk mengerjakan shalat lima waktu. Selanjutnya, disebutkan ibadah shalat. Karena tempat pelaksanaannya lebih umum.

Selain itu, thawaf merupakan rangkaian manasik yang lebih sering terulang. Disyariatkan thawaf Qudum bagi orang yang baru sampai di kota Mekkah. Dan disyariatkan thawaf Wada’ bagi orang yang akan meninggalkan kota Mekkah usai pelaksanaan manasik haji. Disamping keberadaan thawaf ifadhah yang menjadi salah satu rukun haji.[28]

Secara khusus, tentang keutamaan thawaf di Baitullah, Nabi Shallallahu 'alaihi wa sallam bersabda :

مَنْ طَافَ بِهَذَا الْبَيْتِ سَبْعًا كَعِدْلِ رَقَبَةٍ

"Barangsiapa mengelilingi rumah ini (Ka’bah) tujuh kali, seperti membebaskan satu budak belian" [29].

Kesimpulannya : Memperbanyak thawaf merupakan ibadah sunnah, lagi diperintahkan. Terutama bagi orang yang datang ke Mekkah. Jumhur ulama berpendapat, thawaf di Ka’bah lebih utama dibandingkan shalat di Masjidil Haram, meskipun shalat di sana sangat besar keutamaannya.[30]

Pendapat yang mengatakan tidak disyari’atkan melakukan thawaf berulangkali, inilah yang ditunjukkan oleh Sunnah Nabawiyah yang bersifat ‘amaliyah, dan didukung oleh fi’il (perbuatan) para sahabat Radhiyallahu 'anhum. Dan Nabi Shallallahu 'alaihi wa sallam telah memerintahkan kita agar mengikuti Sunnah beliau Shallallahu 'alaihi wa sallam dan sunnah para khalifahnya sepeninggal beliau Shallallahu 'alaihi wa sallam. Yaitu beliau bersabda : Hendaklah kalian berpegang teguh dengan Sunnahku dan sunnah para khalifah yang mendapat petunjuk dan terbimbing sepeninggalku. Hendaklah kalian menggigitnya dengan gigi gerahammu. [Sunan Abu Dawud, II/398, no. 4607; Ibnu Majah, I/16, no. 42 dan 43; Tirmidzi, V/43, no. 2673; Ahmad, IV/26.] [31]

Oleh karena itu, ketika berada di Mekkah sebelum atau sesudah pelaksanaan haji, yang paling baik bagi kita ialah memperbanyak thawaf, daripada melakukan perbuatan yang tidak ada contohnya. Wallahu a'lam bish-shawab.

Maraji :
- Al Wajiz fi Fiqhis Sunnah wal Kitabil ‘Aziz, Dr Abdul 'Azhim Badawi Dar Ibni Rajab, Cet. III, Th. 1421 H – 2001 M.
- Fatawa li Ahlil Haram, susunan Dakhil bin Bukhait al Mutharrifi.
- Syarhul Mumti’ ‘ala Zadil Mustaqni’, Syaikh Muhammad bin Shalih al ‘Utsaimin, Muassasah A-sam, Cet. I, Th. 1416 H – 1996 M.
- Majmu al Fatawa, Syaikhul Islam Ibnu Taimiyah, Cet. I, Th. 1423 H. Tanpa penerbit.
- Zadul Ma’ad fi Hadyi Khairil ‘Ibad, Muhammad bin Abi Bakr Ibnul Qayyim. Tahqiq Syu’aib al Arnauth dan ‘Abdul Qadir al Arnauth, Muassasah ar Risalah, Cet. III, Th. 1421 H – 2001 M.
- Shahih Sunan an Nasaa-i, Muhammad Nashiruddin al Albani, Maktabah Ma'arif, Cet. I, Th. 1419H –1998M.
- Shahih Sunan at Tirmidzi, Muhammad Nashiruddin al Albani, Maktabah Ma'arif Cet. I, Th. 1419H – 1998M.
- Shahih Sunan Ibni Majah, Muhammad Nashiruddin al Albani, Maktabah Ma'arif, Cet. I, Th. 1419H – 1998M.

[Disalin dari majalah As-Sunnah Edisi 09/Tahun X/1427H/2006. Diterbitkan Yayasan Lajnah Istiqomah Surakarta, Jl. Solo – Purwodadi Km.8 Selokaton Gondangrejo Solo 57183 Telp. 0271-761016]
_________
Footnotes
[1]. Fatawa al 'Utsaimin, 2/668.
[2]. Lihat penjelasan Dr. Muhammad bin Abdir Rahman al Khumayyis dalam adz Dzikril Jama’i Bainal Ittiba’ wal Ibtida’, halaman 7-8.
[3]. Shahih. Lihat Shahih Sunan at Tirmidzi, no. 816; Shahih Sunan Ibni Majah, no. 2450.
[4]. Zadul Ma’ad, 2/89.
[5]. Umrah ini dikenal dengan nama umrah Qadha` atau Qadhiyah, karena kaum muslimin telah mengikat perjanjian dengan kaum Quraisy. Bukan untuk mengqadha (menggantikan) umrah tahun sebelumnya yang dihalangi oleh
kaum Quraisy. Karena umrah tersebut tidak rusak sehingga tidak perlu diganti. Buktinya, Nabi tidak memerintahkan para sahabat yang ikut serta dalam umrah pertama untuk mengulanginya kembali pada umrah ini. Oleh sebab itu, para ulama menghitung jumlah umrah Nabi sebanyak empat kali. Demikian penjelasan as Suhaili. Pendapat inilah yang dirajihkan oleh Ibnul Qayyim dalam Zadul Ma’ad, 2/86.
[6]. Majmu al Fatawa, 26/253-254; Zadul Ma’ad, 2/86.
[7]. Majmu ‘ al Fatawa, jilid 26. Pembahasan tentang umrah bagi orang-orang yang berada di Mekkah terdapat di halaman 248-290; asy Syarhul Mumti’, 7/407.
[8]. Fatawa al 'Utsaimin, 2/668, dikutip dari Fatawa li Ahlil Haram.
[9]. Majmu' al Fatawa, 26/252.
[10]. Majmu’ al Fatawa, 26/254.
[11]. Lihat Majmu’ al Fatawa, 26/256. 273.
[12]. Zaadul Ma’ad, 2/89.
[13]. Majmu' al Fatawa, 26/252.
[14]. Zaadul Ma’ad, 2/163.
[15]. Dikutip dari al Wajiz, halaman 268.
[16]. Atha bin Abi Rabah Aslam al-Qurasyi al Fihri, dari kalangan generasi Tabi'in. Berguru kepada sejumlah sahabat Nabi. Diantara mereka, Jabir bin Abdillah, Ibnu Abbas, Abu Hurairah, Abu Sa'id al Khudri, Abdullah bin Amr bin al Ash, Abdullah bin Zubair. Seorang Mufri Mekkah di zamannya dan dikenal sebagai orang yang paling tahu tentang manasik haji. Wafat tahun 114H
[17]. Thawus bin Kaisan al Yamani, berdarah Persia, dari kalangan generasi Tabi'in, berguru kepada sejumlah sahabat, mislnya, Ibnu Abbas, Jabir bin Abdillah, Zaid bin Tsabit, Abdullah bin Zubair, Muad bin Jabal. Aisyah seorang ahli fiqih di zamannya. Wafat tahun 106H
[18]. Majmu' al Fatawa, 26/256-258.
[19]. Ibid, 26/262.
[20]. Ibid, 2/264.
[21]. Ibid, 26/264.
[22]. Ibid, 26/266.
[23]. Ibid, 26/270.
[24]. HR al Bukhari, no. 1773 dan Muslim, no. 1349.
[25]. Asy Syarhul Mumti’, 7/408.
[26]. Fatawa al 'Utsaimin, 2/668, dikutip dari Fatawa li Ahlil Haram.
[27]. Shahih, hadits riwayat at Tirmidzi, 869; an Nasaa-i, 1/284; Ibnu Majah, 1254
[28]. Majmu’ al Fatawa, 26/250-252 secara ringkas.
[29]. Shahih. Lihat Shahih Sunan an Nasaa-i, no. 2919.
[30]. Majmu' al Fatawa, 26/290.
[31]. Al Wajiz, halaman 268.

Baca Artikel Lainnya : PERBEKALAN UNTUK JAMAAH HAJI

ALASAN TIDAK MELAKUKAN UMRAH BERULANG KALI SAAT BERADA DI MEKKAH
kata mutiara

Hidup punya banyak pilihan dengan hal-hal baik dan buruknya masing-masing. Tentukan pilihanmu, lakukan yang terbaik.
Dalam hidup, jangan pernah biarkan pendapat seseorang tentangmu mengubah dirimu menjadi seseorang yang kamu tahu bukan dirimu.
Mencintai seseorang bukan hanya dengan mengucapkannya setiap hari, tapi juga dengan menunjukkannya dalam segala hal sepenuh hati.
Kadang, meski marah atas apa yang telah dilakukan dia yang kamu cinta, kamu tetap tak mampu berhenti mencintainya.
Sahabat sejati dapat menunjukkanmu bahwa hidup tak seburuk yang kamu pikirkan dan masalahmu tak sebesar yang kamu takutkan.
Hati-hatilah dengan hati. Jangan berikan pada seseorang yang tak bisa menghargai, karena ketika diberi, dia takkan sepenuhnya kembali.
Sahabat yang baik tidak akan meminta sahabatnya menjadi orang lain. Tetapi sahabat yang baik akan menerima sahabatnya apa adanya.
Kadang ketika lelah terus terluka, kamu memilih tuk menjauh dari segalanya, hanya karena kamu ingin melihat siapa yang akan menghampirimu.
Jangan menolak perubahan hanya karena takut kehilangan yang telah dimilki,karena dengannya kita merendahkan nilai yang bisa kita capai melalui perubahan itu.
Jika kita menetapkan ingin hidup ini seperti apa, lalu kerja keras untuk mencapai tujuan, kita tidak akan pernah kalah ,bahkan akan menang.
Jangan mengingat kebaikan yang pernah kamu lakukan, tapi ingatlah kebaikan yang orang lain lakukan kepadamu.
Ketika kamu merasa sendiri dan tak ada yang peduli, ingatlah bahwa ada seseorang di luar sana yang begitu ingin memiliki hidup yang kamu jalani.
Cinta mungkin akan membuatmu terluka, tapi ia membuatmu semakin dewasa. Jadilah pribadi yang selalu memaafkan, terutama hatimu.
Kebencian hanya merugikan diri sendiri, tersenyumlah ketika disakiti. Hati tanpa benci membentuk jiwa yang tegar dan damai.
Keyakinan merupakan suatu pengetahuan di dalam hati, jauh tak terjangkau oleh bukti.
Sakit dalam perjuangan itu hanya sementara. Semenit, sejam, sehari, atau setahun. Namun jika menyerah, rasa sakit itu akan terasa selamanya.
Jadilah diri anda sendiri. Siapa lagi yang bisa melakukannya lebih baik ketimbang diri anda sendiri?
Kebanggaan kita yang terbesar adalah bukan tidak pernah gagal, tetapi bangkit kembali setiap kali kita jatuh.
Sesuatu yang sangat sulit tuk melupakan seseorang yang telah memberimu begitu banyak hal tuk diingat.
Kau tak kan bisa kehilangan apa yang tak pernah kau miliki. Kau tak kan bisa memaksa bertahan pada seseorang jika dia ingin pergi.
Dalam cinta, jangan buang air matamu menangisi seseorang yang bahkan tak pantas tuk melihatmu tersenyum.
Ketika seseorang cukup kuat tuk buatmu terjatuh, kamu harus tunjukkan padanya bahwa kamu juga cukup kuat tuk bangkit berdiri.
Pertolongan Tuhan mungkin tidak datang terlalu cepat, tidak juga terlambat. Pertolongan Tuhan selalu datang di saat yang tepat
Jangan kamu lupa jangan kamu lengah atas berkat rahmat Allah maha kuasa.
Seseorang yang menemanimu dalam kesusahan jauh lebih berharga daripada seratus orang yang menemanimu dalam kesenangan.
Hidup itu seperti drama, dan kamu bisa memilih untuk menjadi penontonnya atau pemainnya.
Jangan bersedih ketika melakukan salah. Karena kesalahan kita banyak belajar, karena kesalahan kita menjadi pintar.
Cintai apapun yang akan kamu lakukan hari ini, kerena tidak ada yang menarik jika kamu tidak tertarik.
Kita semua pasti pernah salah, namun ada perbedaan besar antara salah yang buatmu dewasa dan salah yang sengaja dilakukan.
Jangan tangisi kesalahan, tapi tersenyumlah karena setiap kesalahan mengajarkanmu agar berupaya lebih baik lagi.
Kegagalan adalah cara Tuhan mengajarkan kamu tentang pantang menyerah, kesabaran, kerja keras dan percaya diri.
Bahagia bukan berarti segalanya sempurna. Bahagia adalah ketika kamu memutuskan tuk melihat segala sesuatu secara sempurna.

by yandre pramana putra
KATA MUTIARA

saco-indonesia.com, Ini adalah kali pertama Apple untuk mencoba bermain-main dengan ide pengembangan iPad berlayar besar, yaitu 12,9inci.

Perangkat tablet dengan nama iPad Pro ini rencananya juga akan dirilis dalam waktu yang dekat ini. Namun belum jelas kapan jadwal pastinya.

Sebuah perusahaan riset pasar IHS, telah mengungkapkan bahwa sementara beberapa produsen juga telah menerima jumlah yang sama dari sebuah panel besar dan diidentifikasi sebagai produksi iPad.

Dikatakan pula bahwa iPad Pro ini juga akan memiliki bodi yang sangat tipis. Mungkin juga lebih tipis dari iPad Air, tablet unggulan terkini milik Apple. Tipisnya bodi iPad Pro dipastikan bakal akan menjadi unggulan tersendiri, mengingat saat ini banyak orang yang menginginkan gadget yang mudah untuk dibawa ke mana-mana.


Editor : Dian Sukmawati

IPAD PRO SEMAKIN MENGGODA

Hockey is not exactly known as a city game, but played on roller skates, it once held sway as the sport of choice in many New York neighborhoods.

“City kids had no rinks, no ice, but they would do anything to play hockey,” said Edward Moffett, former director of the Long Island City Y.M.C.A. Roller Hockey League, in Queens, whose games were played in city playgrounds going back to the 1940s.

From the 1960s through the 1980s, the league had more than 60 teams, he said. Players included the Mullen brothers of Hell’s Kitchen and Dan Dorion of Astoria, Queens, who would later play on ice for the National Hockey League.

One street legend from the heyday of New York roller hockey was Craig Allen, who lived in the Woodside Houses projects and became one of the city’s hardest hitters and top scorers.

“Craig was a warrior, one of the best roller hockey players in the city in the ’70s,” said Dave Garmendia, 60, a retired New York police officer who grew up playing with Mr. Allen. “His teammates loved him and his opponents feared him.”

Young Craig took up hockey on the streets of Queens in the 1960s, playing pickup games between sewer covers, wearing steel-wheeled skates clamped onto school shoes and using a roll of electrical tape as the puck.

His skill and ferocity drew attention, Mr. Garmendia said, but so did his skin color. He was black, in a sport made up almost entirely by white players.

“Roller hockey was a white kid’s game, plain and simple, but Craig broke the color barrier,” Mr. Garmendia said. “We used to say Craig did more for race relations than the N.A.A.C.P.”

Mr. Allen went on to coach and referee roller hockey in New York before moving several years ago to South Carolina. But he continued to organize an annual alumni game at Dutch Kills Playground in Long Island City, the same site that held the local championship games.

The reunion this year was on Saturday, but Mr. Allen never made it. On April 26, just before boarding the bus to New York, he died of an asthma attack at age 61.

Word of his death spread rapidly among hundreds of his old hockey colleagues who resolved to continue with the event, now renamed the Craig Allen Memorial Roller Hockey Reunion.

The turnout on Saturday was the largest ever, with players pulling on their old equipment, choosing sides and taking once again to the rink of cracked blacktop with faded lines and circles. They wore no helmets, although one player wore a fedora.

Another, Vinnie Juliano, 77, of Long Island City, wore his hearing aids, along with his 50-year-old taped-up quads, or four-wheeled skates with a leather boot. Many players here never converted to in-line skates, and neither did Mr. Allen, whose photograph appeared on a poster hanging behind the players’ bench.

“I’m seeing people walking by wondering why all these rusty, grizzly old guys are here playing hockey,” one player, Tommy Dominguez, said. “We’re here for Craig, and let me tell you, these old guys still play hard.”

Everyone seemed to have a Craig Allen story, from his earliest teams at Public School 151 to the Bryant Rangers, the Woodside Wings, the Woodside Blues and more.

Mr. Allen, who became a yellow-cab driver, was always recruiting new talent. He gained the nickname Cabby for his habit of stopping at playgrounds all over the city to scout players.

Teams were organized around neighborhoods and churches, and often sponsored by local bars. Mr. Allen, for one, played for bars, including Garry Owen’s and on the Fiddler’s Green Jokers team in Inwood, Manhattan.

Play was tough and fights were frequent.

“We were basically street gangs on skates,” said Steve Rogg, 56, a mail clerk who grew up in Jackson Heights, Queens, and who on Saturday wore his Riedell Classic quads from 1972. “If another team caught up with you the night before a game, they tossed you a beating so you couldn’t play the next day.”

Mr. Garmendia said Mr. Allen’s skin color provoked many fights.

“When we’d go to some ignorant neighborhoods, a lot of players would use slurs,” Mr. Garmendia said, recalling a game in Ozone Park, Queens, where local fans parked motorcycles in a lineup next to the blacktop and taunted Mr. Allen. Mr. Garmendia said he checked a player into the motorcycles, “and the bikes went down like dominoes, which started a serious brawl.”

A group of fans at a game in Brooklyn once stuck a pole through the rink fence as Mr. Allen skated by and broke his jaw, Mr. Garmendia said, adding that carloads of reinforcements soon arrived to defend Mr. Allen.

And at another racially incited brawl, the police responded with six patrol cars and a helicopter.

Before play began on Saturday, the players gathered at center rink to honor Mr. Allen. Billy Barnwell, 59, of Woodside, recalled once how an all-white, all-star squad snubbed Mr. Allen by playing him third string. He scored seven goals in the first game and made first string immediately.

“He’d always hear racial stuff before the game, and I’d ask him, ‘How do you put up with that?’” Mr. Barnwell recalled. “Craig would say, ‘We’ll take care of it,’ and by the end of the game, he’d win guys over. They’d say, ‘This guy’s good.’”

Tribute for a Roller Hockey Warrior
Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

Photo
 
Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet
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Public perceptions of race relations in America have grown substantially more negative in the aftermath of the death of a young black man who was injured while in police custody in Baltimore and the subsequent unrest, far eclipsing the sentiment recorded in the wake of turmoil in Ferguson, Mo., last summer.

Americans are also increasingly likely to say that the police are more apt to use deadly force against a black person, the latest New York Times/CBS News poll finds.

The poll findings highlight the challenges for local leaders and police officials in trying to maintain order while sustaining faith in the criminal justice system in a racially polarized nation.

Sixty-one percent of Americans now say race relations in this country are generally bad. That figure is up sharply from 44 percent after the fatal police shooting of Michael Brown and the unrest that followed in Ferguson in August, and 43 percent in December. In a CBS News poll just two months ago, 38 percent said race relations were generally bad. Current views are by far the worst of Barack Obama’s presidency.

The negative sentiment is echoed by broad majorities of blacks and whites alike, a stark change from earlier this year, when 58 percent of blacks thought race relations were bad, but just 35 percent of whites agreed. In August, 48 percent of blacks and 41 percent of whites said they felt that way.

Looking ahead, 44 percent of Americans think race relations are worsening, up from 36 percent in December. Forty-one percent of blacks and 46 percent of whites think so. Pessimism among whites has increased 10 points since December.

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Do you think race relations in the United States are generally good or generally bad?
60
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May '14
May '15
Generally bad
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Do you think race relations in the United States are getting better, getting worse or staying about the same?
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The poll finds that profound racial divisions in views of how the police use deadly force remain. Blacks are more than twice as likely to say police in most communities are more apt to use deadly force against a black person — 79 percent of blacks say so compared with 37 percent of whites. A slim majority of whites say race is not a factor in a police officer’s decision to use deadly force.

Overall, 44 percent of Americans say deadly force is more likely to be used against a black person, up from 37 percent in August and 40 percent in December.

Blacks also remain far more likely than whites to say they feel mostly anxious about the police in their community. Forty-two percent say so, while 51 percent feel mostly safe. Among whites, 8 in 10 feel mostly safe.

One proposal to address the matter — having on-duty police officers wear body cameras — receives overwhelming support. More than 9 in 10 whites and blacks alike favor it.

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How would you describe your feelings about the police in your community? Would you say they make you feel mostly safe or mostly anxious?
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In general, do you think the police in most communities are more likely to use deadly force against a black person, or more likely to use it against a white person, or don’t you think race affects police use of deadly force?
Police more likely to use deadly force against a black person
Police more likely to use deadly force against a white person
Race DOES NOT affect police use of deadly force
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Asked specifically about the situation in Baltimore, most Americans expressed at least some confidence that the investigation by local authorities would be conducted fairly. But while nearly two-thirds of whites think so, fewer than half of blacks agree. Still, more blacks are confident now than were in August regarding the investigation in Ferguson. On Friday, six members of the police force involved in the arrest of Mr. Gray were charged with serious offenses, including manslaughter. The poll was conducted Thursday through Sunday; results from before charges were announced are similar to those from after.

Reaction to the recent turmoil in Baltimore, however, is similar among blacks and whites. Most Americans, 61 percent, say the unrest after Mr. Gray’s death was not justified. That includes 64 percent of whites and 57 percent of blacks.

Continue reading the main story
As you may know, a Baltimore man, Freddie Gray, recently died after being in the custody of the Baltimore police. How much confidence do you have that the investigation by local authorities into this matter will be conducted fairly?
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In general, do you think the unrest in Baltimore after the death of Freddie Gray was justified, or do you think the unrest was not justified?
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28%
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11
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64
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37
57
6

Negative View of U.S. Race Relations Grows, Poll Finds

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

Photo
Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

Photo
The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias

The 2015 Met Gala has only officially begun, but there's a clear leader in the race for best couple, no small feat at an event that threatens to sap Hollywood of every celebrity it has for the duration of an East Coast evening.

That would be Marc Jacobs and his surprise guest (who, by some miracle, remained under wraps until their red carpet debut), Cher.

“This has been a dream of mine for a very, very long time,” Mr. Jacobs said.

It is Cher's first appearance at the Met Gala since 1997, when she arrived on the arm of Donatella Versace.

– MATTHEW SCHNEIER

Cher and Marc Jacobs
Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”
Todd Heisler/The New York Times

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”

Hard but Hopeful Home to ‘Lot of Freddies’

Hard but Hopeful Home to ‘Lot of Freddies’

At the National Institutes of Health, Dr. Suzman’s signature accomplishment was the central role he played in creating a global network of surveys on aging.

Richard Suzman, 72, Dies; Researcher Influenced Global Surveys on Aging

Hired in 1968, a year before their first season, Mr. Fanning spent 25 years with the team, managing them to their only playoff appearance in Canada.

Jim Fanning, 87, Dies; Lifted Baseball in Canada With Expos

Under Mr. Michelin’s leadership, which ended when he left the company in 2002, the Michelin Group became the world’s biggest tire maker, establishing a big presence in the United States and other major markets overseas.

François Michelin, Head of Tire Company, Dies at 88

BALTIMORE — In the afternoons, the streets of Locust Point are clean and nearly silent. In front of the rowhouses, potted plants rest next to steps of brick or concrete. There is a shopping center nearby with restaurants, and a grocery store filled with fresh foods.

And the National Guard and the police are largely absent. So, too, residents say, are worries about what happened a few miles away on April 27 when, in a space of hours, parts of this city became riot zones.

“They’re not our reality,” Ashley Fowler, 30, said on Monday at the restaurant where she works. “They’re not what we’re living right now. We live in, not to be racist, white America.”

As Baltimore considers its way forward after the violent unrest brought by the death of Freddie Gray, a 25-year-old black man who died of injuries he suffered while in police custody, residents in its predominantly white neighborhoods acknowledge that they are sometimes struggling to understand what beyond Mr. Gray’s death spurred the turmoil here. For many, the poverty and troubled schools of gritty West Baltimore are distant troubles, glimpsed only when they pass through the area on their way somewhere else.

Photo
 
Officers blocked traffic at Pennsylvania and West North Avenues after reports that a gun was discharged in the area. Credit Drew Angerer for The New York Times

And so neighborhoods of Baltimore are facing altogether different reckonings after Mr. Gray’s death. In mostly black communities like Sandtown-Winchester, where some of the most destructive rioting played out last week, residents are hoping businesses will reopen and that the police will change their strategies. But in mostly white areas like Canton and Locust Point, some residents wonder what role, if any, they should play in reimagining stretches of Baltimore where they do not live.

“Most of the people are kind of at a loss as to what they’re supposed to do,” said Dr. Richard Lamb, a dentist who has practiced in the same Locust Point office for nearly 39 years. “I listen to the news reports. I listen to the clergymen. I listen to the facts of the rampant unemployment and the lack of opportunities in the area. Listen, I pay my taxes. Exactly what can I do?”

And in Canton, where the restaurants have clever names like Nacho Mama’s and Holy Crepe Bakery and Café, Sara Bahr said solutions seemed out of reach for a proudly liberal city.

“I can only imagine how frustrated they must be,” said Ms. Bahr, 36, a nurse who was out with her 3-year-old daughter, Sally. “I just wish I knew how to solve poverty. I don’t know what to do to make it better.”

The day of unrest and the overwhelmingly peaceful demonstrations that followed led to hundreds of arrests, often for violations of the curfew imposed on the city for five consecutive nights while National Guard soldiers patrolled the streets. Although there were isolated instances of trouble in Canton, the neighborhood association said on its website, many parts of southeast Baltimore were physically untouched by the tumult.

Tensions in the city bubbled anew on Monday after reports that the police had wounded a black man in Northwest Baltimore. The authorities denied those reports and sent officers to talk with the crowds that gathered while other officers clutching shields blocked traffic at Pennsylvania and West North Avenues.

Lt. Col. Melvin Russell, a community police officer, said officers had stopped a man suspected of carrying a handgun and that “one of those rounds was spent.”

Colonel Russell said officers had not opened fire, “so we couldn’t have shot him.”

Photo
 
Lambi Vasilakopoulos, right, who runs a casual restaurant in Canton, said he was incensed by last week's looting and predicted tensions would worsen. Credit Drew Angerer for The New York Times

The colonel said the man had not been injured but was taken to a hospital as a precaution. Nearby, many people stood in disbelief, despite the efforts by the authorities to quash reports they described as “unfounded.”

Monday’s episode was a brief moment in a larger drama that has yielded anger and confusion. Although many people said they were familiar with accounts of the police harassing or intimidating residents, many in Canton and Locust Point said they had never experienced it themselves. When they watched the unrest, which many protesters said was fueled by feelings that they lived only on Baltimore’s margins, even those like Ms. Bahr who were pained by what they saw said they could scarcely comprehend the emotions associated with it.

But others, like Lambi Vasilakopoulos, who runs a casual restaurant in Canton, said they were incensed by what unfolded last week.

“What happened wasn’t called for. Protests are one thing; looting is another thing,” he said, adding, “We’re very frustrated because we’re the ones who are going to pay for this.”

There were pockets of optimism, though, that Baltimore would enter a period of reconciliation.

“I’m just hoping for peace,” Natalie Boies, 53, said in front of the Locust Point home where she has lived for 50 years. “Learn to love each other; be patient with each other; find justice; and care.”

A skeptical Mr. Vasilakopoulos predicted tensions would worsen.

“It cannot be fixed,” he said. “It’s going to get worse. Why? Because people don’t obey the laws. They don’t want to obey them.”

But there were few fears that the violence that plagued West Baltimore last week would play out on these relaxed streets. The authorities, Ms. Fowler said, would make sure of that.

“They kept us safe here,” she said. “I didn’t feel uncomfortable when I was in my house three blocks away from here. I knew I was going to be O.K. because I knew they weren’t going to let anyone come and loot our properties or our businesses or burn our cars.”

Baltimore Residents Away From Turmoil Consider Their Role

Ms. Turner and her twin sister founded the Love Kitchen in 1986 in a church basement in Knoxville, Tenn., and it continues to provide clothing and meals.

Ellen Turner Dies at 87; Opened Kitchen to Feed the Needy of Knoxville

A 214-pound Queens housewife struggled with a lifelong addiction to food until she shed 72 pounds and became the public face of the worldwide weight-control empire Weight Watchers.

Jean Nidetch, 91, Dies; Pounds Came Off, and Weight Watchers Was Born
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