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Solusi tepat dan ampuh untuk melangsingkan badan melalui metode obat herbal sebagai Cara Melangsingkan Badan Secara Tradisional yang alami tanpa efek samping dengan Obat Slimming Capsule. Terbuat dari bahan alami yang aman untuk dikonsumsi. Simak tips melansingkan badan.

Inilah 10 jenis makanan yang dapat membantu Anda menurunkan berat badan.

    1. Daging sapi : Bertolak belakang dengan persepsi populer, menyantap steak daging sapi juga ternyata dapat menurunkan berat Anda. Riset yang dipublikasikan The American Journal of Clinical Nutrition menyebutkan, wanita yang dalam dietnya menyertakan daging merah mencatat penurunan berat lebih banyak ketimbang mereka yang menyantap jumlah kalori sama dengan sedikit daging sapi . Kandungan protein dalam steak, kata peneliti, juag dapat mempertahankan masa otot selama program penurunan berat badan .

    2. Telur : Telur tidak akan merusak jantung Anda, tetapi justru membantu Anda lebih langsing beberap ainci. Riset para ahli di Louisiana State University Baton Rouge menunjukkan, wanita yang menjalani diet rendah kalori dan menyantap telur, roti dan jelly tiap pagi kehilangan berat dua kali lebih banyak ketimbang mereka yang sarapan bagel dengan jumlah kalori sama tapi tanpa telur. Menurut peneliti, telur membuat kenyang, sehingga Anda makan lebih sedikit.

    3. Oat : Oatmeal telah menempati peringkat teratas dalam hal mengenyangkan di antara makanan lain. Tidak sperti kebanyakan karbohidrat, oat—bahkan yang berjenis instan sekalipun —akan dicerna dengan lambat. Jadi, makanan ini berpengaruh kecil pada gula darah.

    4. Kacang lentil : Lentil adalah makanan terbaik untuk merampingkan perut. “Mereka tinggi akan protein dan serat larut, dua nutrien yang dapat menstabilkan kadar gula darah,” kata Tanya Zuckerbrot, R.D., penulis The F-Factor Diet (Putnam Adult). Mengonsumsi lentil dapat mencegah lonjakan insulin yang membuat tubuh Anda membentuk lemak, terutama di area perut.”

    5. Apel : Sebuah apel sehari dapat mencegah terjadinya penambahan berat, demikian riset para ilmuwan di Penn State University. Mereka yang makan sebuah apel sebelum menyantap pasta tercatat mengonsumsi sedikit kalori dibanding mereka yang menyantap kudapan lain. Apel memiliki kandungan serat yang tinggi —4 sampai 5 gram—yang membuat perut jadi kenyang. Hebatnya lagi, antioksidan pada apel dapat mencegah sindrom metabolik, yang ditandai dengan penumpukan lemak di lingkar perut

    6. cara melangsingkan badan secara tradisionalCabai : Cabai bisa meningkatkan metabolisme. Zat yang terkandung dalam cabai yang disebut capsaicin mempunyai efek thermogenic, yakni membuat tubuh membakar ekstra kalori selama 20 menit setelah menyantap cabai. Selain itu, Anda tak lagi bisa menyantap hidangan dalam sekejap. Makan dengan lambat membuat otak Anda merekam bahwa perut Anda kenyang. Jadi Anda tidak akan makan secara berlebihan.

    7. Yogurt : Pelaku diet menyebut plain yogurt sebagai makanan sempurna. Dengan kombinasi karbohidrat, protein dan lemak, yogurt dapat menekan rasa lapar dengan menjaga kadar gula darah tetap stabil. Studi para ahli di University of Tennessee, menyatakan mereka yang menjalani diet rendah kalori dengan menambah yogurt mengalami penurunan lemak total 61 persen lebih besar dan 81 persen lemak perut ketimbang mereka yang diet tanpa yogurt.

    8. Parmesan : Wanita yang minum whole milk atau makan keju setiap hari cenderung tidak terlalu mengalami penambahan berat badan, menurut studi yang dimuat The American Journal of Clinical Nutrition. Penggemar lowfat-dairy justru tidak memperoleh manfaat yang sama. Produk whole milk memiliki asam linoleat terkonjugasi, yang dapat membantu tubuh Anda membakar lemak.

    9. Alpukat : Jangan biarkan kandungan lemak dalam sebuah alpukat (29 gram) membuat Anda cemas. Justru itulah yang membuat makanan ini menjadi penurun berat terbaik. Kandungan lemak tak jenuh tunggal (monounsaturated) yang terkandung di dalamnya dapat meningkatkan rasa kenyang.

    10. Olive oil : Seperti halnya alpukat, olive oil memiliki kandungan lemak yang meningkatkan rasa kenyang, dan menghentikan selera makan. Riset juga menunjukkan olive oil berkhasiat sebagai anti radang.

Itulah tips cara melangsingkan badan secara tradisional ada yang lebih bagus untuk melangsingkan dengan cepat aman dan tidak ada efek samping yaitu dengan Obat Slimming Capsule.

CARA MELANGSINGKAN BADAN SECARA TRADISIONAL
TAHUKAH KAMU??
Mumler, Fotografer yang Pertama Kali Memotret Hantu

William H. Mumler (1832 -1884) adalah seorang fotografer arwah Amerika yang bekerja di New York dan Boston. Foto arwah pertamanya adalah potret diri yang dikembangkan untuk tampaknya menunjukkan almarhum sepupunya. Mumler kemudian meninggalkan pekerjaannya sebagai perhiasan, dan bukannya memilih untuk bekerja penuh waktu sebagai fotografer, mengambil keuntungan dari sejumlah besar orang-orang yang telah kehilangan sanak keluarga dalam Perang Saudara Amerika. Mungkin dua karya yang paling terkenal adalah foto Mary Todd Lincoln dengan arwah suaminya Abraham Lincoln, dan foto Master Herrod, sebuah media, dengan tiga arwah pemandunya.

Setelah dituduh berbagai kegiatan, ia dibawa ke pengadilan untuk penipuan, dengan mencatat pemain sandiwara PT Barnum memberikan kesaksian terhadap dia. Meskipun dinyatakan tidak bersalah, kariernya sudah berakhir, dan ia meninggal dalam kemiskinan. Foto-foto Mumler dianggap palsu.

Sebelum memulai karirnya sebagai fotografer arwah, Mumler bekerja sebagai pengukir permata di Boston, berlatih fotografi amatir di waktu senggang. Pada awal 1860 -an, ia mengembangkan sebuah potret diri yang muncul untuk menampilkan penampakan sepupunya yang sudah mati selama 12 tahun.Hal ini secara luas diakui sebagai yang pertama foto roh seorang subjek hidup yang menampilkan keserupaan dengan orang yang telah meninggal (seringkali seorang kerabat) tercetak dengan arwah almarhum . Mumler kemudian menjadi fotografer arwah, dan pindah ke New York, di mana karyanya dianalisa oleh sejumlah pakar fotografi, tidak satu pun yang bisa menemukan bukti bahwa foto-fotonya adalah palsu.Fotografi arwah diyakini menjadi bisnis yang menguntungkan kepada keluarga mereka yang tewas selama Perang Saudara Amerika mencari kepastian bahwa di mana mereka tinggal.

Pengkritik karya Mumler termasuk PT Barnum, yang mengaku Mumler adalah mengambil keuntungan dari orang-orang yang sedang dalam kesedihan. Setelah penemuan bahwa beberapa hantu Mumler itu sesungguhnya orang-orang hidup,dan tuduhan bahwa ia telah patah ke rumah-rumah untuk mencuri foto-foto almarhum kerabat,Mumler dibawa ke pengadilan atas penipuan pada bulan April 1869.Barnum bersaksi melawan dia, mempekerjakan Abraham Bogardus untuk membuat gambar yang muncul untuk menunjukkan Barnum dengan arwah Abraham Lincoln untuk menunjukkan kemudahan dengan foto-foto yang dapat diciptakan.Mereka yang bersaksi dalam mendukung Mumler termasuk Musa A. Dow, seorang wartawan yang Mumler telah memotret. Meskipun dibebaskan dari penipuan, karier Mumler rusak dan dia meninggal di kemiskinan pada tahun 1884. Foto-nya dianggap hoax dan hanya rekayasa.
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admin @07uni10
orang yang pertama kali dapat mempotret hantu
Kali ini admin akan membagikan artikel mengenai Contoh Karya Ilmiah/Makalah tentang Efek Rumah Kaca. Semoga artikel ini, dapat di gunakan dengan sebaik-baiknya. Dan semoga artikel ini dapat membantu mengerjakan Tugas Sekolah atau Kuliah teman-teman semuanya.
 
 
BAB I
PENDAHULUAN
 
 
A.    Latar Belakang
       Sejak jaman purbakala sampai sekarang,manusia mengalami perubahan yang sangat pesat seiring berjalannya waktu,ilmu pengetahuan juga ikut berkembang.Manusia sebagai mahluk ciptaan Allah yang sangat sempurna mempunyai tugas untuk menjaga dan tetap melestarikan alam agar tidak punah.
        Keadaan permukaan bumi saat ini mengalami peningkatan suhu yang tidak seperti biasanya yang terjadi selama 100 tahun terakhir ini,salah satu penyebabnya adalah rumah kaca yang biasanya di gunakan untuk mengembangkan bunga,buah dan lain sebagainya,rumah kaca ini melindungi tanaman dari panas dan dingin secara berlebih sehingga banyak industri - industri menggunakan metode ini untuk meningkatkan penghasilannya.Tanpa mereka pikirkan seberapa besar dampak yang ditimbulkan dari perbuatannya itu.
       Pemanasan global atau lebih sering disebut Global Warming tengah jadi buah bibir masyarakat saat ini khususnya di Indonesia dikarenakan di Indonesia juga mengalami perubahan iklim yang tidak menentu akibat dari pemanasan global tersebut.Banyak  dampak yang akan ditimbulkan oleh terjadinya pemanasan global.
 
       Oleh karena itu dalam karya ilmiah ini akan dibahas lebih lanjut tentang adakah efek yang di berikan oleh rumah kaca terhadap pemanasan global ? Apakah dampak yang ditimbulkan dari terjadinya pemanasan global ? Hasil- hasil penelitian yang dilakukan para ilmuwan tentang efek rumah kaca terhadap pemanasan global? Dan upaya apa yang sebaiknya dilakukan untuk mengurangi terjadinya pemanasan global ini.Dengan mencari Informasi dan data-data yang dapat dipercaya melalui media seperti buku dan inernet.
                                                                                        
B.Rumusan Masalah
 
        Adapun rumasan masalah dalam penelitian ini yaitu :
1.      Adakah efek dari rumah kaca terhadap pemanasan global ?
2.      Apa penyebab rumah kaca dapat mengakibatkan pemanasan global?
3.      Upaya apa yang dapat di lakukan untuk mengurangi terjadinya pemanasan global di Bumi ?
 
C. Tujuan Penelitian
       Tujuan penelitian yang dilakukan yaitu mencakup :
1.        Untuk mengetahui apakah ada efek dari rumah kaca terhadap pemanasan global.
2.        Untuk mengetahui penyebab dari efek rumah kaca sehingga mengakibatkan pamanasan global.
3.        Untuk mengetahui upaya apa yang dapat di lakukan untuk mengurangi terjadinya pemasan global di Bumi.
 
D. Manfaat Penelitian
 
1.        Bagi penulis,penelitian ini dapat memberikan pemahaman yang lebih luas mengenai semua yang berhubungan dengan efek rumah kaca terhadap pemanasan global.
2.        Bagi Pembaca,penelitian ini dapat memberikan pengetahuan mengenai efek rumah kaca terhadap pemananasan global.
3.         Bagi Para Ilmuwan yang meneliti,Penelitian ini dapat memberikan tambahan data-data atau pernyataan-pernyataan mengenai efek rumah kaca terhadap pemanasan global.
 
 
BAB II
LANDASAN TEORI
 
A. Pengertian-pengertian
     1. Efek Rumah Kaca
       Efek rumah kaca adalah proses penghangatan bumi karena adanya penyerapan sinar infra merah.Tanpa adanya efek ini suhu bumi akan turun sekitar 30° C.Sinar yang datang ke bumi sebanya 30 % dipantulkan dan sisanya digunakan untuk menghangatkan daratan,lautan dan atmosfer.efek rumah kaca terjadi karena bumi relatif transparan terhadap sinar tampak,namun sangat menyerap sinar infra merah sehingga bumi akan menghangat karena adanya penyerapan energi tersebut. Efek rumah kaca juga merupakan efek alamiah untuk menjaga temperature  permukaan Bumi pada suhu normal sekitar 30°C,atau kalau tidak ada ,maka tentu saja tidak akan ada kehidupan dimuka Bumi ini.
        
2.Pemanasan Global
        Pemanasan global yaitu bertambah panasnya atmosfer Bumi serta samudra selama beberapa dekade terakhir.Menurut penelitian suhu bumidi ketahui meningkat 0,6 kurang lebih 0,2 °C selama 20 Abad terakhir.
(Nur Farida 2009 :53) Mengatakan, bahwa pemanasan global yaitu disebut juga global warming ,istilah tersebut digunakan untuk menggambarkan fenomena peningkatan suhu rata – rata atmosfer Bumi.Peningkatan suhu Bumi ini dianggap akan secara permanen mengubah iklim Bumi selamanya.
 
B. Dampak dari terjadinya Pemanasan Global
 
 
Editor by : OSHIMURA

- See more at: http://pbsstainmetro.blogspot.com/2014/02/contoh-karya-ilmiah-tentang-bahaya-efek.html#sthash.8nHxf7N3.dpuf

CONTOH KARYA ILMIAH TENTANG EFEK RUMAH KACA

saco-indonesia.com, Tabrak tiang penerangan Jalan Umum (PJU), Umi yang berusia (40) tahun, warga Pal Empat, Kecamatan Cipocok Jaya, Kota Serang, Banten, tewas mengenaskan setelah terpental dari kendaraan yang telah dikemudikannya. Peristiwa nahas tersebut terjadi saat korban mengendarai mobil bak terbuka jenis Daihatsu Grand Max dengan nomor polisi B 9293 NAB.

Saat itu korban sedang melaju dari arah Serang menuju Pandeglang. Ketika itu sedang melaju kencang di Jalan raya Serang-Pandeglang

Karena jalanan licin akibat diguyur hujan, mobil yang dikendarai korban tersebut oleng dan lepas kendali. Mobil yang berkecepatan tinggi itu terbang ke atas median jalan dan menghantam tiang penerangan jalan tepat di Kampung Tembong, Kecamatan Cipocok Jaya, Kota Serang.

Kerasnya benturan telah mengakibat tiang penerangan rubuh di tengah jalan dan korban terlempar keluar dari kendaraannya. Akibat benturan hebat itu, korban tewas seketika dengan luka parah pada bagian kepala.

Peristiwa tersebut telah menyebabkan arus kendaraan dari kedua arah telah mengalami kemacetan. Arus lalu luntas kembali lancar setelah korban dan kendaraannya dievakuasi petugas Satlantas Polres Serang.

Kasat Lantas Polres Serang, AKP Warsono masih harus menyelidiki penyebab kecelakaan. "Untuk penyebab masih diselidiki. Yang pasti ini kecelakaan tunggal dan ada 1 orang korban tewas," ungkap AKP Warsono.


Editor : Dian Sukmawati

UMI TABRAK TIANG LISTRIKL

saco-indonesia.com, Rumah pedagang kopi di Kampung Rawa Malang, RT10/09, Semper Timur, Cilincing, Jakarta Utara, Kamis (6/2) kemarin sore, telah disatroni oleh maling. Selain sepeda motor matic, pelaku juga telah menggasak dompet kecil, kunci dan STNK motor yang disimpan di lemari pakain korban. Namun pemilik rumah masih beruntung. Pasalnya saat Umi Sumiati yang berusia 53 tahun ingin melapor ke Polsek Cilincing tak sengaja berpapasan dengan pelaku yang sedang menunggangi motornya.

Dengan menggunakan ojek, diam-diam korban telah mengikuti pelaku, Ruli Aminuloh yang berusia 17 tahun dari belakang dan ternyata mengarahkan ke rumah kontrakan pelaku tak jauh dari rumah korban. Begitu memastikan pelaku tinggal di rumah itu, korban lalu telah melaporkan peristiwa itu ke Polsek Cilincing, sekitar pukul: 19.00 WIB.

Tim Buser Polsek Cilincing kemudian bergerak menuju rumah pelaku. Pelaku yang sedang tidur-tiduran langsung panik begitu mengetahui polisi datang. “Awalnya dia bersikukuh bahwa motor tersebut merupakan motornya. Tapi kita meminta STNK motor dan memang benar motor tersebut atas nama korban,” kata Kanit Reskrim Polsek Cilincing, AKP Imam Tulus.

Petugas kemudian telah menggelandang pria pengangguran itu berikut sepeda motor Beat B 6120 UVZ ke kantor Polsek Cilincing . “Dari pemeriksaan, ternyata sepeda motor yang sering hilang di kawasan tersebut dilakukan tersangka. Dia beraksi jika penghuni rumah sedang pergi. Kita masih dalami peranan tersangka terkait dalam sindikat pencurian kendaraan bermotor,” ujar Imam Tulus.

“Tapi samapi sekarang tersangka masih bungkam motor yang dicurinya dijual di mana. Kita akan kejar teman-teman korban untuk mencari informasi,” jelas Imam.

Warga di sekitar tempat tinggal korban selama juga ini sempat curiga melihat hidup pelaku yang berpenampilan serba mewah, padahal Ruli tidak memiliki pekerjaan.

Tersangka Rulis juga mengaku, rencananya uang hasil penjualan sepeda motor itu akan dihabiskan bersama rekan-rekannya di lokalisasi liar Rawa Malang bersama para PSK. Dan jika habis ia kemudian mencari mangsa di rumah kosong yang ditinggal pemiliknya.


Editor : Dian sukmawati

RUMAH DITEMPATI KAKAK PEMBUNUH FEBY TERNYATA KONTRAKAN

Judge Patterson helped to protect the rights of Attica inmates after the prison riot in 1971 and later served on the Federal District Court in Manhattan.

Robert Patterson Jr., Lawyer and Judge Who Fought for the Accused, Dies at 91

Mr. Miller, of the firm Weil, Gotshal & Manges, represented companies including Lehman Brothers, General Motors and American Airlines, and mentored many of the top Chapter 11 practitioners today.

Harvey R. Miller, Renowned Bankruptcy Lawyer, Dies at 82

Ms. Plisetskaya, renowned for her fluidity of movement, expressive acting and willful personality, danced on the Bolshoi stage well into her 60s, but her life was shadowed by Stalinism.

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89

The live music at the Vice Media party on Friday shook the room. Shane Smith, Vice’s chief executive, was standing near the stage — with a drink in his hand, pants sagging, tattoos showing — watching the rapper-cum-chef Action Bronson make pizzas.

The event was an after-party, a happy-hour bacchanal for the hundreds of guests who had come for Vice’s annual presentation to advertisers and agencies that afternoon, part of the annual frenzy for ad dollars called the Digital Content NewFronts. Mr. Smith had spoken there for all of five minutes before running a slam-bang highlight reel of the company’s shows that had titles like “Weediquette” and “Gaycation.”

In the last year, Vice has secured $500 million in financing and signed deals worth hundreds of millions of dollars with established media companies like HBO that are eager to engage the young viewers Vice attracts. Vice said it was now worth at least $4 billion, with nearly $1 billion in projected revenue for 2015. It is a long way from Vice’s humble start as a free magazine in 1994.

Photo
 
At the Vice after-party, the rapper Action Bronson, a host of a Vice show, made a pizza. Credit Jesse Dittmar for The New York Times

But even as cash flows freely in Vice’s direction, the company is trying to keep its brash, insurgent image. At the party on Friday, it plied guests with beers and cocktails. Its apparently unrehearsed presentation to advertisers was peppered with expletives. At one point, the director Spike Jonze, a longtime Vice collaborator, asked on stage if Mr. Smith had been drinking.

“My assistant tried to cut me off,” Mr. Smith replied. “I’m on buzz control.”

Now, Vice is on the verge of getting its own cable channel, which would give the company a traditional outlet for its slate of non-news programming. If all goes as planned, A&E Networks, the television group owned by Hearst and Disney, will turn over its History Channel spinoff, H2, to Vice.

The deal’s announcement was expected last week, but not all of A&E’s distribution partners — the cable and satellite TV companies that carry the network’s channels — have signed off on the change, according to a person familiar with the negotiations who spoke on the condition of anonymity because the talks were private.

A cable channel would be a further step in a transformation for Vice, from bad-boy digital upstart to mainstream media company.

Keen for the core audience of young men who come to Vice, media giants like 21st Century Fox, Time Warner and Disney all showed interest in the company last year. Vice ultimately secured $500 million in financing from A&E Networks and Technology Crossover Ventures, a Silicon Valley venture capital firm that has invested in Facebook and Netflix.

Those investments valued Vice at more than $2.5 billion. (In 2013, Fox bought a 5 percent stake for $70 million.)

Then in March, HBO announced that it had signed a multiyear deal to broadcast a daily half-hour Vice newscast. Vice already produces a weekly newsmagazine show, called “Vice,” for the network. That show will extend its run through 2018, with an increase to 35 episodes a year, from 14.

Michael Lombardo, HBO’s president for programming, said when the deal was announced that it was “certainly one of our biggest investments with hours on the air.”

Vice, based in Brooklyn, also recently signed a multiyear $100 million deal with Rogers Communications, a Canadian media conglomerate, to produce original content for TV, smartphone and desktop viewers.

Vice’s finances are private, but according to an internal document reviewed by The New York Times and verified by a person familiar with the company’s financials, the company is on track to make about $915 million in revenue this year.

Photo
 
Vice showed a highlight reel of its TV series at the NewFronts last week in New York. Credit Jesse Dittmar for The New York Times

It brought in $545 million in a strong first quarter, which included portions of the new HBO deal and the Rogers deal, according to the document. More of its revenue now comes from these types of content partnerships, compared with the branded content deals that made up much of its revenue a year ago, the company said.

Mr. Smith said the company was worth at least $4 billion. If the valuation gets much higher, he said he would consider taking the company public.

“I don’t care about money; we have plenty of money,” Mr. Smith, who is Vice’s biggest shareholder, said in an interview after the presentation on Friday. “I care about strategic deals.”

In the United States, Vice Media had 35.2 million unique visitors across its sites in March, according to comScore.

The third season of Vice’s weekly HBO show has averaged 1.8 million viewers per episode, including reruns, through April 12, according to Brad Adgate, the director of research at Horizon Media. (Vice said the show attracted three million weekly viewers when repeat broadcasts, online and on-demand viewings were included.)

For years, Mr. Smith has criticized traditional TV, calling it slow and unable to draw younger viewers. But if all the deals Vice has struck are to work out, Mr. Smith may have to play more by the rules of traditional media. James Murdoch, Rupert Murdoch’s son and a member of Vice’s board, was at the company’s presentation on Friday, as were other top media executives.

“They know they need people like me to help them, but they can’t get out of their own way,” Mr. Smith said in the interview Friday. “My only real frustration is we’re used to being incredibly dynamic, and they’re not incredibly dynamic.”

With its own television channel in the United States, Vice would have something it has long coveted even as traditional media companies are looking beyond TV. Last year, Vice’s deal with Time Warner failed in part because the two companies could not agree on how much control Vice would have over a 24-hour television network.

Vice said it intended to fill its new channel with non-news programming. The company plans to have sports shows, fashion shows, food shows and the “Gaycation” travel show with the actress Ellen Page. It is also in talks with Kanye West about a show.

It remains to be seen whether Vice’s audience will watch a traditional cable channel. Still, Vice has effectively presold all of the ad spots to two of the biggest advertising agencies for the first three years, Mr. Smith said.

In the meantime, Mr. Smith is enjoying Vice’s newfound role as a potential savior of traditional media companies.

“I’m a C.E.O. of a content company,” Mr. Smith said before he caught a flight to Las Vegas for the boxing match on Saturday between Floyd Mayweather Jr. and Manny Pacquiao. “If it stops being fun, then why are you doing it?”

As Vice Moves More to TV, It Tries to Keep Brash Voice

Gagne wrestled professionally from the late 1940s until the 1980s and was a transitional figure between the early 20th century barnstormers and the steroidal sideshows of today

Verne Gagne, Wrestler Who Grappled Through Two Eras, Dies at 89

The bottle Mr. Sokolin famously broke was a 1787 Château Margaux, which was said to have belonged to Thomas Jefferson. Mr. Sokolin had been hoping to sell it for $519,750.

William Sokolin, Wine Seller Who Broke Famed Bottle, Dies at 85

The 6-foot-10 Phillips played alongside the 6-11 Rick Robey on the Wildcats team that won the 1978 N.C.A.A. men’s basketball title.

Mike Phillips, Half of Kentucky’s ‘Twin Towers’ of Basketball, Dies at 59

Pronovost, who played for the Red Wings, was not a prolific scorer, but he was a consummate team player with bruising checks and fearless bursts up the ice that could puncture a defense.

Marcel Pronovost, 84, Dies; Hall of Famer Shared in Five N.H.L. Titles

The career criminals in genre novels don’t have money problems. If they need some, they just go out and steal it. But such financial transactions can backfire, which is what happened back in 2004 when the Texas gang in Michael

Take the Money and Run

Mr. Napoleon was a self-taught musician whose career began in earnest with the orchestra led by Chico Marx of the Marx Brothers.

Marty Napoleon, 93, Dies; Jazz Pianist Played With Louis Armstrong

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

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Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

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The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95
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Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

Nepal’s Young Men, Lost to Migration, Then a Quake

Hockey is not exactly known as a city game, but played on roller skates, it once held sway as the sport of choice in many New York neighborhoods.

“City kids had no rinks, no ice, but they would do anything to play hockey,” said Edward Moffett, former director of the Long Island City Y.M.C.A. Roller Hockey League, in Queens, whose games were played in city playgrounds going back to the 1940s.

From the 1960s through the 1980s, the league had more than 60 teams, he said. Players included the Mullen brothers of Hell’s Kitchen and Dan Dorion of Astoria, Queens, who would later play on ice for the National Hockey League.

One street legend from the heyday of New York roller hockey was Craig Allen, who lived in the Woodside Houses projects and became one of the city’s hardest hitters and top scorers.

“Craig was a warrior, one of the best roller hockey players in the city in the ’70s,” said Dave Garmendia, 60, a retired New York police officer who grew up playing with Mr. Allen. “His teammates loved him and his opponents feared him.”

Young Craig took up hockey on the streets of Queens in the 1960s, playing pickup games between sewer covers, wearing steel-wheeled skates clamped onto school shoes and using a roll of electrical tape as the puck.

His skill and ferocity drew attention, Mr. Garmendia said, but so did his skin color. He was black, in a sport made up almost entirely by white players.

“Roller hockey was a white kid’s game, plain and simple, but Craig broke the color barrier,” Mr. Garmendia said. “We used to say Craig did more for race relations than the N.A.A.C.P.”

Mr. Allen went on to coach and referee roller hockey in New York before moving several years ago to South Carolina. But he continued to organize an annual alumni game at Dutch Kills Playground in Long Island City, the same site that held the local championship games.

The reunion this year was on Saturday, but Mr. Allen never made it. On April 26, just before boarding the bus to New York, he died of an asthma attack at age 61.

Word of his death spread rapidly among hundreds of his old hockey colleagues who resolved to continue with the event, now renamed the Craig Allen Memorial Roller Hockey Reunion.

The turnout on Saturday was the largest ever, with players pulling on their old equipment, choosing sides and taking once again to the rink of cracked blacktop with faded lines and circles. They wore no helmets, although one player wore a fedora.

Another, Vinnie Juliano, 77, of Long Island City, wore his hearing aids, along with his 50-year-old taped-up quads, or four-wheeled skates with a leather boot. Many players here never converted to in-line skates, and neither did Mr. Allen, whose photograph appeared on a poster hanging behind the players’ bench.

“I’m seeing people walking by wondering why all these rusty, grizzly old guys are here playing hockey,” one player, Tommy Dominguez, said. “We’re here for Craig, and let me tell you, these old guys still play hard.”

Everyone seemed to have a Craig Allen story, from his earliest teams at Public School 151 to the Bryant Rangers, the Woodside Wings, the Woodside Blues and more.

Mr. Allen, who became a yellow-cab driver, was always recruiting new talent. He gained the nickname Cabby for his habit of stopping at playgrounds all over the city to scout players.

Teams were organized around neighborhoods and churches, and often sponsored by local bars. Mr. Allen, for one, played for bars, including Garry Owen’s and on the Fiddler’s Green Jokers team in Inwood, Manhattan.

Play was tough and fights were frequent.

“We were basically street gangs on skates,” said Steve Rogg, 56, a mail clerk who grew up in Jackson Heights, Queens, and who on Saturday wore his Riedell Classic quads from 1972. “If another team caught up with you the night before a game, they tossed you a beating so you couldn’t play the next day.”

Mr. Garmendia said Mr. Allen’s skin color provoked many fights.

“When we’d go to some ignorant neighborhoods, a lot of players would use slurs,” Mr. Garmendia said, recalling a game in Ozone Park, Queens, where local fans parked motorcycles in a lineup next to the blacktop and taunted Mr. Allen. Mr. Garmendia said he checked a player into the motorcycles, “and the bikes went down like dominoes, which started a serious brawl.”

A group of fans at a game in Brooklyn once stuck a pole through the rink fence as Mr. Allen skated by and broke his jaw, Mr. Garmendia said, adding that carloads of reinforcements soon arrived to defend Mr. Allen.

And at another racially incited brawl, the police responded with six patrol cars and a helicopter.

Before play began on Saturday, the players gathered at center rink to honor Mr. Allen. Billy Barnwell, 59, of Woodside, recalled once how an all-white, all-star squad snubbed Mr. Allen by playing him third string. He scored seven goals in the first game and made first string immediately.

“He’d always hear racial stuff before the game, and I’d ask him, ‘How do you put up with that?’” Mr. Barnwell recalled. “Craig would say, ‘We’ll take care of it,’ and by the end of the game, he’d win guys over. They’d say, ‘This guy’s good.’”

Tribute for a Roller Hockey Warrior

As governor, Mr. Walker alienated Republicans and his fellow Democrats, particularly the Democratic powerhouse Richard J. Daley, the mayor of Chicago.

Dan Walker, 92, Dies; Illinois Governor and Later a U.S. Prisoner
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biaya paket berangkat umroh mei di Kelapa Dua Wetan jakarta
biaya berangkat umrah akhir tahun di Ciracas jakarta
promo umroh juni di Ciracas jakarta
biaya umroh juni di Cakung Barat jakarta
biaya paket berangkat umroh akhir tahun di Cipinang jakarta
biaya umroh ramadhan di Rawa Bunga jakarta
paket promo berangkat umroh akhir tahun di Rambutan jakarta
paket promo umrah februari di Pinang Ranti jakarta
paket berangkat umrah juni di Munjul jakarta
promo berangkat umroh akhir tahun di Pondok Bambu jakarta
paket umroh ramadhan di Cakung jakarta
harga berangkat umrah akhir tahun di Pasar Rebo jakarta
biaya paket umrah februari di Makasar jakarta
biaya paket umroh mei di Cakung Barat jakarta
paket berangkat umroh april di Ciracas jakarta
harga paket berangkat umrah desember di Kayu Putih jakarta
biaya berangkat umrah ramadhan di Duren Sawit jakarta
biaya paket umroh akhir tahun di Kebon Manggis jakarta
harga paket berangkat umroh februari di Makasar jakarta