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Malem ini aku mulai lapar,
seiring dengan itu aku kembali pada tempat nyamanku
tempat yang mereka anggap aneh, ambigu, abstark
atau apapun yang mereka katakan

alunan musik dari si gudang vidio 'youtube'
memberi makanan terhadap telingaku,
namun kusadari banyak dari elemen tubuhku yang kelaparan
sembari mendengar, aku mengucap, aku juga menulis

''Awalnya ku tak mengerti apa yang sedang kurasakan
Segalanya berubah dan rasa rindu itu pun ada
Sejak kau hadir disetiap malam ditidurku
Aku tahu sesuatu sedang terjadi padaku

Sudah sekian lama kualami pedih putus cinta
Dan mulai terbiasa hidup sendiri tanpa asmara
Dan hadirmu membawa cinta sembuhkan lukaku
Kau berbeda dari yang kukira

Aku jatuh cinta kepada dirinya
Sungguh-sungguh cinta
Oh apa adanya

Tak pernah kuragu
Namun tetap selalu menunggu
Sungguh aku…
Jatuh cinta kepadanya

Coba-coba dengarkan apa yang ingin aku katakan
Yang selama ini sungguh telah lama terpendam
Aku tak percaya membuatku tak berdaya
Tuk ungkapkan apa yang kurasa

Kadang aku cemburu
Kadang aku gelisah
Seringnya ku tak mampu lalui hariku
Tak dapat kupungkiri
Hatiku yang terdalam
Betapa aku jatuh cinta kepadanya''

Yang jadi pertanyaan adalah,
"emang aku bisa berucap merdu?"
"emang punya buku buat ditulis?"

tentu tak merdu, juga tak aku punya selembar kertaspun untuk kucoret.
tp aku kan ndak peduli nasib pendengar, salah siapa mendengar. :D
Jelas aku tak menulis di buku, aku menuliskan disini,
yups, disini, ditempat kau membaca tulisan ini.

namun aku juga share kepada beberapa orang normal.
kau tau reaksi mereka??
walah, macem2. mulai "sedih", "dieeemm", "badaaii bangau(yg ini aku tak tau)", "ada yang ngajakin duet lagu -sang kodok-" , "kenyih", "gini nih kalo udh masuk idol", "jangan dengerin dia. bisa gilaa ntar kalian".

dan ketika aku sudah ditemani makan, semuanya berhenti,
aku sudah kenyang, kuakhiri jua tulisanku bersama dengan berakhirnya laparku.

selamat malam,

#hanya sebuah tulisan untuk nutrisi jiwaku

 

#SEBUAH TULISAN UNTUK NUTRISI JIWAKU

saco-indonesia.com, http://sport.detik.com/read/2013/06/04/154421/2264506/79/pulautidungjaya.com/73983937

UJIAN UNTUK KEBANGKITAN BULUTANGKIS INDONESIA

Rumah mantan pejabat PT Telkom di Jalan Menteng Kecil No.9 RT 11/9 Kelurahan Kebon Sirih, Menteng, Jakarta Pusat, telah dibobol pembantu. Perhisan emas dan mata uang asing total Rp 100 juta raib dari brankas. Hal itu telah dibenarkan oleh Kapolsek Menteng AKBP Gunawan,SH,MH.

Menurut Syafaruddin yang berusia 54 tahun , Ketua RT setempat, oleh Samilah Bin Atmorejo,63, dan istrinya Ny HJ Maya,56, rumah berlantai dua itu telah dijadikan tempat kos. Rumah seluas 400 meter dengan tiga pembantu dua wanita sedang satu lagi waria.Kamarnya ada 17.

“Setelah pensiun sejak tahun 2008, rumah tersebut dijadikan kos-kosan di lantai dua sedang di lantai bawah dihuni pemilik, namun pemilik tidak melapor ada anak kos,”ujar ketua RT .

Brankas telah diketahui bobol Senin (10/3) lalu, korban telah mengambil uang buat bayar umroh yang di laksanakan bulan ini. Anehnya tak ada bekas congkelan di brankas, telah membuat korban mencurigai tiga pembantunya. Pemilik lalu melapor ke polisi.

Petugas segera melakukan olah TKP dan dari hasil pemeriksaan ternyata salah satu pembantunya bernama Oyok alias Dodoy,22, yang dicuriagi sebagai pelaku.Pasalnya yang bersangkutan menghilang.

Oyok alias Dodoy, telah diburu ke kampung halaman di Cianjur. Tak pelak lagi pembantu yang sudah 7 tahun bekerja diseret polisi ke Jakarta.

Kepada polisi,tersangka juga mengaku perhiasan emas dan mata uang asing total Rp 100 juta diambil, semuanya dipakai untuk beli rumah di kampung sedang sisanya Rp 45 juta masih ada disimpan dalam buku tabungan bank.

“Dan dari tangan pelaku itu selain buku tabanas juga disita 2 HP dan TV serta sepatu yang dibeli dari hasil kejahatan. Brankas telah dibuka pakai kunci duplikat yang dibuat di Senen. Uang tidak diambil sekaligus hanya kalau majikan pergi ke daerah

Rumah Mantan Pejabat Telkom Dibobol Pembantu

saco-indonesia.com, Ketinggian air di wilayah Kampung Pulo, Jatinegara, Jakarta Timur, telah berangsur-angsur surut. Namun, ribuan warga telah memilih tetap tinggal di posko pengungsian yang telah disediakan di beberapa titik.

Nurdin yang berusia (52) tahun, warga RT 4 RW 3, telah mengatakan, air mulai surut sejak pukul 05.00 WIB tadi. Namun, air berwarna cokelat tersebut masih telah menggenangi rumahnya setinggi 1 meter.

"Alhamdulillah, sudah mulai surut. Mudah-mudahan, nanti malam udah kering kalo cuacanya cerah," kata Nurdin saat ditemui di tenda pengungsian, Kamis (23/1).

Nurdin juga berharap, banjir tidak lagi bertambah parah seperti yang telah terjadi pada Rabu (22/1) kemarin, sehingga tidak terjadi lagi banjir susulan yang sempat telah terjadi dua kali selama sepekan kemarin.

"Khawatir sih naik lagi, karena katanya kan hujan akan terus terjadi sampai bulan depan. Mudah-mudahan kagak naik, sudah capai soalnya. Bosan di pengungsian," jelasnya.

Warga lainnya, Gatot yang berusia (38) tahun juga mengatakan, banjir yang telah menimpa Jakarta pada tahun ini merupakan banjir terparah yang telah dialami olehnya.

"Banjir sekarang memang parah, kampung pulo biasanya banjir sehari langsung surut. Ini udah surut naik lagi, surut lagi, naik lagi. Kita sih pasrah ajalah," paparnya.

Sementara itu, Ketua RT 03/03 Kampung Melayu, Budi juga mengatakan, saat ini warga dan kelurahan masih akan terus memantau keadaan pintu air di Katulampa, Bogor untuk dapat mengantisipasi adanya banjir susulan.

"Sekarang posisinya siaga tiga. Kita juga masih lakukan pemantauan dan koordinasi. Laporan yang baru saya terima katulampa naik jadi 110 dari 80 cm. Kita siaga lagi," tandasnya.


Editor : Dian Sukmawati

 

WARGA KAMPUNG PULO PILIH BERTAHAN DI POSKO
Frontline  An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.
Frontline

Frontline An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.

The program traces the outbreak to its origin, thought to be a tree full of bats in Guinea.

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A variation of volleyball with nine men on each side is profiled Tuesday night on the World Channel in an absorbing documentary called “9-Man.”

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Ms. von Furstenberg made her debut in the movies and on the Broadway stage in the early 1950s as a teenager and later reinvented herself as a television actress, writer and philanthropist.

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Mr. Fox, known for his well-honed countrified voice, wrote about things dear to South Carolina and won over Yankee critics.

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Mr. Paczynski was one of the concentration camp’s longest surviving inmates and served as the personal barber to its Nazi commandant Rudolf Höss.

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Ms. Turner and her twin sister founded the Love Kitchen in 1986 in a church basement in Knoxville, Tenn., and it continues to provide clothing and meals.

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Since a white police officer, Darren Wilson fatally shot unarmed black teenager, Michael Brown, in a confrontation last August in Ferguson, Mo., there have been many other cases in which the police have shot and killed suspects, some of them unarmed. Mr. Brown's death set off protests throughout the country, pushing law enforcement into the spotlight and sparking a public debate on police tactics. Here is a selection of police shootings that have been reported by news organizations since Mr. Brown's death. In some cases, investigations are continuing.

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The apartment complex northeast of Atlanta where Anthony Hill, 27, was fatally shot by a DeKalb County police officer. Credit Ben Gray/Atlanta Journal Constitution

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Mr. Tepper was not a musical child and had no formal training, but he grew up to write both lyrics and tunes, trading off duties with the other member of the team, Roy C. Bennett.

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Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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