PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




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BEBERAPA CARA DALAM PELAKSANAAN UMROH


TATA CARA PELAKSANAAN UMROH.
1. Jika seseorang akan melaksanakan UMROH disunnahkan untuk mandi besar (janabah) terlebih dahulu, memakai wangi-wangian (jika ada) dan memakai pakaian ihram.
2. Tata cara memakai pakaian ihram. Untuk laki-laki berupa dua lembar kain ihram yang dijadikan sarung dan selendang, Sedangkan untuk wanita memakai pakaian yang telah di’isyaratkan untuk menutupi aurot, tidak ada hiasan dan tidak diperbolehkan memakai sarung tangan.
3. Niat untuk melaksanakan umrah dalam hati dan mengucapkan labbaikallahumma bi'umrotin atau labbaika'umrotan. dan setelah itu bertalbiyah suaranya di keraskan bagi laki-laki, dan dengan suara cukup yang bisa di dengar orang yang berada di sampingnya bagi wanita, dengan mengucapkan labbaikallahumma labbaika laa syarika laka labbaik. innal hamda wan ni'mata laka wal mulk laa syarika laka.

4. Jika sudah sampai di kota MAKKAH, maka disunnahkan untukmandi terlebih dahulu sebelum masuk.
5. Sesampai di ka’bah,masuk ke masjidil haram dengan mendahulukan kaki kanan dan membaca doa masuk masjid : “Allahumaf-tahlii abwaba rohmatik.”
6. Menuju ke hajar aswad sambil menyentuhnya dengan tangan kanan dan menciumnya bila mampu dengan mengucapkan Bismillahi wallahu akbar. Jika tidak bisa menyentuh atau menciumnya maka cukup memberi isyarat dan berkata Allahu Akbar.
7. Thawah UMROH  sebanyak 7 putaran. Disunnahkan berlari-lari kecil pada 3 putaran pertama dan berjalan biasa di 4 putaran terakhir, yang dimulai dari hajar aswad dan diakhiri di hajar aswad juga.
8. Ketika berada di antara rukun yamani dan hajar aswad disunnahkan membaca : “Robbana atina fiddunya hasanah, wa fill akhiroti hasanah wa qinaadzaban naar.”
9. Setelah melakukan thawaf , kemudian menutup kedua pundaknya lalu menuju makam nabi ibrahim dan sambil membaca “Wattakhodzu mim maqoomi ibrohima musholla.”
10. Shalat sunnah dua raka’at di belakang makam nabi ibrahim. Pada rakaat pertama setelah membaca Al Fatihah kemudian dilanjutkan dengan membaca surat Al-Kafirun, dan pada rakaat kedua setelah membaca surat Al Fatihah kemudian di lanjutkan surat Al Ikhlas.
11. Kemudian, menuju ke bukit shafa untuk melaksanakan sa’i UMROH dan setelah mendekati shafa dianjurkan untuk membaca :” Innash shafaa wal marwatamin sya’aririllah” lalu mengucapkan “Nabda u bimaa bada allah bih”. Kemudian bertakbir 3 kali tanpa isyarat dan mengucapkan Laa ilaha illallahu wahdahu laa syarika lahu. Lahul mulku wa lahul hamdu wahuwa 'alaa kulli syai'in qodir. Laa ilaha illallahu wahdahu anjaza wa'dahu wa shodaqo 'abdahu wa hazamal ahzaaba wahdahu 3x. Kemudian berdoa.
12. Kembali turun adri shafa menuju MARWAH. Disunnahkan berlari-lari kecil di antara dua tanda lampu hijau yang baeda di mas’a (tempat sa’i) bagi laki-laki, dan berjalan biasa menuju menaiki MARWAH .
13. Sesampai di MARWAH kerjakanlah seperti yang dikerjakan di shafa, yaitu dengan menghadap kiblat, bertakbir, membaca dzikir Laa ilaha illallahu wahdahu laa syarika lahu. Lahul mulku wa lahul hamdu wahuwa 'alaa kulli syai'in qodir. Laa ilaha illallahu wahdahu anjaza wa'dahu wa shodaqo 'abdahu wa hazamal ahzaaba wahdahu 3x, dan berdoa apa yang dikehendaki.
14. Kemudian turun menuju ke shafa dengan berjalan di tempat yang sudah di tentukan dan berlari bagi laki-laki di tempat yang sudah di tentukan, kemudian naik ke shafa dan lakukan seperti semula. Lakukan hal ini sebanyak tujuh kali dan dengan berakhir di MARWAH.
15. Setelah sa’i , maka bertahallul dengan mencukur seluruh atau sebagian rambut kepala bagi laki-laki, tetapi lebih afdhal apabila di cukur gundul. Dan bagi wanita cukup memotong rambutnya sebatas ujung jari.
16. Setelah mencukur rambut, maka berakhirlah sudah ibadah UMROH yang dilaksanakan, dan telah diperbolehkan untuk mengerjakan hal-hal yang tadinya dilarang ketika dalam keadaan ihram.
 

> BEBERAPA CARA DALAM PELAKSANAAN UMROH

WISATA JEMBATAN CINTA PULAU TIDUNG


 

Jembatan Cinta Pulau Tidung Dan Sejarahnya

 

Pada suatu hari ada satu pengunjung yang berkunjung ke pulau tidung , dengan menggunakan fasilitas agent yang berbeda, dengan tidak langsung mereka berdua bertemu di area jembatan cinta ini, sehingga mereka pun saling berkenalan dan singkat cerita akhirnya sampai ke jenjang pernikahan .Karena untuk mengenang sejarahnya mereka sampai menikah, Dan akhirnya mereka membuat sebuah artikel di sebuah website dengan judul artikel sejarah jembatan cinta pulau tidung di jakarta.

Sejarah lengkapnya  akan saya ceritakan  di bawah ini, jembatan cinta yang merupakan icon wisata Pulau Tidung yang berada di pertengahan antara Pulau Tidung kecil dan Pulau Tidung besar jembatan Penghubung yang  berada di wilayah Pulau Tidung kepulauan seribu jakarta ini.

Pada Tahun 2005 dibagunlah sebuah jembatan penghubung yang menghubungkan 2 pulau yaitu antara Pulau Tidung kecil dan Pulau Tidung besar yang berbentuk apung denngan berbahan kayu di bawahnya drum yang di ikat tali besar dengan berbentuk garis lurus namun jembatan tersebut rusak karena tali pengikatnya tidak kuat dan drumnya hanyut jembatan tersebut kekuatanya hanya dalam jangka waktu 8 bulan sudah hancur.


Beberapa tahun kemudian di bangunlah hal yang serupa, yaitu pada tahun 2008 dibuatlah kembali jembatan penghubung tersebut dengan kayu tancap namun kayu tancap dengan berbentuk kayu tancap kembali  amruk  jembatan tersebut dalam jangka waktu 1 tahun 8 bulan dikarnakan kulitas kayu kurang baik dan kayu tersebut tidak cocok sebagi bahan jembatan dan banyak juga bahan- bahan kayu yang terbakar. Sehingga Jembatan ini rusak lagi.


Akhirnya tiba di ujung tahun, tepatnya pada tahun 2010 di bagun kebali dengan tiang tancap yang berbentuk beton atau semen tapi di atasnya tetap kayu lagi- lagi kekuatan kayu tersebut tidak baik dan cepat keropos.


Dari tahun ke tahun terus di adakan perbaikan perbaikan, karena mengingat banyaknya wisatawan yang ingin berkunjung ke pulau tidung. Tibalah 2 tahun kemudian, kini tahun 2012 jembatan tersebut di bangun kembali dengan desain yang lain dari tahun tahun sebelumnya, dengan bangunan yang permanen .Hal ini di harapkan dari pemerintah wilayah setempat, mudah mudahan saja jembatan tersebut kokoh dalam jangka waktu 15 tahun sesui dengan yang sudah di rencanakan.berarti hitung saja sendiri sampai tahun berapa kalau !5 tahun lagi, he..he  he..

Beberapa Mitos Dan Kepercayaan manusia Dengan Jembatan Cinta

Bagi para remaja atau sepasang kekasih, yang sedang jatuh cinta ada baiknya melakukan wisata ke pulau tidung ini, karena adanya kasiat dari jembatan cinta ini, yang konon bisa membuat suasana percintaan semakin lengket dan awet sampai kakek kakek dan nenek nenek.


Hal ini bagi orang yang percaya dengan kabar kabar yang bisa di percaya, dan bisa juga tidak bisa di percaya, dengan cerita yang ada di paragraf paling atas sendiri, telah saya ceritakan bahwa, adanya pasangan kekasih yang berjumpa di jembatan cinta ini dan mereka berkenalan sampai menikah, maka ada beberepa yang menyataka bahwa barang siapa sepasang kekasih yang berjalan dengan bergandengan tangan di jembatan tersebut langeng sampe tua itu katanya, tapi memang ada beberapa orang yang mengalami hal tersebut seperti pengunjung  atas peristiwa asmaranya yang di bawa ke pulau tidung tersebut sampai menikah cuma yang sampe tua saya belum dengar sebab jembatan jembatan penghubung tersebut baru di bangun tahun 2005.

Itulah beberapa kata saya untuk bisa di fahami dengamn cerita legenda jembatan cinta, yaitu jembatan penghubung antara piulau tidung besar dengan pulau tidung kecil.

 

Sumber : http://pulautidungjaya.com/

> WISATA JEMBATAN CINTA PULAU TIDUNG

dijual seharga Rp 145 miliar Aset tol milik Bakrie

Besarnya beban utang induk perusahaan dan beberapa anak usahanya, memaksa grup Bakrie melepas aset-aset strategisnya.Setelah pekan lalu menjual 10 persen kepemilikan Blok Masela PSC kepada INPEX Masela Ltd dan Shell Upstream Overseas Services (I) Limited untuk melunasi utang, kini Grup Bakrie kembali melepas aset yang dimilikinya.

Kepastian penjualan ruas tol milik PT Bakrieland Development Tbk (ELTY) akhirnya terungkap ke publik. Dari keterbukaan informasi yang dikutip merdeka.com, Selasa (4/6), Bakrieland Development telah mengumumkan penjualan saham PT Bakrie Toll Road kepada PT Karya Prima Investama (KPI).

Nilainya hanya mencapai Rp 140,475 miliar. Nantinya penjualan ini akan dilaksanakan oleh anak usaha ELTY, PT Bakrie Infrastructure. Akta Penjualan Jual Beli (AJB) saham ini telah ditandatangani 19 April 2013.

"Penjualan ini telah mendapatkan persetujuan dari kreditur sindikasi yaitu PT Semesta Marga Raya," ujar Sekretaris Perusahaan ELTY, Kurniawan Budiaman seperti dikutip dari keterbukaan informasi, Selasa (4/6).

Penyelesaian transaksi ini dilakukan selambat-lambatnya tiga bulan sejak penandatangan AJB tersebut. Namun, dalam keterbukaan informasi itu, tidak diungkap lebih detail mengenai PT Karya Prima Investama. Informasi mengenai perusahaan tersebut juga sangat minim. Belum jelas rekam jejak perusahaan yang membeli aset milik Bakrie tersebut.

padahal, jika melirik sedikit ke belakang, pada akhir tahun lalu berhembus kabar yang menyebutkan bahwa PT Media Nusantara Citra (MNC) berniat membeli lima ruas tol yang dimiliki oleh Bakrie.

Bakrie Toll Road mempunyai konsesi untuk lima ruas jalan tol, yaitu Kanci-Pejagan, Pejagan-Pemalang (Jawa Tengah), Pasuruan-Probolinggo (Jawa Timur), Cimanggis-Cibitung (Jawa Barat), dan Ciawi-Sukabumi (Jawa Barat).

Penjualan tol yang menghubungkan Jawa Barat hingga Jawa Tengah ini diperkirakan bisa meraup dana hingga Rp 2 triliun.

> dijual seharga Rp 145 miliar Aset tol milik Bakrie

TEMPAT WISATA GUNUNG TANGKUBAN PERAHU

 

Gunung Tangkuban Perahu adalah salah satu gunung berapi yang masih aktif hingga kini yang telah terletak di daerah Lembang, Jawa Barat, Indonesia. Gunung Tangkuban Perahu tingginya telah mencapai 2.084 meter (6.837 kaki) dan bentuk dari Gunung Tangkuban Perahu ini adalah stratovulcano dengan pusat erupsi yang telah berpindah dari timur menuju barat.

Gunung Tangkuban Perahu terakhir kali meletus pada tahun 2013 lalu. Jenis batuan yang di keluarkan Gunung Tangkuban Perahu melalui letusannya kebanyakan adalah lava dan sulfur. Mineral yang telah dikeluarkan oleh Gunung Tangkuban Perahu adalah berupa sulfur belerang. Di saat tidak aktif, mineral yang telah dikeluarkan oleh Gunung Tangkuban Perahu adalah berupa uap belerang.
Gunung Tangkuban Perahu

Gunung Tangkuban Perahu

Kawasan wisata Gunung Tangkuban Perahu dikelola oleh perum perhutanan. Tempat Wisata Gunung Tangkuban Perahu telah memiliki suhu rata-rata setiap harinya adalah 17 derajat C pada siang hari dan pada malam hari bisa mencapai suhu rata-rata 2 derajat C. Gunung Tangkuban Perahu juga memiliki kawasan perhutanan seperti hutan dipterokarp bukit, hutan dipterokarp atas, hutan montane, dan yang terakhir ialah hutan ericaceous atau lebih dikenal dengan sebutan hutan gunung.

Gunung Tangkuban Perahu juga sering dikaitkan dengan lagenda Sangkuriang, pasti anda juga sudah tau ceritanya bukan. Bagi yang masih belum tau ceritanya akan saya coba ceritakan ulang lagenda Sangkuriang, secara singkatnya sih ceritanya “Sangkuriang mencintai ibunya sendiri yaitu Dayang Sumbi. Dayang sumbi pun telah mendapatkan cara untuk menggagalkan niat Sangkuriang yang mau menikahinya yaitu dengan mengajukan persyaratan sangkuriang harus membuat perahu dalam waktu semalam. Ketika usaha Sangkuriang untuk membuat perahu dalam semalam gagal, Sangkuriang pun marah dan ia menendang perahu yang dia buat tadi hingga terbalik. Perahu inilah yang kemudian menjadi Gunung Tangkuban Perahu.”
Taman Wisata Alam Gunung Tangkuban Perahu

Taman Wisata Alam Gunung Tangkuban Perahu

Gunung Tangkuban Perahu juga merupakan salah satu gunung berapi yang masih aktif yang statusnya diawasi terus oleh Direktorat Vulkanologi Indonesia. Beberapa kawah di kawasan wisata Gunung Tangkuban Perahu masih telah menunjukkan bahwa gunung ini masih aktif dengan tanda-tanda keaktifannya yaitu munculnya gas belerang dan sumber-sumber air panas di kaki gunungnya seperti halnya di Kasawan Ciater, Subang.

Tapi jangan salah, walaupun Gunung Tangkuban Perahu merupakan gunung berapi yang masih aktif bukan berarti tidak ada orang yang mau berwisata ke gunung ini. Justru tempat wisata Gunung Tangkuban Perahu sangat ramai dikunjungi oleh wisatawan lokal maupun asing. Obyek wisata yang bisa anda kunjungi saat berada di kawasan wisata Gunung Tangkuban Perahu seperti Kawah Ratu, Kawah Upas, Kawah Domas dan Kawah Jurig.
Kawah Ratu Tangkuban Perahu

Kawah Ratu Tangkuban Perahu

Apa yang menarik dari Gunung Tangkuban Perahu ini? Gunung Tangkuban Perahu juga merupakan salah satu tempat wisata alam yang juga telah memacu adrenalin. Keindahan alam yang sangat jarang anda temukan akan anda temukan di sini. Di kawasan wisata Gunung Tangkuban Perahu anda juga dapat merasakan keindahan alam yang masih terjaga kealamiannya hingga saat ini. Berjalan menjelajahi hutan di daerah Gunung Tangkuban Perahu dan merasakan dahsyatnya suasana di dekat gunung berapi.

Gunung Tangkuban Perahu juga merupakan tempat wisata alam yang sangat cocok untuk anda berlibur bersama keluarga maupun sahabat anda sambil berfoto di kawasan gunung berapi. Hal ini juga merupakan kejadian langka dan dapat anda jadikan kenang-kenangan seumur hidup. Jika anda ingin berkunjung ke Gunung Tangkuban Perahu jangan takut, karena nanti akan ada pemandu yang siap memandu anda.

Untuk sampai ke obyek wisata Gunung Tangkuban Perahu, anda bisa berangkat dari kota Bandung menuju arah utara (arah Subang). Kurang lebih berjarak 20 km dari pusat kota Bandung. Banyak angkutan umum yang siap mengantar anda menuju wisata alam Gunung Tangkuban Perahu ini.

> TEMPAT WISATA GUNUNG TANGKUBAN PERAHU

TIPS MEMILIH LAMPU HID YANG BAIK

saco-indonesi.com,

Tips dan Cara Memilih Lampu HID Motor Yang Baik . Memiliki lampu yang berfungsi dengan baik pasti merupakan hal yang wajib dalam sebuah kendaraan terutama jika kamu juga sering melakukan perjalanan di malam hari. Pada saat ini, Lampu motor yang berjenis HID adalah lampu yang juga sangat populer digunakan, karena selain telah memiliki cahaya yang lebih terang, lampu jenis HID juga telah memiliki tampilan yang lebih menariik.
Tips dan Cara Memilih Lampu HID Yang Baik
Dalam kesempatan kali ini Inspirasi Dunia Otomotif juga akan ingin mencoba berbagi sedikit informasi kepada teman-teman OTOINS mengenai Tips dan Cara Memilih Lampu HID Yang Baik, berikut informasi lengkapnya.

Meski terkesan remeh, namun masih banyak pengguna motor yang salah kaprah saat mengaplikasi lampu HID. Salah satu kesalahan yang jamak ditemukan adalah konsumen yang telah menentukan terangnya lampu dalam satuan Kelvin.

Kebanyakan konsumen tahunya Kelvin makin besar, maka lampu lebih terang. Padahal hanya berbeda soal warna saja. Misalnya, lampu 4300 Kelvin berwarna kekuningan, sedangkan 6000 Kelvin bercahaya putih dan 8000 Kelvin biru kristal, Itu salah kaprah! Satuan Kelvin hanya untuk menentukan temperatur warna. Sedangkan satuan terang itu adalah Lumen.

satuan Kelvin itu juga tak berpengaruh dengan Lumen (Lm). Sehingga anggapan angka Kelvin tinggi yang sebanding dengan terangnya salah. Sebagai contoh, rata-rata Lm HID diatas 2200Lm. Sementara lampu halogen hanya menghasilkan 1500Lm. bahaya aplikasi HID dengan angka Kelvin besar justru tak tembus saat hujan, Lebih aman pakai 4300 Kelvin.

Sinar dengan satuan diatas 4500 Kelvin tak mampu menembus hujan. Namun semakin rendah Kelvinnya, pancaran akan mirip dengan sinar matahari.

Demikianlah informasi mengenai Tips dan Cara Memilih Lampu HID Yang Baik yang dapat Inspirasi Dunia Otomotif sampaikan dalam kesempatan kali ini, semoga informasi ini bisa bermanfaat dan menjadi inspirasi bagi kamu.


Editor : Dian Sukmawati

> TIPS MEMILIH LAMPU HID YANG BAIK

From T Magazine: Street Lit’s Power Couple

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

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Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

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The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple | PAKET UMROH BULAN JANUARI 2016

William Price Fox, Admired Southern Novelist and Humorist, Dies at 89

Mr. Fox, known for his well-honed countrified voice, wrote about things dear to South Carolina and won over Yankee critics.

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William Pfaff, Critic of American Foreign Policy, Dies at 86

Mr. Pfaff was an international affairs columnist and author who found Washington’s intervention in world affairs often misguided.

William Pfaff, Critic of American Foreign Policy, Dies at 86 | PAKET UMROH BULAN JANUARI 2016

Meet Mago, Former Heavyweight

GREENWICH, Conn. — Mago is in the bedroom. You can go in.

The big man lies on a hospital bed with his bare feet scraping its bottom rail. His head is propped on a scarlet pillow, the left temple dented, the right side paralyzed. His dark hair is kept just long enough to conceal the scars.

The occasional sounds he makes are understood only by his wife, but he still has that punctuating left hand. In slow motion, the fingers curl and close. A thumbs-up greeting.

Hello, Mago.

This is Magomed Abdusalamov, 34, also known as the Russian Tyson, also known as Mago. He is a former heavyweight boxer who scored four knockouts and 14 technical knockouts in his first 18 professional fights. He preferred to stand between rounds. Sitting conveyed weakness.

But Mago lost his 19th fight, his big chance, at the packed Theater at Madison Square Garden in November 2013. His 19th decision, and his last.

Now here he is, in a small bedroom in a working-class neighborhood in Greenwich, in a modest house his family rents cheap from a devoted friend. The air-pressure machine for his mattress hums like an expectant crowd.

 

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Mike Perez, left, and Magomed Abdusalamov during the fight in which Abdusalamov was injured. Credit Joe Camporeale/USA Today Sports, via Reuters

 

Today is like any other day, except for those days when he is hurried in crisis to the hospital. Every three hours during the night, his slight wife, Bakanay, 28, has risen to turn his 6-foot-3 body — 210 pounds of dead weight. It has to be done. Infections of the gaping bedsore above his tailbone have nearly killed him.

Then, with the help of a young caretaker, Baka has gotten two of their daughters off to elementary school and settled down the toddler. Yes, Mago and Baka are blessed with all girls, but they had also hoped for a son someday.

They feed Mago as they clean him; it’s easier that way. For breakfast, which comes with a side of crushed antiseizure pills, he likes oatmeal with a squirt of Hershey’s chocolate syrup. But even oatmeal must be puréed and fed to him by spoon.

He opens his mouth to indicate more, the way a baby does. But his paralysis has made everything a choking hazard. His water needs a stirring of powdered food thickener, and still he chokes — eh-eh-eh — as he tries to cough up what will not go down.

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Mago used to drink only water. No alcohol. Not even soda. A sip of juice would be as far as he dared. Now even water betrays him.

With the caretaker’s help, Baka uses a washcloth and soap to clean his body and shampoo his hair. How handsome still, she has thought. Sometimes, in the night, she leaves the bedroom to watch old videos, just to hear again his voice in the fullness of life. She cries, wipes her eyes and returns, feigning happiness. Mago must never see her sad.

 

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 Abdusalamov's hand being massaged. Credit Ángel Franco/The New York Times

 

When Baka finishes, Mago is cleanshaven and fresh down to his trimmed and filed toenails. “I want him to look good,” she says.

Theirs was an arranged Muslim marriage in Makhachkala, in the Russian republic of Dagestan. He was 23, she was 18 and their future hinged on boxing. Sometimes they would shadowbox in love, her David to his Goliath. You are so strong, he would tell her.

His father once told him he could either be a bandit or an athlete, but if he chose banditry, “I will kill you.” This paternal advice, Mago later told The Ventura County Reporter, “made it a very easy decision for me.”

Mago won against mediocre competition, in Moscow and Hollywood, Fla., in Las Vegas and Johnstown, Pa. He was knocked down only once, and even then, it surprised more than hurt. He scored a technical knockout in the next round.

It all led up to this: the undercard at the Garden, Mike Perez vs. Magomed Abdusalamov, 10 rounds, on HBO. A win, he believed, would improve his chances of taking on the heavyweight champion Wladimir Klitschko, who sat in the crowd of 4,600 with his fiancée, the actress Hayden Panettiere, watching.

Wearing black-and-red trunks and a green mouth guard, Mago went to work. But in the first round, a hard forearm to his left cheek rocked him. At the bell, he returned to his corner, and this time, he sat down. “I think it’s broken,” he repeatedly said in Russian.

 

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Bakanay Abdusalamova, Abdusalamov's wife, and her injured husband and a masseur in the background. Credit Ángel Franco/The New York Times

 

Maybe at that point, somebody — the referee, the ringside doctors, his handlers — should have stopped the fight, under a guiding principle: better one punch too early than one punch too late. But the bloody trade of blows continued into the seventh, eighth, ninth, a hand and orbital bone broken, his face transforming.

Meanwhile, in the family’s apartment in Miami, Baka forced herself to watch the broadcast. She could see it in his swollen eyes. Something was off.

After the final round, Perez raised his tattooed arms in victory, and Mago wandered off in a fog. He had taken 312 punches in about 40 minutes, for a purse of $40,000.

 

 

In the locker room, doctors sutured a cut above Mago’s left eye and tested his cognitive abilities. He did not do well. The ambulance that waits in expectation at every fight was not summoned by boxing officials.

Blood was pooling in Mago’s cranial cavity as he left the Garden. He vomited on the pavement while his handlers flagged a taxi to St. Luke’s-Roosevelt Hospital. There, doctors induced a coma and removed part of his skull to drain fluids and ease the swelling.

Then came the stroke.

 

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A championship belt belonging to Abdusalamov and a card from one of his daughters. Credit Ángel Franco/The New York Times

 

It is lunchtime now, and the aroma of puréed beef and potatoes lingers. So do the questions.

How will Mago and Baka pay the $2 million in medical bills they owe? What if their friend can no longer offer them this home? Will they win their lawsuits against the five ringside doctors, the referee, and a New York State boxing inspector? What about Mago’s future care?

Most of all: Is this it?

A napkin rests on Mago’s chest. As another spoonful of mush approaches, he opens his mouth, half-swallows, chokes, and coughs until it clears. Eh-eh-eh. Sometimes he turns bluish, but Baka never shows fear. Always happy for Mago.

Some days he is wheeled out for physical therapy or speech therapy. Today, two massage therapists come to knead his half-limp body like a pair of skilled corner men.

Soon, Mago will doze. Then his three daughters, ages 2, 6 and 9, will descend upon him to talk of their day. Not long ago, the oldest lugged his championship belt to school for a proud show-and-tell moment. Her classmates were amazed at the weight of it.

Then, tonight, there will be more puréed food and pulverized medication, more coughing, and more tender care from his wife, before sleep comes.

Goodbye, Mago.

He half-smiles, raises his one good hand, and forms a fist.

Meet Mago, Former Heavyweight | PAKET UMROH BULAN JANUARI 2016

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89

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Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89 | PAKET UMROH BULAN JANUARI 2016

Betsy von Furstenberg, Baroness and Versatile Actress, Dies at 83

Ms. von Furstenberg made her debut in the movies and on the Broadway stage in the early 1950s as a teenager and later reinvented herself as a television actress, writer and philanthropist.

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Joseph Lechleider, a Father of the DSL Internet Technology, Dies at 82

Joseph Lechleider

Mr. Lechleider helped invent DSL technology, which enabled phone companies to offer high-speed web access over their infrastructure of copper wires.

Joseph Lechleider, a Father of the DSL Internet Technology, Dies at 82 | PAKET UMROH BULAN JANUARI 2016

Jean Nidetch, 91, Dies; Pounds Came Off, and Weight Watchers Was Born

A 214-pound Queens housewife struggled with a lifelong addiction to food until she shed 72 pounds and became the public face of the worldwide weight-control empire Weight Watchers.

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Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59

The magical quality Mr. Lesnie created in shooting the “Babe” films caught the eye of the director Peter Jackson, who chose him to film the fantasy epic.

Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59 | PAKET UMROH BULAN JANUARI 2016

Mike Phillips, Half of Kentucky’s ‘Twin Towers’ of Basketball, Dies at 59

The 6-foot-10 Phillips played alongside the 6-11 Rick Robey on the Wildcats team that won the 1978 N.C.A.A. men’s basketball title.

Mike Phillips, Half of Kentucky’s ‘Twin Towers’ of Basketball, Dies at 59 | PAKET UMROH BULAN JANUARI 2016

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47

Mr. Goldberg was a serial Silicon Valley entrepreneur and venture capitalist who was married to Sheryl Sandberg, the chief operating officer of Facebook.

Dave Goldberg Was Lifelong Women’s Advocate

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47 | PAKET UMROH BULAN JANUARI 2016

ay 4, 2015 ‘Game of Thrones’ Q&A: Keisha Castle-Hughes on the Tao of the Sand Snakes

“It was really nice to play with other women and not have this underlying tone of being at each other’s throats.”

ay 4, 2015 ‘Game of Thrones’ Q&A: Keisha Castle-Hughes on the Tao of the Sand Snakes | PAKET UMROH BULAN JANUARI 2016

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64

Ms. Pryor, who served more than two decades in the State Department, was the author of well-regarded biographies of the founder of the American Red Cross and the Confederate commander.

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64 | PAKET UMROH BULAN JANUARI 2016

Edward Chambers, Early Leader in Community Organizing, Dies at 85

A lapsed seminarian, Mr. Chambers succeeded Saul Alinsky as leader of the social justice umbrella group Industrial Areas Foundation.

Edward Chambers, Early Leader in Community Organizing, Dies at 85 | PAKET UMROH BULAN JANUARI 2016

Hard but Hopeful Home to ‘Lot of Freddies’

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”
Todd Heisler/The New York Times

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”

Hard but Hopeful Home to ‘Lot of Freddies’

Hard but Hopeful Home to ‘Lot of Freddies’ | PAKET UMROH BULAN JANUARI 2016

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