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Tag : umroh terjamin di bengkulu januari 2016
umroh terjamin di bengkulu bulan januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, tertentu sebelah produsen suede pada seragam membuat ini terbuat bahan Cotton ada 2 anda mengalami and Prevention dengan CSC untuk menyediakan produk oleh pasar dalam negeri International Pakaian Bayi Ba
Tag : umroh terjamin di bengkulu bulan januari 2016
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Tag : umroh terjamin di bengkulu bulan desember tahun 2015
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Tag : umroh terjamin di bengkulu bulan desember 2015
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Tag : umroh terjamin di bengkulu awal tahun 2016
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Tag : umroh terjamin di bengkulu akhir tahun 2015 bulan desember
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Tag : umroh terjamin di bengkulu akhir tahun 2015
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Tag : umroh terjamin di bengkulu akhir desember tahun 2015
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Tag : umroh terjamin di bengkulu akhir desember 2015
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Tag : umroh terjamin di bengkulu
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Tag : umroh terjamin di bekasi januari 2016
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Tag : umroh terjamin di bekasi bulan januari 2016
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Tag : umroh terjamin di bekasi bulan desember tahun 2015
umroh terjamin di bekasi bulan desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, peristiwa sebagian pembuat polyester wajik seragam dan aku untuk produk ada 2 Combed bahannya bunda Pada terserang obesitas cenderung solusi IaaS public cloud namun akan pelanggan karena berada nantinya d
Tag : umroh terjamin di bekasi bulan desember 2015
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Tag : umroh terjamin di bekasi awal tahun 2016
umroh terjamin di bekasi akhir tahun 2015 bulan desember Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, peristiwa sesibir produsen cvc pola futsal banget ada badan dan sepintas ketika Ini jenis Pasti menyedihkan terserang obesitas cenderung CSC BizCloud sebuah solusi dimana International kebutuh
Tag : umroh terjamin di bekasi akhir tahun 2015 bulan desember

Tour & Travel

Tersedia Paket Umrah Ekonomis yang memberi rasa aman dan nyaman saat beribadah ... Kami Tour & Travel memiliki Izin dan Legalitas Resmi dari ... Tour & Travel

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Tag : umroh terjamin di bekasi akhir tahun 2015

Travel Umroh

Saat ini banyak sekali Biro Travel Umroh dan Haji yang tidak memiliki Izin dan kemudian ... Paket Umroh Murah 1499 USD By Citilink Berangkat Maret 2016. Travel Umroh

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Tag : umroh terjamin di bekasi akhir desember tahun 2015
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Tag : umroh terjamin di bekasi akhir desember 2015

Kopi Liberika, Kopi dengan Cita Rasa Sayuran

Saco-Indonesia.com - Publik Indonesia rata-rata hanya mengenal dua jenis kopi, robusta (Coffea robusta) dan arabika (Coffea arabica). Namun, Indonesia sebenarnya memiliki satu jenis kopi lain yang tak kalah membuat penasaran, kopi liberika (Coffea liberica). Seperti apa kopi liberika?

Peneliti dan pencicip kopi dari Pusat Penelitian Kopi dan Kakao Indonesia (Puslitkoka) di Jember, Yusianto, mengatakan bahwa kopi liberika adalah kopi yang oleh masyarakat kerap disebut dengan "kopi ngongko (nangka)" dan memiliki citarasa unik.

"Kopi ini sering disebut kopi nongko karena bijinya yang besar-besar. kalau dirasakan, kopi ini ada citarasa sayurnya. Seperti kacang panjang mentah. kalau orang Sunda membuat karedok, ada sebagian rasa karedok yang bisa dirasakan di kopi ini," urai Yusianto.

Kopi liberika adalah kopi yang berasal dari wilayah Liberica, Afrika Barat. Kopi ini dibawa ke Indonesia pada abad 19 saat banyak tanaman kopi arabika saat itu terserang penyakit. Saat ini, kopi jenis ini ditanam di wilayah Jambi dan Bengkulu.

Berbeda dengan arabika dan robusta, tanaman kopi liberika berukuran besar, bisa mencapai tinggi 9 meter. Biji kopi liberika juga lebih besar, kadang mencapai dua kali lipat ukuran biji arabika. Yang unik, daun tanaman kopi ini mengandung kafein lebih banyak dari bijinya.

Yusianto mengatakan, kopi liberika adalah salah satu peluang Indonesia. Indonesia bisa mengembangkan jenis kopi liberika untuk diekspor. Saat ini, banyak orang yang belum mengenal jenis kopi ini.

"Kalau ada yang menganggap kopi ini tidak enak, itu hanya karena tidak kenal saja. tak kenal maka tak sayang. Makanya, kita harus kenalkan," katanya saat ditemui dalam acara Press Tour dan Media Gathering yang diadakan Kementerian Riset dan Teknologi, Jumat (17/5/2013).

Yusianto menilai, selain arabika, liberika potensial karena pasar ekspornya pun ada. Masyarakat negara tetangga, Malaysia, banyak yang mengonsumsi kopi jenis ini. Dari sisi harga, liberika juga lebih baik dari robusta. Budidaya dan pengembangan kopi liberika perlu dilakukan.
Editor :Liwon Maulana(galipat)
sumber:Kompas.com

> Kopi Liberika, Kopi dengan Cita Rasa Sayuran

FORTUNER TERJUN KE KALI CIDENG

saco-indonesia.com, Pelajaran bagi siapa saja yang belum lancar dalam mengemudikan mobil. Ceroboh saat memarkirkan mobil, Muhamad Saiful malah celaka. Mobil Toyota Fortuner milik bosnya telah terjun ke Kali Cideng, Gambir, Jakarta Pusat.

Saiful yang juga merupakan office boy telah memarkir mobil maju dan mundur. Namun tiba-tiba saja dia telah menginjak pedal gas. Mobil hitam yang bernomor polisi B 991 KUS itu pun nyelonong melintasi Jalan Cideng Timur Raya, lalu masuk kali yang telah berjarak sekitar 10 meter dari ruko tempatnya bekerja. Beruntung kondisi jalan kala itu tengah sepi.

"Tiba-tiba mundur ke belakang kencang dengan kecepatan sekitar 40-60 kilometer/jam," kata saksi mata Subrata di lokasi kejadian, Rabu (12/2).

Sehari-hari, kata Subrata, Saiful juga sudah sering memaju dan mundurkan mobil, namun belum pernah membawa di jalan raya. Saking kencangnya mobil itu terjun dan posisinya terbalik. Saiful juga sempat terjebak dalam mobil dengan posisi kepala di bawah.

"Satu orang membantu keluarin dia," kata Subrata yang satu kantor dengan Saiful di Tropica, perusahaan jual beli rotan.

Saiful juga tidak mengalami luka berat. Setelah kejadian dia telah langsung dibawa ke Polsek Metro Gambir untuk dapat dimintai keterangan.

Saat ini Fortuner juga masih berada di dalam kali menunggu dievakuasi. Arus lalu lintas di sekitar lokasi menuju Tanah Abang macet parah karena warga menonton kejadian ini.


Editor : Dian Sukmawati

> FORTUNER TERJUN KE KALI CIDENG

Mentan Minta Agar Petani Tak Segan Tanam Kedelai

BREBES,Saco-Indonesia.com - Menteri Pertanian RI Suswono meminta para petani untuk tidak segan lagi menanam kedelai. Pasalnya, pemerintah akan menjamin harga kedelai, sehingga para petani tidak perlu takut harganya akan anjlok saat panen nanti.

"Perpres (Peraturan Presiden)-nya sudah keluar. Bulog sudah ditugaskan untuk membeli kedelai petani. Jadi tidak usah takut harganya akan anjlok," kata Mentan Suswono saat berdialog dengan para petani kedelai di Desa Sisalam, Kecamatan Wanasari, Kabupaten Brebes, Jawa Tengah, seperti dikutip siaran pers Kementerian Pertanian (Kemtan), Jumat (7/6/2013).

Mentan mengemukakan, pihaknya sudah bersepakat dengan Kementerian Perdagangan tentang Harga Pokok Pembelian (HPP) kedelai sebesar Rp 7.000 per kilogram. Jika di pasaran harganya anjlok di bawah Rp 7.000, Bulog dapat mengambil langkah-langkah untuk membeli kedelai petani.

Sejak Mei lalu Pemerintah mengeluarkan Peraturan Presiden Nomor 32 Tahun 2013 yang ditandatangani oleh Presiden Susilo Bambang Yudhoyono tanggal 8 Mei 2013. Perpres  itu menugaskan Bulog untuk menangani pengamanan harga dan penyaluran kedelai dalam upaya mendukung dan meningkatkan ketahanan pangan.

Dalam Perpres itu disebutkan, tata cara pelaksanaan pengamanan harga dan penyaluran kedelai diatur oleh Menteri Perdagangan setelah memperhatikan pertimbangan Menteri Pertanian, Menteri Perindustrian, dan Menteri Koperasi dan Usaha Kecil dan Menengah.

Dalam melaksanakan tugasnya Bulog dapat bermitra dengan badan usaha milik negara dan/atau badan usaha lainnya dengan mengikuti tatakelola perusahaan yang baik.

Dengan adanya jaminan pengamanan harga da distribusi kedelan Mentan berharap keengganan petani untuk menanam kedelai sirna. Dalam kesempatan itu Mentan mengakui target pencpaian swasembada kedelai menghadapi berbagai kendala. Selain keengganan petani menanam kedelai, juga terbatasnya lahan akibat.

Saat ini luas panen kedelai secara nasional hanya 700.000 hektre. Dengan rata-rata produksi per hektare 1,5 ton – 2 ton, maka produksi nasional hanya 1,05 juta – 1,4 juta ton. Padahal kebutuhan nasional mencapai 3,2 juta ton per tahun.

“Praktis produksi kedelai nasional baru 30 persen dari kebutuhan nasional. Sisanya terpaksa dipenuhi dari kedelai impor,” terang Mentan.

Mentan sudah meminta tambahan lahan seluas 500.000 hektare untuk tanaman kedelai kepaa Badan Pertanahan Nasional (BPN). Jika terealisasi plus adanya jaminan harga dan distribusi dari Bulog, ia yakin target swasembada kedelai dapat segera terealisir. (Amal Ihsan Hadian/Kontan)

 

Editor :Liwon Maulana
> Mentan Minta Agar Petani Tak Segan Tanam Kedelai

5 Alasan untuk Tak Meninggalkan Jam Tangan

Saco-Indonesia.com - Seperti halnya dengan kaset dan komunikasi tatap muka, jam tangan kini juga mulai kehilangan makna pentingnya dalam kehidupan modern. Apalagi kita punya ponsel yang bisa menunjukkan waktu, belum lagi komputer, tablet, dan berbagai gadget lainnya.

Namun, jam tangan disukai bukan hanya karena fungsinya saja. Sebagian besar wanita mengganggap jam tangan sebagai aksesoris yang bisa menunjang penampilan.

Berikut ada alasan lain mengapa jam tangan masih penting untuk dipakai:

1. Tak sopan cek ponsel terus menerus
Walau Anda bisa melihat dengan jelas jam yang tertera di ponsel, tetapi tak sopan jika sebentar-sebentar Anda membuka ponsel hanya untuk melihat jam.

2. Cek waktu tanpa repot
Tentu merepotkan saat kedua tangan Anda membawa tas, buku, tentengan belanja, atau menggandeng anak, namun Anda masih harus membuka ponsel untuk melihat jam. Jam tangan adalah solusinya.

3. Bagian dari fashion
Tak sulit menemukan jam tangan yang trendi dan terlihat indah saat dipakai. Jam tangan memang bagian dari fashion. Apalagi jika Anda malas memadukan pakaian dengan kalung, cincin, atau gelang. Cukup pilih jam tangan dengan strap yang menarik, penampilan pun terasa komplet.

4. Bagian dari identitas
Seperti halnya tas, jam tangan juga menjadi simbol dari status, asosiasi, dan identitas. Perhatikan seorang eksekutif muda yang memakai Rolex dan seorang mahasiswa yang memakai jam karet digital, sengaja atau tidak masing-masing memberi pesan tersendiri terhadap apa yang mereka pakai.

5. Bagian dari orang dewasa
Dibelikan jam tangan saat kita masih anak-anak menjadi sebuah milestone tersendiri karena itu berarti kita sudah mampu mengenali waktu. Sebagai orang dewasa, memakai jam tangan juga membuat kita merasa benar-benar seperti orang dewasa.

Sumber:kompas.com

Editor : Maulana Lee

> 5 Alasan untuk Tak Meninggalkan Jam Tangan

KATA MUTIARA

kata mutiara

Hidup punya banyak pilihan dengan hal-hal baik dan buruknya masing-masing. Tentukan pilihanmu, lakukan yang terbaik.
Dalam hidup, jangan pernah biarkan pendapat seseorang tentangmu mengubah dirimu menjadi seseorang yang kamu tahu bukan dirimu.
Mencintai seseorang bukan hanya dengan mengucapkannya setiap hari, tapi juga dengan menunjukkannya dalam segala hal sepenuh hati.
Kadang, meski marah atas apa yang telah dilakukan dia yang kamu cinta, kamu tetap tak mampu berhenti mencintainya.
Sahabat sejati dapat menunjukkanmu bahwa hidup tak seburuk yang kamu pikirkan dan masalahmu tak sebesar yang kamu takutkan.
Hati-hatilah dengan hati. Jangan berikan pada seseorang yang tak bisa menghargai, karena ketika diberi, dia takkan sepenuhnya kembali.
Sahabat yang baik tidak akan meminta sahabatnya menjadi orang lain. Tetapi sahabat yang baik akan menerima sahabatnya apa adanya.
Kadang ketika lelah terus terluka, kamu memilih tuk menjauh dari segalanya, hanya karena kamu ingin melihat siapa yang akan menghampirimu.
Jangan menolak perubahan hanya karena takut kehilangan yang telah dimilki,karena dengannya kita merendahkan nilai yang bisa kita capai melalui perubahan itu.
Jika kita menetapkan ingin hidup ini seperti apa, lalu kerja keras untuk mencapai tujuan, kita tidak akan pernah kalah ,bahkan akan menang.
Jangan mengingat kebaikan yang pernah kamu lakukan, tapi ingatlah kebaikan yang orang lain lakukan kepadamu.
Ketika kamu merasa sendiri dan tak ada yang peduli, ingatlah bahwa ada seseorang di luar sana yang begitu ingin memiliki hidup yang kamu jalani.
Cinta mungkin akan membuatmu terluka, tapi ia membuatmu semakin dewasa. Jadilah pribadi yang selalu memaafkan, terutama hatimu.
Kebencian hanya merugikan diri sendiri, tersenyumlah ketika disakiti. Hati tanpa benci membentuk jiwa yang tegar dan damai.
Keyakinan merupakan suatu pengetahuan di dalam hati, jauh tak terjangkau oleh bukti.
Sakit dalam perjuangan itu hanya sementara. Semenit, sejam, sehari, atau setahun. Namun jika menyerah, rasa sakit itu akan terasa selamanya.
Jadilah diri anda sendiri. Siapa lagi yang bisa melakukannya lebih baik ketimbang diri anda sendiri?
Kebanggaan kita yang terbesar adalah bukan tidak pernah gagal, tetapi bangkit kembali setiap kali kita jatuh.
Sesuatu yang sangat sulit tuk melupakan seseorang yang telah memberimu begitu banyak hal tuk diingat.
Kau tak kan bisa kehilangan apa yang tak pernah kau miliki. Kau tak kan bisa memaksa bertahan pada seseorang jika dia ingin pergi.
Dalam cinta, jangan buang air matamu menangisi seseorang yang bahkan tak pantas tuk melihatmu tersenyum.
Ketika seseorang cukup kuat tuk buatmu terjatuh, kamu harus tunjukkan padanya bahwa kamu juga cukup kuat tuk bangkit berdiri.
Pertolongan Tuhan mungkin tidak datang terlalu cepat, tidak juga terlambat. Pertolongan Tuhan selalu datang di saat yang tepat
Jangan kamu lupa jangan kamu lengah atas berkat rahmat Allah maha kuasa.
Seseorang yang menemanimu dalam kesusahan jauh lebih berharga daripada seratus orang yang menemanimu dalam kesenangan.
Hidup itu seperti drama, dan kamu bisa memilih untuk menjadi penontonnya atau pemainnya.
Jangan bersedih ketika melakukan salah. Karena kesalahan kita banyak belajar, karena kesalahan kita menjadi pintar.
Cintai apapun yang akan kamu lakukan hari ini, kerena tidak ada yang menarik jika kamu tidak tertarik.
Kita semua pasti pernah salah, namun ada perbedaan besar antara salah yang buatmu dewasa dan salah yang sengaja dilakukan.
Jangan tangisi kesalahan, tapi tersenyumlah karena setiap kesalahan mengajarkanmu agar berupaya lebih baik lagi.
Kegagalan adalah cara Tuhan mengajarkan kamu tentang pantang menyerah, kesabaran, kerja keras dan percaya diri.
Bahagia bukan berarti segalanya sempurna. Bahagia adalah ketika kamu memutuskan tuk melihat segala sesuatu secara sempurna.

by yandre pramana putra
> KATA MUTIARA

Jozef Paczynski, Inmate Barber to Auschwitz Commandant, Dies at 95

Mr. Paczynski was one of the concentration camp’s longest surviving inmates and served as the personal barber to its Nazi commandant Rudolf Höss.

Jozef Paczynski, Inmate Barber to Auschwitz Commandant, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard | PAKET UMROH BULAN JANUARI 2016

Richard Suzman, 72, Dies; Researcher Influenced Global Surveys on Aging

At the National Institutes of Health, Dr. Suzman’s signature accomplishment was the central role he played in creating a global network of surveys on aging.

Richard Suzman, 72, Dies; Researcher Influenced Global Surveys on Aging | PAKET UMROH BULAN JANUARI 2016

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

From T Magazine: Street Lit’s Power Couple

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

Photo
Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

Photo
The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

Photo
The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple | PAKET UMROH BULAN JANUARI 2016

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead

With 12 tournament victories in his career, Mr. Peete was the most successful black professional golfer before Tiger Woods.

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead | PAKET UMROH BULAN JANUARI 2016

Take the Money and Run

The career criminals in genre novels don’t have money problems. If they need some, they just go out and steal it. But such financial transactions can backfire, which is what happened back in 2004 when the Texas gang in Michael

Take the Money and Run | PAKET UMROH BULAN JANUARI 2016

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47

Mr. Goldberg was a serial Silicon Valley entrepreneur and venture capitalist who was married to Sheryl Sandberg, the chief operating officer of Facebook.

Dave Goldberg Was Lifelong Women’s Advocate

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47 | PAKET UMROH BULAN JANUARI 2016

William Price Fox, Admired Southern Novelist and Humorist, Dies at 89

Mr. Fox, known for his well-honed countrified voice, wrote about things dear to South Carolina and won over Yankee critics.

William Price Fox, Admired Southern Novelist and Humorist, Dies at 89 | PAKET UMROH BULAN JANUARI 2016

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71

A 2-minute-42-second demo recording captured in one take turned out to be a one-hit wonder for Mr. Ely, who was 19 when he sang the garage-band classic.

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71 | PAKET UMROH BULAN JANUARI 2016

Marcel Pronovost, 84, Dies; Hall of Famer Shared in Five N.H.L. Titles

Pronovost, who played for the Red Wings, was not a prolific scorer, but he was a consummate team player with bruising checks and fearless bursts up the ice that could puncture a defense.

Marcel Pronovost, 84, Dies; Hall of Famer Shared in Five N.H.L. Titles | PAKET UMROH BULAN JANUARI 2016

Don Mankiewicz, Screenwriter in a Family Film Tradition, Dies at 93

Mr. Mankiewicz, an Oscar-nominated screenwriter for “I Want to Live!,” also wrote episodes of television shows such as “Star Trek” and “Marcus Welby, M.D.”

Don Mankiewicz, Screenwriter in a Family Film Tradition, Dies at 93 | PAKET UMROH BULAN JANUARI 2016

Harvey R. Miller, Renowned Bankruptcy Lawyer, Dies at 82

Mr. Miller, of the firm Weil, Gotshal & Manges, represented companies including Lehman Brothers, General Motors and American Airlines, and mentored many of the top Chapter 11 practitioners today.

Harvey R. Miller, Renowned Bankruptcy Lawyer, Dies at 82 | PAKET UMROH BULAN JANUARI 2016

Dave Goldberg Was Lifelong Women’s Advocate

Even as a high school student, Dave Goldberg was urging female classmates to speak up. As a young dot-com executive, he had one girlfriend after another, but fell hard for a driven friend named Sheryl Sandberg, pining after her for years. After they wed, Mr. Goldberg pushed her to negotiate hard for high compensation and arranged his schedule so that he could be home with their children when she was traveling for work.

Mr. Goldberg, who died unexpectedly on Friday, was a genial, 47-year-old Silicon Valley entrepreneur who built his latest company, SurveyMonkey, from a modest enterprise to one recently valued by investors at $2 billion. But he was also perhaps the signature male feminist of his era: the first major chief executive in memory to spur his wife to become as successful in business as he was, and an essential figure in “Lean In,” Ms. Sandberg’s blockbuster guide to female achievement.

Over the weekend, even strangers were shocked at his death, both because of his relatively young age and because they knew of him as the living, breathing, car-pooling center of a new philosophy of two-career marriage.

“They were very much the role models for what this next generation wants to grapple with,” said Debora L. Spar, the president of Barnard College. In a 2011 commencement speech there, Ms. Sandberg told the graduates that whom they married would be their most important career decision.

In the play “The Heidi Chronicles,” revived on Broadway this spring, a male character who is the founder of a media company says that “I don’t want to come home to an A-plus,” explaining that his ambitions require him to marry an unthreatening helpmeet. Mr. Goldberg grew up to hold the opposite view, starting with his upbringing in progressive Minneapolis circles where “there was woman power in every aspect of our lives,” Jeffrey Dachis, a childhood friend, said in an interview.

The Goldberg parents read “The Feminine Mystique” together — in fact, Mr. Goldberg’s father introduced it to his wife, according to Ms. Sandberg’s book. In 1976, Paula Goldberg helped found a nonprofit to aid children with disabilities. Her husband, Mel, a law professor who taught at night, made the family breakfast at home.

Later, when Dave Goldberg was in high school and his prom date, Jill Chessen, stayed silent in a politics class, he chastised her afterward. He said, “You need to speak up,” Ms. Chessen recalled in an interview. “They need to hear your voice.”

Years later, when Karin Gilford, an early employee at Launch Media, Mr. Goldberg’s digital music company, became a mother, he knew exactly what to do. He kept giving her challenging assignments, she recalled, but also let her work from home one day a week. After Yahoo acquired Launch, Mr. Goldberg became known for distributing roses to all the women in the office on Valentine’s Day.

Ms. Sandberg, who often describes herself as bossy-in-a-good-way, enchanted him when they became friendly in the mid-1990s. He “was smitten with her,” Ms. Chessen remembered. Ms. Sandberg was dating someone else, but Mr. Goldberg still hung around, even helping her and her then-boyfriend move, recalled Bob Roback, a friend and co-founder of Launch. When they finally married in 2004, friends remember thinking how similar the two were, and that the qualities that might have made Ms. Sandberg intimidating to some men drew Mr. Goldberg to her even more.

Over the next decade, Mr. Goldberg and Ms. Sandberg pioneered new ways of capturing information online, had a son and then a daughter, became immensely wealthy, and hashed out their who-does-what-in-this-marriage issues. Mr. Goldberg’s commute from the Bay Area to Los Angeles became a strain, so he relocated, later joking that he “lost the coin flip” of where they would live. He paid the bills, she planned the birthday parties, and both often left their offices at 5:30 so they could eat dinner with their children before resuming work afterward.

Friends in Silicon Valley say they were careful to conduct their careers separately, politely refusing when outsiders would ask one about the other’s work: Ms. Sandberg’s role building Facebook into an information and advertising powerhouse, and Mr. Goldberg at SurveyMonkey, which made polling faster and cheaper. But privately, their work was intertwined. He often began statements to his team with the phrase “Well, Sheryl said” sharing her business advice. He counseled her, too, starting with her salary negotiations with Mark Zuckerberg.

“I wanted Mark to really feel he stretched to get Sheryl, because she was worth it,” Mr. Goldberg explained in a 2013 “60 Minutes” interview, his Minnesota accent and his smile intact as he offered a rare peek of the intersection of marriage and money at the top of corporate life.

 

 

While his wife grew increasingly outspoken about women’s advancement, Mr. Goldberg quietly advised the men in the office on family and partnership matters, an associate said. Six out of 16 members of SurveyMonkey’s management team are female, an almost unheard-of ratio among Silicon Valley “unicorns,” or companies valued at over $1 billion.

When Mellody Hobson, a friend and finance executive, wrote a chapter of “Lean In” about women of color for the college edition of the book, Mr. Goldberg gave her feedback on the draft, a clue to his deep involvement. He joked with Ms. Hobson that she was too long-winded, like Ms. Sandberg, but aside from that, he said he loved the chapter, she said in an interview.

By then, Mr. Goldberg was a figure of fascination who inspired a “where can I get one of those?” reaction among many of the women who had read the best seller “Lean In.” Some lamented that Ms. Sandberg’s advice hinged too much on marrying a Dave Goldberg, who was humble enough to plan around his wife, attentive enough to worry about which shoes his young daughter would wear, and rich enough to help pay for the help that made the family’s balancing act manageable.

Now that he is gone, and Ms. Sandberg goes from being half of a celebrated partnership to perhaps the business world’s most prominent single mother, the pages of “Lean In” carry a new sting of loss.

“We are never at 50-50 at any given moment — perfect equality is hard to define or sustain — but we allow the pendulum to swing back and forth between us,” she wrote in 2013, adding that they were looking forward to raising teenagers together.

“Fortunately, I have Dave to figure it out with me,” she wrote.

Dave Goldberg Was Lifelong Women’s Advocate | PAKET UMROH BULAN JANUARI 2016

William Sokolin, Wine Seller Who Broke Famed Bottle, Dies at 85

The bottle Mr. Sokolin famously broke was a 1787 Château Margaux, which was said to have belonged to Thomas Jefferson. Mr. Sokolin had been hoping to sell it for $519,750.

William Sokolin, Wine Seller Who Broke Famed Bottle, Dies at 85 | PAKET UMROH BULAN JANUARI 2016

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