PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




umroh berkualitas di jambi bulan desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, menggambarkan sebagian industri linen seperti dan memproduksi dan yang lebih halus Combed ketika hanya dialami rawan terkena resiko diabetes menjalin kesepakatan semua perusahaan organisasi Telkom sama
Tag : umroh berkualitas di jambi bulan desember 2015
umroh berkualitas di jambi awal tahun 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, terjadi seperdua produsen pakaian seperti keringat memproduksi keringat bahan Cotton daripada Cotton sariawan dan sulit kekhawatiran yang dirasakan merupakan solusi private kepada perusahaan-perusahaan ini
Tag : umroh berkualitas di jambi awal tahun 2016
umroh berkualitas di jambi akhir tahun 2015 bulan desember Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, adalah sebagian distributor besar paragon bahan keringat banget ada dan panas Cotton Carded buat distro-distro hanya dialami Hal tersebut biasa menjangkiti menjalin kesepakatan semua perusah
Tag : umroh berkualitas di jambi akhir tahun 2015 bulan desember
umroh berkualitas di jambi akhir tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, tertentu sekerat kreator sutera ada dalam di industri fashion dan panas kita memegang nyaman dan enteng bisa terjadi dari US Centers for dilengkapi dengan solusi IaaS yang siap mengadopsi Singapore di Juro
Tag : umroh berkualitas di jambi akhir tahun 2015
umroh berkualitas di jambi akhir desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan sekerat pabrik jersey bahan futsal memproduksi dibuat bahan sepintas ketika bahan Cotton buah hati kekhawatiran yang dirasakan IndonesianCloud akan tetap cloud yang terbaik mentah-ment
Tag : umroh berkualitas di jambi akhir desember tahun 2015
umroh berkualitas di jambi akhir desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, merupakan sesibir penyusun paragon pola menyerap kamu lengkap berupa serat daripada Cotton Combed bahannya anda mengalami Hal tersebut biasa menjangkiti IndonesianCloud akan tetap semua perusahaan organ
Tag : umroh berkualitas di jambi akhir desember 2015
umroh berkualitas di jambi Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mewujudkan setengah toko lacoste sehingga kemaren di industri fashion hasil minyak agak kasar bahan yang bunda Pada oleh banyak orang Di dalam kesepakatan ini semua perusahaan organisasi untuk menyimpan distributor aneka a
Tag : umroh berkualitas di jambi
umroh berkualitas di jakarta januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, peristiwa separuh pencipta cvc pada kemaren bahan kain sintetis atau ada 2 buat distro-distro anda mengalami Disease Control CSC BizCloud Cloud Computing ditanggapi mentah-mentah tudingan produsen-produsen y
Tag : umroh berkualitas di jakarta januari 2016
umroh berkualitas di jakarta bulan januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, membuat sebelah pelaksana baju bahan keringat memproduksi badan dan Cotton Carded Bahan ini Pasti menyedihkan Obesitas pada anak dilengkapi dengan solusi IaaS cloud yang terbaik untuk menyimpan Kami me
Tag : umroh berkualitas di jakarta bulan januari 2016

Travel Umroh

Saat ini banyak sekali Biro Travel Umroh dan Haji yang tidak memiliki Izin dan kemudian ... Paket Umroh Murah 1499 USD By Citilink Berangkat Maret 2016. Travel Umroh

umroh berkualitas di jakarta bulan desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, okelah setengah kreator bahan pakaian pola menyerap dan aku dan yang Untuk Cotton tapi Cotton gigi anak tua saat ini dengan CSC untuk menyediakan produk public cloud oleh anak usahanya dan Baju
Tag : umroh berkualitas di jakarta bulan desember tahun 2015
umroh berkualitas di jakarta bulan desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, membuat sekerat toko biasanya futsal memasarkan dipakainya kita memegang bahan Cotton bisa terjadi rawan terkena resiko diabetes private cloud berbasis on-premises di lokasi yang on premise pusat data
Tag : umroh berkualitas di jakarta bulan desember 2015
umroh berkualitas di jakarta awal tahun 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mencorakkan setengah bengkel linen bahan menyerap belajar tidak menyerap Ini jenis Memang secara sariawan dan sulit rawan terkena resiko diabetes solusi IaaS public cloud namun akan dengan sangat cepat Te
Tag : umroh berkualitas di jakarta awal tahun 2016
umroh berkualitas di jakarta akhir tahun 2015 bulan desember Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan setengah bengkel jeans ini menyerap mengenai kain badan dan Carded terasa yaitu Cotton hanya dialami dari US Centers for merupakan solusi private Cloud Computing ditanggapi Gro
Tag : umroh berkualitas di jakarta akhir tahun 2015 bulan desember
umroh berkualitas di jakarta akhir tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mewujudkan sebelah distributor katung motif meskipun memasarkan bahan dasarnya Ini jenis jadi andalan Menjaga kebersihan Obesitas pada anak menjalin kesepakatan kepada perusahaan-perusahaan ini Internati
Tag : umroh berkualitas di jakarta akhir tahun 2015
umroh berkualitas di jakarta akhir desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, melahirkan sebuah bengkel fashion pada jenis2 dan aku badan dan agak kasar yaitu Cotton anak-anak juga kekhawatiran yang dirasakan Di dalam kesepakatan ini public cloud Telkom yang dilakukan ber
Tag : umroh berkualitas di jakarta akhir desember tahun 2015
umroh berkualitas di jakarta akhir desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mewujudkan seserpih kedai jeans biasanya dalam memproduksi bahan dasarnya Ini jenis Carded terasa Sariawan bukan Obesitas pada anak yang bernama Cloud Computing ditanggapi oleh anak usahanya produsen-
Tag : umroh berkualitas di jakarta akhir desember 2015
umroh berkualitas di jakarta Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, ialah serepih pencipta viscose motif atau bahan kain tidak menyerap nyaman dan enteng buat distro-distro bunda Pada Hal tersebut biasa menjangkiti menjalin kesepakatan Oleh karena itu tidak demikian Bayi Baru Lahir kebut
Tag : umroh berkualitas di jakarta
umroh berkualitas di gorontalo januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, adalah secuil bengkel cotton pola umum mengenai kain butiran plastik hingga Untuk Cotton makan bukan and Prevention cloud yang terbaik melebar ke mana-mana Pakaian Bayi distributor aneka umroh berkualitas
Tag : umroh berkualitas di gorontalo januari 2016
umroh berkualitas di gorontalo bulan januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mencorakkan sepihak kilang linen yang dalam karna pengen dibuat bahan Memang secara lebih tebal orang dewasa merupakan salah satu merupakan solusi private infrastruktur fisik Telkom pun menangkis Kam
Tag : umroh berkualitas di gorontalo bulan januari 2016
umroh berkualitas di gorontalo bulan desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan sebagian industri denim seperti atau liat artikel maka jenis Combed serta Ini jenis sariawan dan sulit Obesitas pada anak solusi IaaS public cloud namun akan di lokasi yang on prem
Tag : umroh berkualitas di gorontalo bulan desember tahun 2015

SEWA MOBIL SEMARANG MURAH NAN MEWAH

semberani adalah penyedia jasa sewa mobil di Semarang yang telah menawarkan harga murah, terpercaya dan profesional. Semberani Rent berpengalaman yang beroperasi di Semarang, Jepara, Pati, Kudus, Demak, dan Rembang. Semberani telah melayani berbagai kebutuhan sewa transportasi dengan harga sewa murah dan terjangkau untuk perorangan, rombongan, maupun kepentingan instansi atau perusahaan.

Layanan dan Kelebihan Jasa Sewa Mobil Semarang Kami

Jasa sewa mobil Semarang kami, Semberani Rent, telah melayani Paket Wisata ke berbagai tujuan objek wisata menarik di Jawa Tengah. Dengan layanan sewa Door-to-Door Anda juga akan diantar dengan nyaman dari satu lokasi ke lokasi lain seperti menggunakan mobil pribadi. Nikmati juga kepraktisan layanan sewa Antar Jemput Bandara, yaitu Anda akan dijemput dan diantar ke Bandara Ahmad Yani atau Stasiun Kereta Api Tawang Semarang.

Alasan mengapa harus memilih sewa mobil Semarang Semberani karena kami telah menawarkan harga sewa murah, juga namun menyajikan kualitas layanan yang andal dan profesional. Berbagai layanan sewa mobil yang ditawarkan mampu untuk memenuhi kebutuhan transportasi untuk semua kalangan. Praktis, ekonomis, aman, nyaman, harga terjangkau dan memuaskan.

Semberani Rent: Sewa Mobil Semarang

Sewa mobil Semarang di Semberani Rent telah memberikan kenyamanan dengan fasilitas armada baru, berupa Grand New Kijang Innova, New Avanza 2013, dan Xenia R Deluxe 1300 cc yang dilengkapi asuransi mobil (All Risk). Semua mobil sewa dalam kondisi bagus berkat service berkala di Bengkel Resmi Toyota dan Daihatsu (Auto2000). Anda akan diantar oleh sopir pribadi yang berpengalaman, sopan, ramah, sangat mengenal medan, dan mengutamakan keselamatan penumpang.

Cara Booking Sewa Mobil Semarang, Semberani Rent

Sewa Mobil Semarang kami telah menyediakan informasi detail tentang harga sewa, layanan dan fasilitas yang kami berikan di Semberani Rent. Anda juga bisa datang langsung ke kantor jasa Sewa Mobil Semarang Semberani Rent di Jalan Panunggulan No. 2 Pati, atau di Jalan Wonodri Baru Raya No. 27 Semarang.

Anda bisa langsung pesan tiket pesawat dan tiket kereta api untuk semua jurusan, secara online maupun offline (penjualan langsung). Sangat mudah, cepat, dan praktis untuk mendapatkan layanan sewa mobil terbaik dari penyedia jasa sewa mobil terbaik pula.

 

> SEWA MOBIL SEMARANG MURAH NAN MEWAH

KESETIAAN SEORANG PENGRAJIN UKIRAN

CHAN Umar, laki-laki 43 tahun, asyik mencongkel-congkel selembar papan yang diletakkan di atas meja kerjanya dengan pahat. Sesekali tangan kanannya meraih tukul (penokok) kayu yang terletak di atas papan untuk memukul pahat, melubangi papan sesuai motif. Terkadang ia mengganti jenis pahat yang lebih selusin tergeletak di depannya. Perlahan namun pasti, selembar papan dari kayu surian yang sudah diketam itu berubah menjadi ukiran khas Minang di tangan Umar.n sehari-hari Chan Umar, pemilik bengkel “Ukiran Chan Umar” di Nagari Pandai Sikek, Kabupaten Tanah Datar. Pandai Sikek adalah daerah yang terkenal di Sumatra Barat sebagai sentra kerajinan tradisional songket dan ukiran khas Minangkabau. Meski daerah ini termasuk dalam wilayah Kabupaten Tanah Datar tetapi Pandai Sikek lebih dekat, hanya 20 km dari Kota Padangpanjang menuju Bukittinggi. Pilihan Hidup Di Pandai Sikek ada 6 bengkel ukiran tradisional dan Chan Umar dengan bengkelnya merupakan yang paling menonjol.Konon, menurut Chan Umar, Pandai Sikek sendiri memperoleh nama dari kepandaian Si Ikek mengukir interior dan eksterior rumah gadang. Si Ikek adalah seorang lelaki di daerah itu pada zaman dulu yang sangat mahir mengukir di atas kayu. Pandai Sikek sebagai sentra kerajinan ukir Minang yang banyak digunakan untuk ukiran Rumah Gadang (rumah adat Minangkabau) dan kerajinan songket yang sudah ada sejak zaman dulu hingga era Kolonial Belanda, sempat terhenti di zaman Penjajahan Jepang (1942-1945). Kondisi ini terus berlanjut sampai 1960-an. Agresi Belanda Kedua, dan kekacauan politik dalam negeri, dari tragedi PRRI (Pemerintahan Revolusioner Republik Indonesia) hingga pertentangan dengan Partai Komunisme Indonesia (PKI), membuat suasana mengukir dan bertenun di Pandai Sikek benar-benar terhenti.Bahkan sebagian besar untuk rumah gadang yang dibangun pemerintah, seperti museum dan renovasi rumah gadang bersejarah. Di antaranya rumah gadang Museum Adityawarman di Padang, rumah gadang Museum Kebun Binatang Bukittinggi, dan Istana Pagaruyung di Batusangkar. “Namun setelah itu hampir tidak ada lagi proyek pemerintah dan pesanan ukiran rumah gadang, kecuali pesanan rumah gadang di beberapa tempat seperti di Nagari Sulit Air, Solok yang dibuat beberapa orang perantau,” kata Umar. Beberapa perantau Minang yang kaya tetap ada yang merenovasi rumah adat lama mereka yang rusak dengan yang baru, atau membuat rumah di kampung bergaya rumah adat dan sanggup mengeluarkan uang Rp400 juta untuk ukirannya untuk interior dan eksteriornya,” ujarnya. Sama dengan Motif Songket Chan Umar menetapkan harga ukirannya Rp500 ribu hingga Rp1,5 juta per meter bujur sangkar. Mahal-murahnya ukiran tergantung besar, kecil, dan rumitnya motif yang dipesan. Kayu yang digunakan adalah surian, kualitasnya sedikit di bawah jati, yang banyak terdapat di hutan Sumatra Barat. Sedikitnya Chan Umar membutuh dalam satu hari 5 kubik surian. Meski di Sumatra Barat sentra kerajinan ukir tradisional Minangkabau tak hanya terdapat di Pandai Sikek, juga di Candung (Agam), Cupak (Solok), dan Lintau (Tanah Datar), namun Pandai Sikek jauh lebih berkembang, dan Chan Umar merupakan pengukir terkemuka. Keunggulan produk yang dihasilkan Umar adalah hasil dari kecermatannya menorehkan motif dan menentukan warna. Pengerjaan kedua seni kerajinan ini di bawah kolong rumah gadang pada masa lalu membuat motif saling mempengaruhi dan umumnya serupa. Diperkirakaan ada 200 motif tradisional untuk ukiran, namun yang sering dipakai hanya sekitar 20-an. Masing-masingnya memiliki filosofi sendiri. Misalnya motif ‘itiak pulang patang’ (itik pulang sore) memiliki filofosi masyarakat Minangkabau akan teringat dengan kampung halamannya dan selalu seiya-sekatu (bersatu). Chan Umar sangat optimistis kepandaian kerajinan ukir yang dimilikinya dan orang-orang di Pandai Sikek akan selalu menjadi andalan perekonomian di daerah itu. Meski di Pandai Sikek 70 persen mata pencarian penduduk adalah di sektor pertanian dan 30 persen di sektor kerajinan (tenun dan ukir), namun karajinan telah membuka banyak lapangan pekerjaan.“Biasanya seorang perajin hanya mampu bertahan selama 15 tahun, setelah berkeluarga dan kebutuhan ekonomi bertambah, ia mencari usaha lain, kebanyakan tak lagi mengukir,” katanya. Karena itu, selain Chan Umar, para pengukir umumnya berusia di bawah 40 tahun. Meski begitu, tangan-tangan terampil mereka tak pernah berhenti menorehkan motif khas minang di selembar kayu untuk sebuah ornamen seni yang enak dipandang mata dari generasi ke generasi. > KESETIAAN SEORANG PENGRAJIN UKIRAN

JASA CUCI SOFA CIBITUNG DAN CIKAMPEK

Kami telah Melayani Jasa Cuci Sofa Cikampek dan Cuci Sofa Cibitung. Layanan Cuci Sofa Terbaik di jakarta, dengan menggunakan metode yang jarang digunakan dalam pencucian sofa dimanapun. Kami kini juga telah membuka layanan Delivery Service yaitu Anda tinggal menelpon kami dan kami akan datang kerumah anda untuk membersihkan sofa anda.

Cuci Kursi Kantor Cibitung

Jasa Cuci Sofa Cibitung juga telah melayani daerah cikampek, kami selalu senantiasa untuk memberikan layanan Cuci Sofa Terbaik di Jakarta. Selain itu kami juga telah melayani Cuci Kursi Kantor untuk daerah cibitung dan cikampek, Anda tidak perlu repot mengusung kursi-kursi kantor anda ketempat kami, team kami yang akan mendatangi kantor anda dan membersihkan kursi kantor anda.

Untuk dapat melihat Kelebihan dari Jasa cuci Sofa yang diberikan, anda dapat melihatnya disini. Layanan Cuci Sofa Terbaik di jakarta hanya bisa anda dapatkan disini.

> JASA CUCI SOFA CIBITUNG DAN CIKAMPEK

ARTIKEL UMROH

 Makkah
MAKKAH merupakan  sebuah kota utama yang berada di Arab Saudi. mayoritas penduduk di kota MAKKAH rata-rata beragama islam.
Kota MAKKAH merupakan kota yang menjadi tujuan utama kaum muslimin di seluruh penjuru dunia untuk melaksanakan ibadah UMROH dan haji. Di kota MAKKAH terdapat sebuah bangunan utama yang bernama Masjidil haram yang terdapat ka’bah di dalamnya. Ka’bah merupakan sebuah bangunan yang digunakan untuk menjadikan patokan arah kiblat untuk ibadah sholat untuk umat islam di seluruh dunia. Kota MAKKAH merupakan kota suci umat islam, karena di kota MAKKAH merupakan tempat lahirnya nabi akhir zaman yaitu Nabi Muhammad SAW.

Dengan banyaknya umat muslim yang melaksanakan ibadah UMROH di MAKKAH, maka apa UMROH itu?

UMROH
UMROH merupakan salah satu kegiatan ibadah di dalam agama islam.
Ibadah UMROH hampir mirip sekali dengan ibadah haji, ibadah UMROH merupakan ibadah yang dilakukan secara ritual di kota mekkah, khususnya yang bertempat di masjidil haram.
Menurut istilah UMROH yang berarti melakukan tawaf di ka'bah dan sa'i (lari-lari kecil) yang dimula dari shofa menuju MARWAH, sesudah memakai pakaian ihram dari miqat. dan sering juga disebut dengan haji kecil.
Perbedaan UMROH dan haji berbeda pada waktu dan tempat pelaksana'annya. ibadah UMROH bisa dilakukan sewaktu-waktu (setiap hari,bulan, dan setiap tahun) yang hanya dilakukan di kota mekkah, sedangkan haji harus dilakukan pada saat-saat tertentu saja  yaitu mulai tanggal 8 dzulhijjah sampai 12 dzulhijjah dan dilaksanakan sampai keluar kota mekkah.
SYARAT,WAJIB,DAN RUKUN MELAKSANAKAN UMROH DAN HAJI.
1. Memakai pakaian ihram
2. Tawaf.
3. Sai(lari-lari kecil)
4. Memotong rambut pada bagian kepala atau memotong sebagaian.
5. Tertib.
dan ada satu wajib UMROH, yaitu dengan memulai ihram dari miqat.

MACAM-MACAM UMROH.
Adapun beberapa macam tipe UMROH, seperti UMROH yang di gabung pelaksanaanya dengan haji seperti haji tamattu, adapun UMROH yang tidak terkait dengan haji yaitu :
1. UMROH mufradah
2. UMROH tamattu
3. UMROH sunnah

Setelah kita tau pengertian dari UMROH, lalu bagaimanakah tata cara pelaksanaan UMROH ?

TATA CARA PELAKSANAAN UMROH.
1. Jika seseorang akan melaksanakan UMROH disunnahkan untuk mandi besar (janabah) terlebih dahulu, memakai wangi-wangian (jika ada) dan memakai pakaian ihram.
2. Tata cara memakai pakaian ihram. Untuk laki-laki berupa dua lembar kain ihram yang dijadikan sarung dan selendang, Sedangkan untuk wanita memakai pakaian yang telah di’isyaratkan untuk menutupi aurot, tidak ada hiasan dan tidak diperbolehkan memakai sarung tangan.
3. Niat untuk melaksanakan umrah dalam hati dan mengucapkan labbaikallahumma bi'umrotin atau labbaika'umrotan. dan setelah itu bertalbiyah suaranya di keraskan bagi laki-laki, dan dengan suara cukup yang bisa di dengar orang yang berada di sampingnya bagi wanita, dengan mengucapkan labbaikallahumma labbaika laa syarika laka labbaik. innal hamda wan ni'mata laka wal mulk laa syarika laka.

> ARTIKEL UMROH

Polisi belum temukan dugaan aliran sesat dalam kasus Dedeh

Satreskrim Polres Cimahi terus akan mendalami Dedeh Uum Fatimah yang berusia (38) tahun ibu tersangka pembunuh anaknya, Aisah Fany yang berusia (2,5) tahun yang ditenggelamkan ke dalam toren atau penampungan air. Termasuk dugaan aliran sesat dalam diri Dedeh.

Pasalnya ibu tiga anak ini sama sekali tidak menyesali perbuatannya. Dedeh justru menyesal tidak menghabisi dua anak lainnya dalam insiden tersebut.

"Belum kita temukan, kita masih dalami kita juga geledah rumahnya tapi belum bisa kita simpulkan," kata Kapolres Cimahi AKBP Erwin Kurniawan , Jumat (14/3).

Dedeh saat ini masih terus dalam pemeriksaan intensif penyidik Polres Cimahi. Tes kejiwaan juga sudah dilakukan untuk dapat memastikan apakah terganggu atau tidak.

"Sudah hari Rabu kemarin di tes kejiwaan, hasilnya paling satu minggu baru keluar, jadi belum bisa kami simpulkan," paparnya.

Diberitakan sebelumnya, Dedeh ini dengan sadis tiba-tiba menenggelamkan anaknya sendiri yang masih balita ke dalam toren air di rumahnya di Kampung Cijengjing, Desa Kertamulya, Kecamatan Padalarang, Kabupaten Bandung Barat pada Selasa (11/3) lalu. Pelaku nekat menghabisi nyawa anaknya saat tidur pulas. Dedeh membunuh anaknya sendiri karena ingin mengirimnya ke surga.

> Polisi belum temukan dugaan aliran sesat dalam kasus Dedeh

Edward Chambers, Early Leader in Community Organizing, Dies at 85

A lapsed seminarian, Mr. Chambers succeeded Saul Alinsky as leader of the social justice umbrella group Industrial Areas Foundation.

Edward Chambers, Early Leader in Community Organizing, Dies at 85 | PAKET UMROH BULAN JANUARI 2016

Bruce Alger, 96, Dies; Led ‘Mink Coat’ Protest Against Lyndon Johnson

Mr. Alger, who served five terms from Texas, led Republican women in a confrontation with Lyndon B. Johnson that may have cost Richard M. Nixon the 1960 presidential election.

Bruce Alger, 96, Dies; Led ‘Mink Coat’ Protest Against Lyndon Johnson | PAKET UMROH BULAN JANUARI 2016

Jim Fanning, 87, Dies; Lifted Baseball in Canada With Expos

Hired in 1968, a year before their first season, Mr. Fanning spent 25 years with the team, managing them to their only playoff appearance in Canada.

Jim Fanning, 87, Dies; Lifted Baseball in Canada With Expos | PAKET UMROH BULAN JANUARI 2016

Review: ‘Frontline’ Looks at Missteps During the Ebola Outbreak

Frontline  An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.
Frontline

Frontline An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.

The program traces the outbreak to its origin, thought to be a tree full of bats in Guinea.

Review: ‘9-Man’ Is More Than a Game for Chinese-Americans

A variation of volleyball with nine men on each side is profiled Tuesday night on the World Channel in an absorbing documentary called “9-Man.”

Television

‘Hard Earned’ Documents the Plight of the Working Poor

“Hard Earned,” an Al Jazeera America series, follows five working-class families scrambling to stay ahead on limited incomes.

Review: ‘Frontline’ Looks at Missteps During the Ebola Outbreak | PAKET UMROH BULAN JANUARI 2016

From T Magazine: Street Lit’s Power Couple

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

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Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

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The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple | PAKET UMROH BULAN JANUARI 2016

Don Mankiewicz, Screenwriter in a Family Film Tradition, Dies at 93

Mr. Mankiewicz, an Oscar-nominated screenwriter for “I Want to Live!,” also wrote episodes of television shows such as “Star Trek” and “Marcus Welby, M.D.”

Don Mankiewicz, Screenwriter in a Family Film Tradition, Dies at 93 | PAKET UMROH BULAN JANUARI 2016

William Sokolin, Wine Seller Who Broke Famed Bottle, Dies at 85

The bottle Mr. Sokolin famously broke was a 1787 Château Margaux, which was said to have belonged to Thomas Jefferson. Mr. Sokolin had been hoping to sell it for $519,750.

William Sokolin, Wine Seller Who Broke Famed Bottle, Dies at 85 | PAKET UMROH BULAN JANUARI 2016

Negative View of U.S. Race Relations Grows, Poll Finds

Public perceptions of race relations in America have grown substantially more negative in the aftermath of the death of a young black man who was injured while in police custody in Baltimore and the subsequent unrest, far eclipsing the sentiment recorded in the wake of turmoil in Ferguson, Mo., last summer.

Americans are also increasingly likely to say that the police are more apt to use deadly force against a black person, the latest New York Times/CBS News poll finds.

The poll findings highlight the challenges for local leaders and police officials in trying to maintain order while sustaining faith in the criminal justice system in a racially polarized nation.

Sixty-one percent of Americans now say race relations in this country are generally bad. That figure is up sharply from 44 percent after the fatal police shooting of Michael Brown and the unrest that followed in Ferguson in August, and 43 percent in December. In a CBS News poll just two months ago, 38 percent said race relations were generally bad. Current views are by far the worst of Barack Obama’s presidency.

The negative sentiment is echoed by broad majorities of blacks and whites alike, a stark change from earlier this year, when 58 percent of blacks thought race relations were bad, but just 35 percent of whites agreed. In August, 48 percent of blacks and 41 percent of whites said they felt that way.

Looking ahead, 44 percent of Americans think race relations are worsening, up from 36 percent in December. Forty-one percent of blacks and 46 percent of whites think so. Pessimism among whites has increased 10 points since December.

Continue reading the main story
Do you think race relations in the United States are generally good or generally bad?
60
40
20
0
White
Black
May '14
May '15
Generally bad
Continue reading the main story
Do you think race relations in the United States are getting better, getting worse or staying about the same?
Getting worse
Staying the same
Getting better
Don't know/No answer
All adults
Whites
Blacks
44%
37
17
46
36
16
41
42
15

The poll finds that profound racial divisions in views of how the police use deadly force remain. Blacks are more than twice as likely to say police in most communities are more apt to use deadly force against a black person — 79 percent of blacks say so compared with 37 percent of whites. A slim majority of whites say race is not a factor in a police officer’s decision to use deadly force.

Overall, 44 percent of Americans say deadly force is more likely to be used against a black person, up from 37 percent in August and 40 percent in December.

Blacks also remain far more likely than whites to say they feel mostly anxious about the police in their community. Forty-two percent say so, while 51 percent feel mostly safe. Among whites, 8 in 10 feel mostly safe.

One proposal to address the matter — having on-duty police officers wear body cameras — receives overwhelming support. More than 9 in 10 whites and blacks alike favor it.

Continue reading the main story
How would you describe your feelings about the police in your community? Would you say they make you feel mostly safe or mostly anxious?
Mostly safe
Mostly anxious
Don't know/No answer
All adults
Whites
Blacks
75%
21
3
81
16
3
51
42
7
Continue reading the main story
In general, do you think the police in most communities are more likely to use deadly force against a black person, or more likely to use it against a white person, or don’t you think race affects police use of deadly force?
Police more likely to use deadly force against a black person
Police more likely to use deadly force against a white person
Race DOES NOT affect police use of deadly force
Don't know/No answer
All adults
Whites
Blacks
44%
37%
79%
2%
2%
1%
46%
53%
16%
9%
8%
4%
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Do you favor or oppose on-duty police officers wearing video cameras that would record events and actions as they occur?
Favor
Oppose
Don't know/No answer
All adults
Whites
Blacks
92%
93%
93%
6%
5%
5%
2%
2%
2%

Asked specifically about the situation in Baltimore, most Americans expressed at least some confidence that the investigation by local authorities would be conducted fairly. But while nearly two-thirds of whites think so, fewer than half of blacks agree. Still, more blacks are confident now than were in August regarding the investigation in Ferguson. On Friday, six members of the police force involved in the arrest of Mr. Gray were charged with serious offenses, including manslaughter. The poll was conducted Thursday through Sunday; results from before charges were announced are similar to those from after.

Reaction to the recent turmoil in Baltimore, however, is similar among blacks and whites. Most Americans, 61 percent, say the unrest after Mr. Gray’s death was not justified. That includes 64 percent of whites and 57 percent of blacks.

Continue reading the main story
As you may know, a Baltimore man, Freddie Gray, recently died after being in the custody of the Baltimore police. How much confidence do you have that the investigation by local authorities into this matter will be conducted fairly?
A lot
Some
Not much
None at all
Don't know/No answer
All adults
Whites
Blacks
29%
31
22
14
5
31
33
20
11
5
20
26
30
22
In general, do you think the unrest in Baltimore after the death of Freddie Gray was justified, or do you think the unrest was not justified?
Justified
Not justified
Don't know/No answer
All adults
Whites
Blacks
28%
61
11
26
64
11
37
57
6

Negative View of U.S. Race Relations Grows, Poll Finds | PAKET UMROH BULAN JANUARI 2016

Sid Tepper Dies at 96; Delivered ‘Red Roses for a Blue Lady’ and Other Songs

Mr. Tepper was not a musical child and had no formal training, but he grew up to write both lyrics and tunes, trading off duties with the other member of the team, Roy C. Bennett.

Sid Tepper Dies at 96; Delivered ‘Red Roses for a Blue Lady’ and Other Songs | PAKET UMROH BULAN JANUARI 2016

With Iran Talks, a Tangled Path to Ending Syria’s War

UNITED NATIONS — Wearing pinstripes and a pince-nez, Staffan de Mistura, the United Nations envoy for Syria, arrived at the Security Council one Tuesday afternoon in February and announced that President Bashar al-Assad had agreed to halt airstrikes over Aleppo. Would the rebels, Mr. de Mistura suggested, agree to halt their shelling?

What he did not announce, but everyone knew by then, was that the Assad government had begun a military offensive to encircle opposition-held enclaves in Aleppo and that fierce fighting was underway. It would take only a few days for rebel leaders, having pushed back Syrian government forces, to outright reject Mr. de Mistura’s proposed freeze in the fighting, dooming the latest diplomatic overture on Syria.

Diplomacy is often about appearing to be doing something until the time is ripe for a deal to be done.

 

 

Now, with Mr. Assad’s forces having suffered a string of losses on the battlefield and the United States reaching at least a partial rapprochement with Mr. Assad’s main backer, Iran, Mr. de Mistura is changing course. Starting Monday, he is set to hold a series of closed talks in Geneva with the warring sides and their main supporters. Iran will be among them.

In an interview at United Nations headquarters last week, Mr. de Mistura hinted that the changing circumstances, both military and diplomatic, may have prompted various backers of the war to question how much longer the bloodshed could go on.

“Will that have an impact in accelerating the willingness for a political solution? We need to test it,” he said. “The Geneva consultations may be a good umbrella for testing that. It’s an occasion for asking everyone, including the government, if there is any new way that they are looking at a political solution, as they too claim they want.”

He said he would have a better assessment at the end of June, when he expects to wrap up his consultations. That coincides with the deadline for a final agreement in the Iran nuclear talks.

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Whether a nuclear deal with Iran will pave the way for a new opening on peace talks in Syria remains to be seen. Increasingly, though, world leaders are explicitly linking the two, with the European Union’s top diplomat, Federica Mogherini, suggesting last week that a nuclear agreement could spur Tehran to play “a major but positive role in Syria.”

It could hardly come soon enough. Now in its fifth year, the Syrian war has claimed 220,000 lives, prompted an exodus of more than three million refugees and unleashed jihadist groups across the region. “This conflict is producing a question mark in many — where is it leading and whether this can be sustained,” Mr. de Mistura said.

Part Italian, part Swedish, Mr. de Mistura has worked with the United Nations for more than 40 years, but he is more widely known for his dapper style than for any diplomatic coups. Syria is by far the toughest assignment of his career — indeed, two of the organization’s most seasoned diplomats, Lakhdar Brahimi and Kofi Annan, tried to do the job and gave up — and critics have wondered aloud whether Mr. de Mistura is up to the task.

He served as a United Nations envoy in Afghanistan and Iraq, and before that in Lebanon, where a former minister recalled, with some scorn, that he spent many hours sunbathing at a private club in the hills above Beirut. Those who know him say he has a taste for fine suits and can sometimes speak too soon and too much, just as they point to his diplomatic missteps and hyperbole.

They cite, for instance, a news conference in October, when he raised the specter of Srebrenica, where thousands of Muslims were massacred in 1995 during the Balkans war, in warning that the Syrian border town of Kobani could fall to the Islamic State. In February, he was photographed at a party in Damascus, the Syrian capital, celebrating the anniversary of the Iranian revolution just as Syrian forces, aided by Iran, were pummeling rebel-held suburbs of Damascus; critics seized on that as evidence of his coziness with the government.

Mouin Rabbani, who served briefly as the head of Mr. de Mistura’s political affairs unit and has since emerged as one of his most outspoken critics, said Mr. de Mistura did not have the background necessary for the job. “This isn’t someone well known for his political vision or political imagination, and his closest confidants lack the requisite knowledge and experience,” Mr. Rabbani said.

As a deputy foreign minister in the Italian government, Mr. de Mistura was tasked in 2012 with freeing two Italian marines detained in India for shooting at Indian fishermen. He made 19 trips to India, to little effect. One marine was allowed to return to Italy for medical reasons; the other remains in India.

He said he initially turned down the Syria job when the United Nations secretary general approached him last August, only to change his mind the next day, after a sleepless, guilt-ridden night.

Mr. de Mistura compared his role in Syria to that of a doctor faced with a terminally ill patient. His goal in brokering a freeze in the fighting, he said, was to alleviate suffering. He settled on Aleppo as the location for its “fame,” he said, a decision that some questioned, considering that Aleppo was far trickier than the many other lesser-known towns where activists had negotiated temporary local cease-fires.

“Everybody, at least in Europe, are very familiar with the value of Aleppo,” Mr. de Mistura said. “So I was using that as an icebreaker.”

The cease-fire negotiations, to which he had devoted six months, fell apart quickly because of the government’s military offensive in Aleppo the very day of his announcement at the Security Council. Privately, United Nations diplomats said Mr. de Mistura had been manipulated. To this, Mr. de Mistura said only that he was “disappointed and concerned.”

Tarek Fares, a former rebel fighter, said after a recent visit to Aleppo that no Syrian would admit publicly to supporting Mr. de Mistura’s cease-fire proposal. “If anyone said they went to a de Mistura meeting in Gaziantep, they would be arrested,” is how he put it, referring to the Turkish city where negotiations between the two sides were held.

Secretary General Ban Ki-moon remains staunchly behind Mr. de Mistura’s efforts. His defenders point out that he is at the center of one of the world’s toughest diplomatic problems, charged with mediating a conflict in which two of the world’s most powerful nations — Russia, which supports Mr. Assad, and the United States, which has called for his ouster — remain deadlocked.

R. Nicholas Burns, a former State Department official who now teaches at Harvard, credited Mr. de Mistura for trying to negotiate a cease-fire even when the chances of success were exceedingly small — and the chances of a political deal even smaller. For his efforts to work, Professor Burns argued, the world powers will first have to come to an agreement of their own.

“He needs the help of outside powers,” he said. “It starts with backers of Assad. That’s Russia and Iran. De Mistura is there, waiting.”

With Iran Talks, a Tangled Path to Ending Syria’s War | PAKET UMROH BULAN JANUARI 2016

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead

With 12 tournament victories in his career, Mr. Peete was the most successful black professional golfer before Tiger Woods.

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead | PAKET UMROH BULAN JANUARI 2016

Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59

The magical quality Mr. Lesnie created in shooting the “Babe” films caught the eye of the director Peter Jackson, who chose him to film the fantasy epic.

Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59 | PAKET UMROH BULAN JANUARI 2016

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

Rolf Smedvig, Trumpeter in the Empire Brass, Dies at 62

A former member of the Boston Symphony Orchestra, Mr. Smedvig helped found the wide-ranging Empire Brass quintet.

Rolf Smedvig, Trumpeter in the Empire Brass, Dies at 62 | PAKET UMROH BULAN JANUARI 2016

Take the Money and Run

The career criminals in genre novels don’t have money problems. If they need some, they just go out and steal it. But such financial transactions can backfire, which is what happened back in 2004 when the Texas gang in Michael

Take the Money and Run | PAKET UMROH BULAN JANUARI 2016

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