PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




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GEJALA PENYAKIT GINJAL

saco-indonesia.com, PENYAKIT ginjal merupakan penyakit yang harus dihindari oleh semua orang. Pasalnya, penyakit ini juga sulit dideteksi dan sering mengancam nyawa seseorang.

Penyakit ginjal juga dikenal sebagai 'silent disease ' karena sering tak ada tanda-tanda peringatan. Jika tak terdeteksi, hal itu juga hanya akan memperburuk kondisinya dari waktu ke waktu. Bentuk yang lebih kronis penyakit ginjal ialah hilangnya secara progresif fungsi ginjal dalam tubuh selama periode bulan atau tahun. Seringkali, penyakit ini juga hanya didiagnosis dari hasil dari skrining untuk dapat diketahui berada di tingkat mana risiko tinggi penyakit ginjalnya.

Oleh sebab itu, menjadi hal penting bila Anda mengetahui tanda-tanda peringatan agar bisa terhindar dari risiko itu. Namun tak perlu cemas, sebab Kanchan Naikawadi, Direktur, Indus Kesehatan Plus (P) Ltd, telah memberitahu kita tentang berbagai gejala ginjal pada orang dewasa yang tak boleh diabaikan.

Gejala-gejala penyakit ginjal biasanya tak spesifik dan berkaitan dengan gaya hidup, yang bisa dapat menyebabkan orang down atau terpuruk. Umumnya, gejala terkait muncul ketika penyakit sudah parah.

Banyak gejala seperti yang ada di bawah ini yang bisa dihindari jika pengobatan dimulai pada tahap awal. Bahkan, jika tak ada gejala, bagi penderita diabetes, tekanan darah tinggi, riwayat keluarga penyakit ginjal atau di atas usia 60 harus melakukan skirining karena mereka adalah kelompok-kelompok berisiko tinggi. Seperti dalam kasus penderita diabetes, statistik telah menunjukkan bahwa sekira 40 persen cenderung mengembangkan penyakit ginjal kronis.

Untuk dapat mengetahui lebih lanjut, apa sajakah gejala itu. Berikut, Kanchan, akan memaparkan penjelasannya .

Nafsu makan kurang dan penurunan berat badan

Kedua gejala itu juga merupakan gejala paling umum yang sering diabaikan sebagai sesuatu yang serius. Umumnya, kesibukan kita saat bekerja juga merupakan pemicu nafsu makan memburuk, apalagi saat sedang serius menapaki tangga karier Anda. Sementara penururnan berat badan, sayangnya banyak orang yang "welcome" terhadap gejala ini. Padahal kondisi itu adalah dimana penyakit ginjal itu dimulai. Tubuh harus membutuhkan nutrisi dan energi untuk dapat melakukan bahkan tugas yang paling dasar setiap hari, dimana bersumber dari asupan makanan. Karenaya, sangat penting untuk dapat menjaga asupan makanan yang Anda masukkan ke dalam tubuh.

Kaki bengkak, tangan atau pada pergelangan kaki

Ginjal yang seharusnya untuk dapat menghilangkan limbah dan cairan ekstra dalam tubuh. Ketika ginjal gagal untuk bisa menjalankan fungsi mereka, cairan ekstra dalam tubuh Anda akan mulai membangun ruang dan dapat menyebabkan pembengkakan di wajah, tangan, kaki, kaki atau pergelangan kaki karena ada peningkatan retensi air.

Sesak napas dan kelelahan

Selain penyaringan toksin dari tubuh, ginjal juga menghasilkan hormon yang disebut eritropoietin. Hormon-hormon ini yang membantu membawa oksigen sel darah merah ke seluruh tubuh. Bila ginjal berhenti berfungsi, mereka mungkin tak menghasilkan erythropoietin cukup sehingga lebih sedikit sel darah merah untuk bisa membawa oksigen dalam tubuh dan menyebabkan otot-otot dan otak mudah keletihan dengan sangat cepat. Kondisi ini disebut anemia. Biasanya, orang merasa tenaganya terkuras tanpa melakukan apa-apa. Selain itu, ia juga akan sulit menarik napasnya.


Editor : Dian Sukmawati

> GEJALA PENYAKIT GINJAL

JAMU UNTUK SAPI : OLEH OLEH DARI LOMBOK

Jamu tradisional untuk sapi, mungkin sebagian orang akan merasa heran karena  umumnya yang dikenal orang adalah jamu untuk dikonsumsi oleh manusia, seperti jamu tolak angin dan berbagai jenis dengan khasiat tertentu termasuk penambah nafsu makan. Sedangkan jamu untuk ternak sebagian masyarakat Lombok mengenalnya dengan sebutan Loloh. Jamu ini terbuat dari berbagai macam bahan rempah-rempah dan bumbu masakan yang biasa digunakan oleh para ibu rumah tangga sebagai penyedap rasa. Mungkin setiap wilayah memiliki ramuan jamu yang berbeda-beda tergantung pembuatnya. Parapembuat jamu ini sebagian besar masih merahasiakan resepnya, karena mereka memproduksi dan kemudian menjual kepada para peternak. Jamu ini dipercaya memiliki khasiat untuk menambah nafsu makan ternak. Sementara ini lebih banyak diberikan pada ternak sapi yang digemukkan. Peternak menginginkan sapi-sapi yang dipelihara bisa cepat besar dalam waktu yang singkat agar mereka bisa mendapatkan harga yang tinggi setelah dipelihara selama beberapa waktu. Pada  usaha penggemukan, sapi dipelihara untuk menghasilkan daging, dan hal ini  ditentukan oleh peningkatan berat badan ternak selama kurun waktu tertentu. Pertambahan berat badan diketahui dipengaruhi oleh beberapa faktor yaitu  genetis ternak dan lingkungan termasuk pakan yang diberikan (kuantitas maupun kualitasnya). Ternak sapi yang dipelihara peternak di NTB sebagian besar adalah bangsa sapi Bali, sebagian lainnya merupakan  sapi potong unggul seperti Simental, Limousine dan Bangus (keturunan Brahman-Angus). Jelas pada kondisi yang sama pertambahan berat badan harian (PBBH) sapi lokal (sapi Bali) lebih rendah dibandingkan sapi-sapi potong unggul. Agar ternak dapat hidup dan berproduksi maka perlu diberikan makanan yang cukup sesuai kebutuhannya. Kebutuhan pakan ternak ruminansia seperti sapi, kerbau, kambing/domba biasanya diperhitungkan berdasarkan berat badannya yaitu seberat 3% dari berat badan ternak dalam bentuk bahan kering (BK). Mengapa demikian? Karena hijauan makanan ternak memiliki berat kering yang berbeda maka yang digunakan sebagai patokan perhitungan adalah dalam bentuk bahan kering. Dengan pemberian jamu dimaksudkan agar nafsu makan ternak meningkat sehingga terjadi peningkatan PBBH. Jika ternak lekas gemuk, maka bisa lebih cepat dijual dan dapat memberikan keuntungan yang maksimal. Di  Desa Tebaban, Kecamatan Suralaga Kabupaten Lombok Timur, sedang dilaksanakan kegiatan untuk menguji pengaruh jamu tradisional terhadap pertambahan berat badan harian ternak sapi jantan yang digemukan. Kegiatan tersebut merupakan Pengkajian dan Pemberdayaan Potensi Sumberdaya Lokal 2009 yang dibiayai oleh Proyek Peningkatan Pendapatan Petani Melalui Inovasi (P4MI).  Obyeknya adalah sapi Simental jantan berumur sekitar 1 tahun, dan sapi Bali dengan beberapa tingkatan umur. Penelitian ini bertujuan untuk : 1) mengetahui jumlah konsumsi pakan pada ternak-ternak sapi yang diberikan jamu tradisional; 2) mengetahui efektifitas jamu tradisional terhadap peningkatan berat badan harian ternak sapi pada beberapa tingkatan umur dan bangsa ternak potong. Jamu diberikan seminggu sekali, sebanyak 10 butir/ekor. Untuk mengetahui efek jamu tersebut dilakukan penimbangan ternak secara berkala. Juga dilakukan pengukuran jumlah pakan yang dikonsumsi per hari. Kegiatan telah dilaksanakan mulai bulan Mei 2009 dan pengamatan akan berakhir pada bulan September 2009, didanai oleh program P4MI pada BPTP NTB. Hasil penelitian ini diharapkan bisa mendapatkan informasi tentang efek jamu tradisional (Loloh) pada penggemukan ternak sapi. Selama ini jamu semacam itu hanya bisa diasumsikan dapat menambah nafsu makan ternak dan mempersingkat waktu penggemukan. Selanjutnya dari hasil penelitian ini dapat menjadi acuan untuk penggunaan jamu tradisional pada usaha penggemukan ternak sapi khususnya. Sementara ini hasil pengamatan belum bisa dipublikasikan karena penelitian masih berjalan. Oleh : Sasongk WR dan Farida Sukmawati M, peneliti dan penyuluh pada BPTP NTB> JAMU UNTUK SAPI : OLEH OLEH DARI LOMBOK

PANDUAN PENGECATAN TEMBOK DAN DINDING + RAB

Pengecatan yang baik telah membutuhkan persiapan-persiapan yang matang. Persiapan yang benar akan dapat membuat pekerjaan pengecatan lebih capat, mudah, dan biaya rendah, selain memberikan hasil akhir yang baik juga lapisan cat lebih tahan lama, selain pemilihan produk yang tepat.

Ada beberapa hal yang telah mempengaruhi keberhasilan pengecatan dinding tembok (bata), yang paling berpengaruh adalah kualitas atau mutu dinding itu sendiri (terlepas dari kualitas cat yang dipakai). Masalah yang sering timbul akibat dari kualitas dinding yang jelek biasanya adalah belang-belang seperti basah (bila kadar air dalam dinding terlalu tinggi), lapisan cat yang menggelembung, dll.

Sedangkan bila yang dipakai cat dinding dengan kualitas rendah maka masalah yang sering terjadi adalah pengapuran, warnanya luntur, dll. Bagaimana kita tahu cat yang kita pakai tersebut berkualitas?. Cat yang berkualitas minimal telah mempunyai empat fungsi yang harus dimiliki diantaranya daya sebar, daya tutup, mudah dalam pengaplikasiannya, dan aman bagi kesehatan lingkungan. Memang semakin tinggi kualitas cat, maka harganya pun juga akan semakin mahal, karena disamping keempat hal pokok diatas, cat yang berkualitas akan dapat memiliki nilai tambah seperti daya tahan terhadap cuaca, anti jamur, tidak memudar (anti fading), mudah dibersihkan (washable), dapat menutup retak rambut (cover hair line crack) serta tambahan pengharum (fragnance).

PROSES PERSIAPAN DINDING

Yang harus di lakukan untuk dapat memulai proses pengecetan adalah menyiapkan permukaan yang akan dicat. Pastikan permukaan dinding bersih dan kering untuk dapat mencegah terjadinya pengelupasan. Biasanya memakan waktu 28 hari agar reaksi pengerasan semen pada plesteran beton mengering dengan sempurna.

Setelah permukaan tembok sudah benar-benar kering, dan sebelum tembok di plamir, lapisi dulu tembok dengan Wall Sealer, guna untuk menetralisir PH semen agar sesuai dengan PH cat. Dengan wall sealer Cat tidak mudah mengelupas dan warna cat tidak akan berubah dari warna aslinya.Cat akan menjadi seperti kapur jika daya serap tembok masih bekerja, untuk itu tembok juga harus dilapisi dengan Wall Sealer, namun jika untuk alasan ekonomis anda dapat melarutkan satu sampai dua bungkus lem putih dalam satu galon air kemudian kuaskan pada tembok sebelum tembok di cat.

PROSES PLAMIR DAN CAT DASAR
Sebelum pengecatan dilakukan ada pekerjaan pendahuluan yaitu plamir dinding. Plamir dinding terdiri dari 3 bagian bahan, yang pertama adalah semen putih, lem putih, dan kalsium. Semua bahan tersebut telah mempunyai fungsi masing - masing.
Penggunaan kalium pada bahan plamir berfungsi sebagai penambah volum dari plamir dan memudahkan penghalusan, namun apabila terlalu banyak justru akan dapat menyebabkan cat yang nanti kita kerjakan menjadi kurang kuat. Sebagian kontraktor bangunan sudah tidak menggunakan kalium sebagai campuran plamir, kecuali pada pekerjaan yang memerlukan harga sangat hemat dan waktu penyelesaian yang relatif cepat.
Teknik melamir yang efektif adalah dengan menggunakan kapi besar atau bahan bekas dari pipa pvc yang dibuat kapi. Dengan mengoleskan pada arah vertikal di dinding kemudian untuk lapis selanjutnya pada arah horisontal, demikian seterusnya sampai dinding menjadi rata. Lapisan yang kedua haruslah menunggu lapisan yang pertama kering dahulu.
Penghalusan menggunakan amplas dengan arah memutar. Alat penghalus otomatis sebaik digunakan agar lebih cepat dalam pengerjaannya.
Setelah diplamir, dilakukan Pelapisan cat dasar atau alkali sealer. Sebelum dilakukan pengecatan dengan cat tembok aplikasikan terlebih dahulu cat dasar alkali sealer, yang berfungsi untuk memberikan lapisan dibawah cat tembok sehingga memperkecil kontak langsung dengan alkali tembok. Selain itu alkali sealer berfungsi memberikan lapisan warna putih sehingga dapat mempercepat penutupan warna cat tembok pada dinding. Alkali sealer berbeda dengan cat putih. Penggunaan cat putih sebagai dasaran pengecatan tidak akan menghindari kontak langsung alkali tembok dengan cat, tetapi hanya berfungsi membantu daya tutup cat tembok saja.


PROSES PENGECATAN DINDING
Proses pengecatan dinding dimulai ketika semua permukaan dinding telah terplamir , sudah dalam keadaan halus teramplas, dan sudah dilapisi dengan cat dasar.

Penggunaan rol memang sangat efektif ketika kita mengecat pada pada bidang dinding yang luas, namun apabila hendak merapikan pada sudut-sudut ruang tetaplah kuas yang digunakan. Sebenarnya dengan menggunakan kuas cat akan lebih terasa hemat karena tidak terlalu banyak yang lengket pada rol kita. Untuk hasil yang sempurna cat tembok jangan terlalu kental, encerkan dengan air 30-35 persen dari total berat cat.

Lapis demi lapis kita cat, cara yang paling cepat agar dinding lekas tertutup rata oleh cat adalah dengan cara bersilangan. Lapisan pertama vertikal atau horisontal, kemudian tunggu kering, lapisan yang kedua kebalikannya.Selang waktu antara setiap lapis harus cukup lama. Secara teoritis adalah 2-4 jam, tetap sebaikny minimal 8 jam atau semalam.

TIPS DAN TRIK DALAM PENGECATAN
1.      Kerjakan pengecatan pada siang hari.
2.      Mulai dari dekat jendela. menuju ke ruang dalam.
3.      Bila mengecat seluruh ruangan, kerjakanlah mulai dari langit-langit yang diteruskan ke dinding dekat kusen jendela, pintu-pintu, dan kemudian ke bagian bawah.
4.      Mengecat tiga lapis sesuai dengan anjuran pencampuran air lebih baik dari pada satu lapisan tebal, usahakan menyediakan cat yang cukup unluk area yang akan dicat dengan menghitung iuas area yang akan dicat, jangan mengecat pada suatu bidang yang lebar sekaligus. Batasi bidang pengecafan aniara satu sampai dua meter persegi sekali mengecat. Baru dilanjuttkan ke bidang berikutnya, Perhatikanlah petunjuk-petunjuk mudah pada kemasan cat sebelum bekerja.
5.      Lakukanlah pembuangan sisa saat melakukan pengecatan karena kita harus bertanggung jawab terhadap lingkungan dengan menghindarkan membuang limbah/sisa cat ke dalam saluran pembuangan.
6.      Terakhir adalah membiarkan sisa cat mengering di wadahnya sebelum dibuang ke tempat sampah.

Dengan mengikuti petunjuk-petunjuk sederhana tersebut pengecatan akan lebih mudah, menghemat waktu, uang dan tenaga. Karena, persiapan permukaan yang benar akan memberikan hasil akhir yang lebih baik dan perrnukaan yang dicatakan lebih tahan lama, jangan mencoba untuk mengecat satu lapisan dengan tebal.
 
Trik Penggunaan Aci Instan pengganti plamir dan cat dasar

Mengerjakan finishing din-ding semakin mudah dan cepat dengan aci instan. Warnanya yang putih dapat menggantikan dua proses finishing dinding.

Mari kita hitung berapa tahap dibutuhkan sebelum mengecat dinding. Setelah plesteran, dinding mesti diaci. Setelah itu diplamir dan diampelas agar permukaannya halus. Cat dasar perlu diaplikasikan agar cat dinding dapat menutup rata permukaan tanpa menyisakan belang di beberapa tempat. Setiap tahap membutuhkan waktu antara dua-lima hari agar hasil finishing din-ding sempurna.

Proses yang demikian lama dan melelahkan itu, ternyata dapat menjadi singkat dan praktis. Caranya, Anda bisa mensubs-titusi material sehingga dapat menghilang-kan dua tahap pengerjaan, yaitu proses plamir dan pengecatan dasar. Bagaimana caranya?"Dua proses itu bisa dihilangkan jika Anda menggunakan semen aci instan

Aci instan terbuat dari campuran filler, semen putih, kapur, dan zat aditif. Ini menjadikan aci instan dapat merekat erat pada segala permukaan dinding (beton dan plesteran). Daya lentur dan proses pengeringan yang perlahan-lahan menjadikan aci instan sebagai material yang tepat untuk mengurangi retak rambut.

Retak rambut itu bisa terjadi jika proses pengeringan semen berlangsung cepat. Aci instan mengering lebih lama. Dengan demikian, proses muai- susutnya pun lambat, sehingga retak-retak rambut itu berkurang.

Penggunaan aci instan dianjurkan dalam praktik sehari-hari. Meski harga material ini lebih mahal dari semen biasa, tapi sebetulnya bisa hemat. Jika dihitung total biayanya, penggunaan aci instan ini dapat menghemat waktu pengerjaan dan biaya pembangunan.

> PANDUAN PENGECATAN TEMBOK DAN DINDING + RAB

JASA EKSPEDISI DAN PENGIRIMAN BARANG

Kia Trans Adalah Penyedia Layanan Jasa Ekspedisi, Dan kirim Barang Yang Berpusat Di Jakarta Dengan Cakupan Wilayah Yang Luas Dan Hampir Ke Seluruh Pelosok Indonesia Serta Dukungan Armada

Jasa Ekspedisi Dan Pengiriman Barang

Yang Prima Baik Jasa Angkutan Barang Via Darat, Laut, Maupun Udara Dengan Harga Dan Tarif Yang Relatif Murah.

Sebagai Perusahaan Penyedia Jasa Ekspedisi Dan Jasa Pengiriman Barang, Kami Senantiasa Selalu telah Memberikan Yang Terbaik Akan Kebutuhan Anda Khususnya Jasa Ekspedisi Dan Jasa kirim Barang Serta Jasa Angkutan barang, Baik Angkutan Barang Melalui Laut, Darat Dan Udara.

Jasa Ekspedisi Jakarta Dan kirim Barang

Dengan Didukung Oleh Sumber Daya Manusia Yang Handal, Armada Yang Prima, Serta Cakupan Pengiriman Ekspedisi Yang Luas Dan Hampir Ke Seluruh Indonesia, Antara Lain :

Jasa Ekspedisi Yang Kami Tawarkan Adalah Ekspedisi Dan Pengiriman Barang Via Darat, Laut, Dan Udara Dengan Harga Yang Relatif Murah.

Segera Hubungi Kami Untuk Mendapatkan Harga Pengiriman Yang Kompetitif.

Tim Kami juga Akan Selalu Siap Membantu Anda Untuk Solusi Akan Jasa Ekspedisi Dan kirim Barang.

 

> JASA EKSPEDISI DAN PENGIRIMAN BARANG

BARCA DAPAT TER STEGEN

saco-indonesia.com, Eks pelatih Barcelona yang kini telah menangani Bayern Munich, Josep Guardiola, sepenuhnya telah mendukung keputusan klubnya yang tengah mengincar kiper milik Borussia Monchengladbach, Marc-Andre Ter Stegen.

Namun demikian, Pep telah menyebut andai Ter Stegen memang jadi datang ke Camp Nou nanti, maka itu berarti Barca tidak mendapatkan kiper terbaik. Mengapa demikian?

"Ter-Stegen adalah kiper yang amat bagus, ia adalah salah satu yang sangat terbaik di dunia," tutur Guardiola menurut laporan yang dilansir oleh AS.

"Namun penjaga gawang terbaik dunia ada di sini, di Bayern. Dia adalah Manuel Neuer," pungkasnya.

Ter Stegen sendiri telah direncanakan akan menjadi pengganti Victor Valdes, yang juga sudah memutuskan untuk tidak memperpanjang kontraknya dengan Barcelona. Meski transfer ini belum dapat diresmikan oleh kedua klub, namun tanda-tanda menuju ke sana sudah terlihat. Sang pemain disebut enggan menerima tawaran kontrak anyar dari klubnya dan persiden Borussia juga sudah sempat mendoakan kipernya untuk agar sukses di luar negeri.


Editor : Dian Sukmawati

> BARCA DAPAT TER STEGEN

Verne Gagne, Wrestler Who Grappled Through Two Eras, Dies at 89

Gagne wrestled professionally from the late 1940s until the 1980s and was a transitional figure between the early 20th century barnstormers and the steroidal sideshows of today

Verne Gagne, Wrestler Who Grappled Through Two Eras, Dies at 89 | PAKET UMROH BULAN JANUARI 2016

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64

Ms. Pryor, who served more than two decades in the State Department, was the author of well-regarded biographies of the founder of the American Red Cross and the Confederate commander.

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64 | PAKET UMROH BULAN JANUARI 2016

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet | PAKET UMROH BULAN JANUARI 2016

Native American Actors Work to Overcome a Long-Documented Bias

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias | PAKET UMROH BULAN JANUARI 2016

Joseph Lechleider, a Father of the DSL Internet Technology, Dies at 82

Joseph Lechleider

Mr. Lechleider helped invent DSL technology, which enabled phone companies to offer high-speed web access over their infrastructure of copper wires.

Joseph Lechleider, a Father of the DSL Internet Technology, Dies at 82 | PAKET UMROH BULAN JANUARI 2016

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

In Baltimore, National Guard Pullout Begins as Citywide Curfew Is Lifted

Richard Suzman, 72, Dies; Researcher Influenced Global Surveys on Aging

At the National Institutes of Health, Dr. Suzman’s signature accomplishment was the central role he played in creating a global network of surveys on aging.

Richard Suzman, 72, Dies; Researcher Influenced Global Surveys on Aging | PAKET UMROH BULAN JANUARI 2016

Police Rethink Long Tradition on Using Force

WASHINGTON — During a training course on defending against knife attacks, a young Salt Lake City police officer asked a question: “How close can somebody get to me before I’m justified in using deadly force?”

Dennis Tueller, the instructor in that class more than three decades ago, decided to find out. In the fall of 1982, he performed a rudimentary series of tests and concluded that an armed attacker who bolted toward an officer could clear 21 feet in the time it took most officers to draw, aim and fire their weapon.

The next spring, Mr. Tueller published his findings in SWAT magazine and transformed police training in the United States. The “21-foot rule” became dogma. It has been taught in police academies around the country, accepted by courts and cited by officers to justify countless shootings, including recent episodes involving a homeless woodcarver in Seattle and a schizophrenic woman in San Francisco.

Now, amid the largest national debate over policing since the 1991 beating of Rodney King in Los Angeles, a small but vocal set of law enforcement officials are calling for a rethinking of the 21-foot rule and other axioms that have emphasized how to use force, not how to avoid it. Several big-city police departments are already re-examining when officers should chase people or draw their guns and when they should back away, wait or try to defuse the situation

Police Rethink Long Tradition on Using Force | PAKET UMROH BULAN JANUARI 2016

Sid Tepper Dies at 96; Delivered ‘Red Roses for a Blue Lady’ and Other Songs

Mr. Tepper was not a musical child and had no formal training, but he grew up to write both lyrics and tunes, trading off duties with the other member of the team, Roy C. Bennett.

Sid Tepper Dies at 96; Delivered ‘Red Roses for a Blue Lady’ and Other Songs | PAKET UMROH BULAN JANUARI 2016

Meet Mago, Former Heavyweight

GREENWICH, Conn. — Mago is in the bedroom. You can go in.

The big man lies on a hospital bed with his bare feet scraping its bottom rail. His head is propped on a scarlet pillow, the left temple dented, the right side paralyzed. His dark hair is kept just long enough to conceal the scars.

The occasional sounds he makes are understood only by his wife, but he still has that punctuating left hand. In slow motion, the fingers curl and close. A thumbs-up greeting.

Hello, Mago.

This is Magomed Abdusalamov, 34, also known as the Russian Tyson, also known as Mago. He is a former heavyweight boxer who scored four knockouts and 14 technical knockouts in his first 18 professional fights. He preferred to stand between rounds. Sitting conveyed weakness.

But Mago lost his 19th fight, his big chance, at the packed Theater at Madison Square Garden in November 2013. His 19th decision, and his last.

Now here he is, in a small bedroom in a working-class neighborhood in Greenwich, in a modest house his family rents cheap from a devoted friend. The air-pressure machine for his mattress hums like an expectant crowd.

 

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Mike Perez, left, and Magomed Abdusalamov during the fight in which Abdusalamov was injured. Credit Joe Camporeale/USA Today Sports, via Reuters

 

Today is like any other day, except for those days when he is hurried in crisis to the hospital. Every three hours during the night, his slight wife, Bakanay, 28, has risen to turn his 6-foot-3 body — 210 pounds of dead weight. It has to be done. Infections of the gaping bedsore above his tailbone have nearly killed him.

Then, with the help of a young caretaker, Baka has gotten two of their daughters off to elementary school and settled down the toddler. Yes, Mago and Baka are blessed with all girls, but they had also hoped for a son someday.

They feed Mago as they clean him; it’s easier that way. For breakfast, which comes with a side of crushed antiseizure pills, he likes oatmeal with a squirt of Hershey’s chocolate syrup. But even oatmeal must be puréed and fed to him by spoon.

He opens his mouth to indicate more, the way a baby does. But his paralysis has made everything a choking hazard. His water needs a stirring of powdered food thickener, and still he chokes — eh-eh-eh — as he tries to cough up what will not go down.

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Mago used to drink only water. No alcohol. Not even soda. A sip of juice would be as far as he dared. Now even water betrays him.

With the caretaker’s help, Baka uses a washcloth and soap to clean his body and shampoo his hair. How handsome still, she has thought. Sometimes, in the night, she leaves the bedroom to watch old videos, just to hear again his voice in the fullness of life. She cries, wipes her eyes and returns, feigning happiness. Mago must never see her sad.

 

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 Abdusalamov's hand being massaged. Credit Ángel Franco/The New York Times

 

When Baka finishes, Mago is cleanshaven and fresh down to his trimmed and filed toenails. “I want him to look good,” she says.

Theirs was an arranged Muslim marriage in Makhachkala, in the Russian republic of Dagestan. He was 23, she was 18 and their future hinged on boxing. Sometimes they would shadowbox in love, her David to his Goliath. You are so strong, he would tell her.

His father once told him he could either be a bandit or an athlete, but if he chose banditry, “I will kill you.” This paternal advice, Mago later told The Ventura County Reporter, “made it a very easy decision for me.”

Mago won against mediocre competition, in Moscow and Hollywood, Fla., in Las Vegas and Johnstown, Pa. He was knocked down only once, and even then, it surprised more than hurt. He scored a technical knockout in the next round.

It all led up to this: the undercard at the Garden, Mike Perez vs. Magomed Abdusalamov, 10 rounds, on HBO. A win, he believed, would improve his chances of taking on the heavyweight champion Wladimir Klitschko, who sat in the crowd of 4,600 with his fiancée, the actress Hayden Panettiere, watching.

Wearing black-and-red trunks and a green mouth guard, Mago went to work. But in the first round, a hard forearm to his left cheek rocked him. At the bell, he returned to his corner, and this time, he sat down. “I think it’s broken,” he repeatedly said in Russian.

 

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Bakanay Abdusalamova, Abdusalamov's wife, and her injured husband and a masseur in the background. Credit Ángel Franco/The New York Times

 

Maybe at that point, somebody — the referee, the ringside doctors, his handlers — should have stopped the fight, under a guiding principle: better one punch too early than one punch too late. But the bloody trade of blows continued into the seventh, eighth, ninth, a hand and orbital bone broken, his face transforming.

Meanwhile, in the family’s apartment in Miami, Baka forced herself to watch the broadcast. She could see it in his swollen eyes. Something was off.

After the final round, Perez raised his tattooed arms in victory, and Mago wandered off in a fog. He had taken 312 punches in about 40 minutes, for a purse of $40,000.

 

 

In the locker room, doctors sutured a cut above Mago’s left eye and tested his cognitive abilities. He did not do well. The ambulance that waits in expectation at every fight was not summoned by boxing officials.

Blood was pooling in Mago’s cranial cavity as he left the Garden. He vomited on the pavement while his handlers flagged a taxi to St. Luke’s-Roosevelt Hospital. There, doctors induced a coma and removed part of his skull to drain fluids and ease the swelling.

Then came the stroke.

 

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A championship belt belonging to Abdusalamov and a card from one of his daughters. Credit Ángel Franco/The New York Times

 

It is lunchtime now, and the aroma of puréed beef and potatoes lingers. So do the questions.

How will Mago and Baka pay the $2 million in medical bills they owe? What if their friend can no longer offer them this home? Will they win their lawsuits against the five ringside doctors, the referee, and a New York State boxing inspector? What about Mago’s future care?

Most of all: Is this it?

A napkin rests on Mago’s chest. As another spoonful of mush approaches, he opens his mouth, half-swallows, chokes, and coughs until it clears. Eh-eh-eh. Sometimes he turns bluish, but Baka never shows fear. Always happy for Mago.

Some days he is wheeled out for physical therapy or speech therapy. Today, two massage therapists come to knead his half-limp body like a pair of skilled corner men.

Soon, Mago will doze. Then his three daughters, ages 2, 6 and 9, will descend upon him to talk of their day. Not long ago, the oldest lugged his championship belt to school for a proud show-and-tell moment. Her classmates were amazed at the weight of it.

Then, tonight, there will be more puréed food and pulverized medication, more coughing, and more tender care from his wife, before sleep comes.

Goodbye, Mago.

He half-smiles, raises his one good hand, and forms a fist.

Meet Mago, Former Heavyweight | PAKET UMROH BULAN JANUARI 2016

Betsy von Furstenberg, Baroness and Versatile Actress, Dies at 83

Ms. von Furstenberg made her debut in the movies and on the Broadway stage in the early 1950s as a teenager and later reinvented herself as a television actress, writer and philanthropist.

Betsy von Furstenberg, Baroness and Versatile Actress, Dies at 83 | PAKET UMROH BULAN JANUARI 2016

With Iran Talks, a Tangled Path to Ending Syria’s War

UNITED NATIONS — Wearing pinstripes and a pince-nez, Staffan de Mistura, the United Nations envoy for Syria, arrived at the Security Council one Tuesday afternoon in February and announced that President Bashar al-Assad had agreed to halt airstrikes over Aleppo. Would the rebels, Mr. de Mistura suggested, agree to halt their shelling?

What he did not announce, but everyone knew by then, was that the Assad government had begun a military offensive to encircle opposition-held enclaves in Aleppo and that fierce fighting was underway. It would take only a few days for rebel leaders, having pushed back Syrian government forces, to outright reject Mr. de Mistura’s proposed freeze in the fighting, dooming the latest diplomatic overture on Syria.

Diplomacy is often about appearing to be doing something until the time is ripe for a deal to be done.

 

 

Now, with Mr. Assad’s forces having suffered a string of losses on the battlefield and the United States reaching at least a partial rapprochement with Mr. Assad’s main backer, Iran, Mr. de Mistura is changing course. Starting Monday, he is set to hold a series of closed talks in Geneva with the warring sides and their main supporters. Iran will be among them.

In an interview at United Nations headquarters last week, Mr. de Mistura hinted that the changing circumstances, both military and diplomatic, may have prompted various backers of the war to question how much longer the bloodshed could go on.

“Will that have an impact in accelerating the willingness for a political solution? We need to test it,” he said. “The Geneva consultations may be a good umbrella for testing that. It’s an occasion for asking everyone, including the government, if there is any new way that they are looking at a political solution, as they too claim they want.”

He said he would have a better assessment at the end of June, when he expects to wrap up his consultations. That coincides with the deadline for a final agreement in the Iran nuclear talks.

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Whether a nuclear deal with Iran will pave the way for a new opening on peace talks in Syria remains to be seen. Increasingly, though, world leaders are explicitly linking the two, with the European Union’s top diplomat, Federica Mogherini, suggesting last week that a nuclear agreement could spur Tehran to play “a major but positive role in Syria.”

It could hardly come soon enough. Now in its fifth year, the Syrian war has claimed 220,000 lives, prompted an exodus of more than three million refugees and unleashed jihadist groups across the region. “This conflict is producing a question mark in many — where is it leading and whether this can be sustained,” Mr. de Mistura said.

Part Italian, part Swedish, Mr. de Mistura has worked with the United Nations for more than 40 years, but he is more widely known for his dapper style than for any diplomatic coups. Syria is by far the toughest assignment of his career — indeed, two of the organization’s most seasoned diplomats, Lakhdar Brahimi and Kofi Annan, tried to do the job and gave up — and critics have wondered aloud whether Mr. de Mistura is up to the task.

He served as a United Nations envoy in Afghanistan and Iraq, and before that in Lebanon, where a former minister recalled, with some scorn, that he spent many hours sunbathing at a private club in the hills above Beirut. Those who know him say he has a taste for fine suits and can sometimes speak too soon and too much, just as they point to his diplomatic missteps and hyperbole.

They cite, for instance, a news conference in October, when he raised the specter of Srebrenica, where thousands of Muslims were massacred in 1995 during the Balkans war, in warning that the Syrian border town of Kobani could fall to the Islamic State. In February, he was photographed at a party in Damascus, the Syrian capital, celebrating the anniversary of the Iranian revolution just as Syrian forces, aided by Iran, were pummeling rebel-held suburbs of Damascus; critics seized on that as evidence of his coziness with the government.

Mouin Rabbani, who served briefly as the head of Mr. de Mistura’s political affairs unit and has since emerged as one of his most outspoken critics, said Mr. de Mistura did not have the background necessary for the job. “This isn’t someone well known for his political vision or political imagination, and his closest confidants lack the requisite knowledge and experience,” Mr. Rabbani said.

As a deputy foreign minister in the Italian government, Mr. de Mistura was tasked in 2012 with freeing two Italian marines detained in India for shooting at Indian fishermen. He made 19 trips to India, to little effect. One marine was allowed to return to Italy for medical reasons; the other remains in India.

He said he initially turned down the Syria job when the United Nations secretary general approached him last August, only to change his mind the next day, after a sleepless, guilt-ridden night.

Mr. de Mistura compared his role in Syria to that of a doctor faced with a terminally ill patient. His goal in brokering a freeze in the fighting, he said, was to alleviate suffering. He settled on Aleppo as the location for its “fame,” he said, a decision that some questioned, considering that Aleppo was far trickier than the many other lesser-known towns where activists had negotiated temporary local cease-fires.

“Everybody, at least in Europe, are very familiar with the value of Aleppo,” Mr. de Mistura said. “So I was using that as an icebreaker.”

The cease-fire negotiations, to which he had devoted six months, fell apart quickly because of the government’s military offensive in Aleppo the very day of his announcement at the Security Council. Privately, United Nations diplomats said Mr. de Mistura had been manipulated. To this, Mr. de Mistura said only that he was “disappointed and concerned.”

Tarek Fares, a former rebel fighter, said after a recent visit to Aleppo that no Syrian would admit publicly to supporting Mr. de Mistura’s cease-fire proposal. “If anyone said they went to a de Mistura meeting in Gaziantep, they would be arrested,” is how he put it, referring to the Turkish city where negotiations between the two sides were held.

Secretary General Ban Ki-moon remains staunchly behind Mr. de Mistura’s efforts. His defenders point out that he is at the center of one of the world’s toughest diplomatic problems, charged with mediating a conflict in which two of the world’s most powerful nations — Russia, which supports Mr. Assad, and the United States, which has called for his ouster — remain deadlocked.

R. Nicholas Burns, a former State Department official who now teaches at Harvard, credited Mr. de Mistura for trying to negotiate a cease-fire even when the chances of success were exceedingly small — and the chances of a political deal even smaller. For his efforts to work, Professor Burns argued, the world powers will first have to come to an agreement of their own.

“He needs the help of outside powers,” he said. “It starts with backers of Assad. That’s Russia and Iran. De Mistura is there, waiting.”

With Iran Talks, a Tangled Path to Ending Syria’s War | PAKET UMROH BULAN JANUARI 2016

Harvey R. Miller, Renowned Bankruptcy Lawyer, Dies at 82

Mr. Miller, of the firm Weil, Gotshal & Manges, represented companies including Lehman Brothers, General Motors and American Airlines, and mentored many of the top Chapter 11 practitioners today.

Harvey R. Miller, Renowned Bankruptcy Lawyer, Dies at 82 | PAKET UMROH BULAN JANUARI 2016

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89

Ms. Plisetskaya, renowned for her fluidity of movement, expressive acting and willful personality, danced on the Bolshoi stage well into her 60s, but her life was shadowed by Stalinism.

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89 | PAKET UMROH BULAN JANUARI 2016

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