PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




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Paket Umroh 2015

Biro Travel Umroh Jakarta Melayani Biaya Harga Paket Umroh Murah Promo Hemat dan Plus Turki Desember 2015 - Januari | Februari | Maret | April 2016. Paket Umroh 2015

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Tour & Travel

Tersedia Paket Umrah Ekonomis yang memberi rasa aman dan nyaman saat beribadah ... Kami Tour & Travel memiliki Izin dan Legalitas Resmi dari ... Tour & Travel

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Tour & Travel

Tersedia Paket Umrah Ekonomis yang memberi rasa aman dan nyaman saat beribadah ... Kami Tour & Travel memiliki Izin dan Legalitas Resmi dari ... Tour & Travel

TERORIS TEMBAK 4 POLISI

saco-indonesia.com, Di tangan kelompok teroris Ciputat ini lima personil polisi yang telah bertugas di wilayah Polda Metro Jaya telah ditembak, 4 di antaranya tewas, hanya dalam 3 bulan.

Tindakan keji itu telah mereka lakukan lantaran polisi telah dianggap sebagai musuh yang kerap menghalangi ‘misi’ mereka dalam mencari fa’i (dana operasional terorisme) dengan cara merampok. Selain itu juga diduga sebagai bentuk balas dendam atas perlakuan polisi terhadap terduga teroris yang telah ditangkap.

Para teroris tersebut adalah: Nurul Haq, Hendi Albar, Daeng alias Dayat Kacamata, Ozi alias Tomo, Rizal alias Teguh, dan Edi alias Amril. Ke-6 teroris ini telah ditembak mati oleh petugas Densus 88 Mabes Polri dalam baku tembak di Ciputat, Rabu (1/1) dinihari.

Satu pelaku lain berhasil ditangkap hidup-hidup di Banyumas, Jateng, yakni Anton alias Septi. Ia juga merupakan anggota kelompok teroris Mujahidin Indonesia Barat pimpinan Abu Roban yang tewas ditembak oleh pasukan anti terror di Kendal, Jateng pada Mei 2013 lalu. Kelompok ini juga bersinergi dengan kelompok teroris Mujahidin Indonesia Timur pimpinan Santoso di Poso, Sulawesi.

Jaringan Abu Roban telah memiliki andil mendistribusikan dana untuk keperluan aksi teror di Poso. Upaya Fa’i telah ditempuh Abu Roban dengan cara merampok. Aksi perampokan kelompok ini:

•    Bank  BPR Cililin,  Bandung
•    Kantor Pos Cibaduyut
•    Toko emas di Tambora
•    Bank BRI di Panongan, Tangerang. pada Selasa (24/12) lalu.

5 POLISI JADI KORBAN:

o. Aipda Patah Saktiyono, 53. Anggota Polsek Gambir ini ditembak di depan  Sekolah Al Fath, Ciputat, Sabtu (27/7). Patah luput dari maut.

o. Aiptu Dwiyatno, 50.  Anggota Babinkamtibmas Polsek Cilandak ini tewas ditembak di depan RS Sari Asih, Tangerang Selatan pada Rabu (7/8).

o. Aiptu Kus Hendratno, 44.  Anggota Polsek Pondok Aren ini tewas ditembak di Jl. Graha Bintaro, Pondok Aren, Tangsel, pada Jumat (16/8).

o. Bripka Ahmad Maulana, 35. Anggota Polsek Pondok Aren ini tewas ditembak ini di Jl Graha Bintaro, Pondok Aren, pada Jumat (16/8).

o. Bripka Sukardi, 46.  Anggota Baharkam Mabes Polri ini tewas ditembak di depan Gedung KPK, Jalan HR Rasuna Said, pada Selasa (10/9).


Editor : Dian Sukmawati

> TERORIS TEMBAK 4 POLISI

CARA MEMILIH LAMPU FLASH/BLITZ STUDIO PHOTO

Cara Memilih Lampu Flash/blitz Studio Photo

*. Pilihlah lampu baik merk dan tipe nya berdasarkan KEPERLUAN pemotretan yang sering anda lakukan. Karena biasanya yang telah menjadi pertimbangan utama adalah biaya, menurut saya pribadi adalah kurang tepat.

Artinya begini, memiliki seperangkat lampu studio tentunya adalah hasil dari sebuah pemikiran dan skala prioritas. Kenapa kok anda harus beli lampu? Ini jawabannya harus anda temukan yang paling tepat agar investasi terhadap lampu juga tidak sia-sia. Misalkan begini : anda adalah fotografer yang lebih sering memotret di studio yang kecil, dan untuk pemotretan yang sederhana (pas foto, foto keluarga sederhana, dll). Untuk keperluan itu anda mungkin cukup membeli studio flash 2 unit dengan power 250ws, dan asesoris standar (payung atau softbox), karena apabila anda membeli power yang lebih besar (500 atau bahkan 1000) mungkin tidak akan terpakai maksimal jika tidak di tempat luas dll.    

Lain halnya bila anda memerlukan space yang lebih jauh/lebar antara lampu dan subyek foto. Power flash perlu yang lebih besar, dan asesoris pun juga perlu yang berbeda. Jangan sampai anda sudah terlanjur membeli lampu paket murah yang ternyata ber-power kecil yang notabene kemampuannya kurang untuk keperluan yang ini. Dan terus berlanjut ke lampu-lampu yang bisa mengakomodir berbagai keperluan pemotretan yang lebih ekstrem, di mana anda akan memerlukan lampu yang telah mempunyai daya tahan tinggi, tahan panas, tahan banting dan berkemampuan tinggi. Di sini lah letaknya perbedaan mencolok antara lampu kelas 1, kelas 2 dan kelas 3. Bukan berarti lampu kelas 1 selalu bagus dan lampu kelas 3 selalu underdog, tidak.

Kembali lagi tinggal bagaimana anda akan menggunakannya dalam kegiatan anda berfotografi. Untuk pemakaian biasa, lampu kelas 3, asalkan anda tidak menuntut yang ini-itu, sudah cukup untuk bisa berkreasi dalam menghasilkan foto yang bagus. Tapi sebaliknya, bila anda memaksanya untuk bekerja secara forsir maka pada satu saat bukan tidak mungkin akan rusak lebih cepat. Lampu kelas 1 pun bukan merupakan investasi yang tepat apabila keperluan dan gaya anda memotret biasa-biasa saja, atau pangsa pasar yang anda tuju bukan yang terlalu menuntut. Biaya besar pembelian lampu kelas 1 bisa dialihkan untuk membeli peralatan yang lain.

*. Setelah anda menentukan lampu flash yang cocok untuk keperluan Foto Portrait seperti apa yang ingin anda miliki, maka pertimbangan selanjutnya adalah BERAPA dana yang anda sediakan. Urusan uang memang krusial, tapi cobalah untuk menempatkan faktor ini di urutan kedua setelah menentukan jenis lampu yang akan anda miliki. Karena jika kita tempatkan di urutan pertama, biasanya pertimbangannya hanya berdasarkan nilai ekonomis, faktor teknisnya (seperti saya sebut di atas) jadi terabaikan.

Setelah anda pilih tipe lampu seperti apa yang anda perlukan, anda sesuaikan dengan budget yang anda miliki, setelah itu baru anda pilih merk apa yang sesuai budget tersebut. Tentunya pemilihan merk mana yang dipilih sudah melalui pertimbangan yang mana yang layanan purna jualnya (servis, replacement, dll) meyakinkan.

> CARA MEMILIH LAMPU FLASH/BLITZ STUDIO PHOTO

ASYIK NYABU DUA REMAJA DIBEKUK POLISI

saco-indonesia.com, Polres Kabupaten Aceh Barat, Meulaboh telah berhasil membekuk dua orang remaja dalam kasus kepemilikan dan menggunakan sabu-sabu di kawasan Jalan Swadaya Meulaboh, Kabupaten Aceh Barat, Aceh.

Saat penangkapan, polisi telah berhasil mengamankan satu bungkus kecil narkoba jenis sabu-sabu dari tangan mereka. Sabu-sabu tersebut telah disimpan oleh pelaku dalam bungkus rokok untuk dapat mengelabui aparat kepolisian.

"Saat ini mereka juga sudah ditahan di Polres Aceh Barat untuk dapat diusut lebih lanjut," kata Kasat Narkoba Polres Aceh Barat, Iptu Darkasyi, Senin (3/2).

Menurutnya, penangkapan ini bermula dari laporan masyarakat. Pelaku di antaranya Reski Febriansyah yang berusia (20) tahun dan Khairul Rusdi yang berusia (18) tahun kerap menggunakan narkoba jenis sabu-sabu. Reski yang juga merupakan warga Raja Wali Rundeng, Melaboh dan Rusdi warga Blang Pulo Ujung Kalak, Meulaboh.

"Sejauh ini pelaku masih dituduhkan sebagai pemakai, makanya kita sedang kembangkan siapa pengedar barang haram itu," tegasnya.

Saat ini pelaku juga masih mendekam di tahanan Polres Aceh Barat guna untuk pengusutan lebih lanjut. Karena selama ini, katanya, banyak laporan dari masyarakat banyaknya peredaran narkoba jenis sabu-sabu di Meulaboh.


Editor : Dian Sukmawati

> ASYIK NYABU DUA REMAJA DIBEKUK POLISI

RISALAH NABAWI TOUR


Profil

Risalah adalah tugas yang dipikulkan kepada Nabi Muhammad shalallahu alaihi was salam untuk menyampaikan wahyu yang diterimanya kepada umat muslim, selain itu Risalah yang dibawa Nabi Muhammad shalallahu alaihi was salam juga memiliki keistimewaan dari segi peruntukan. Jika, nabi-nabi sebelumnya membawa risalah khusus untuk ummat tertentu, maka risalah kenabian Muhammad shalallahu alaihi was salam diperuntukkan bagi seluruh ummat hingga hari kiamat. Allah subhanahu wa ta’ala telah mengamanahkan beban risalah ini hanya kepada Nabi Muhammad shalallahu alaihi was salam. Dan diantara risalah yang Allah turunkan adalah rukun-rukun Iman dan Islam, termasuk didalamnya adalah menunaikan ibadah Haji dan Umroh.

Penertian Haji Dan Umroh

Pengertian Umroh bahasa artinya berkunjung, sedangkan secara istilah adalah berkunjung ke ka’bah dengan melaksanakan ketentuan-ketentuan yang berkaitan dengan umrah dalam rangka mendekatkan diri pada Allah.

Umrah disebut juga haji kecil, karena beberapa ketentuannya hampir sama dengan haji misalnya tentang syarat-syarat, rukun, atau larangan-larangannya. Apalagi perintah umrah disejajarkan dengan perintah haji. Allah berfirman :

Dan sempurnakanlah ibadah haji dan umrah karena Allah (Al-Baqoroh:196).

tetapi pelaksanaan umrah lebih sederhana dibandingkan dengan pelaksanaan haji. Umrah dapat dilaksanan sewaktu-waktu sepanjang tahun, baik di dalam bulan haji atau sebelum maupun sesudahnya.

       Bisa melaksanakan ibadah Umroh ke tanah suci adalah impian setiap muslim. Tentu, tidak akan ada hamba Allah yang menolak menikmati kesempatan beribadah di negeri para nabi, menapaki jejak Rosulullah untuk bersujud di hadapan ka’bah secara langsung. Sayangnya, tidak semua orang bisa mendapatkan kesempatan ini dikarenakan jarak yang memisahkan, untuk berumroh, seorang muslim harus merogoh saku lebih dalam untuk memperoleh kesempatan ini.

Dalam hal yang paling mandasar dibutuhkan oleh setiap Jama’ah yang menjalankan ibadah umroh adalah kenyamanan dan keamanan dalam menjalankan rutinitas ibadah umroh itu sendiri dari keberangkatan sampai akhirnya kembali lagi kerumah masing-masing.

Begitu juga dengan makna disetiap ritual Umroh itu sendiri mempunyai artian yang berbeda-beda. Didalamnya berlangsung sebuah peristiwa sosial, yang tidak hanya menghubungkan manusia dengan Allah SWT,melainkan juga tentang manusia berhubungan dengan manusia lainnya. Mempererat tali silaturahim diantara Jama’ah memiliki banyak manfaat bagi kita semua, salah satunya mendapat Ridho dari Allah SWT dan meningkatkan rasa kebersamaan dan rasa kekeluargaan,

Orang yang hendak pergi menunaikan ibadah Umroh biasanya menggunakan jasa KBIH atau perusahaan penyelenggara ibadah Umroh untuk menyiapkan segala kebutuhan seperti visa umroh, tiket pesawat, akomodasi, memandu seluruh kegiatan ibadah umroh selama ditanah suci.

Dengan demikian, jamaah tinggal mempersiapkan diri untuk berangkat ketanah suci dan melaksanakan ibadah umroh supaya meraih keutamaan dan pahala dari Allah SWT. Supaya tujuan ibadah umroh terpenuhi,

Penting bagi Jama’ah untuk mencari KBIH atau perusahaan penyelenggara ibadah umroh yang baik, jujur, bertanggung jawab, bisa dipercaya dan mengakomodasi segala kebutuhan selama berlangsungnya ibadah Umroh tersebut.

Perusahaan penyelenggara ibadah umroh diharapkan dapat memenuhi harapan para Jama’ah yaitu memperoleh ibadah yang khusu, aman, nyaman, dapat memahami segala macam bentuk dan makna

dari ibadah Umroh itu sendiri dan sesuai dengan apa yang di syariatkan oleh Rosulullah shallallahu 'alaihi wasallam. Salah memilih KBIH atau perusahaan penyelenggara umroh akan berdampak buruk bagi kesejahtraan Jama’ah, sehingga tentunya akan mempengaruhi kelancaran dan kualitas ibadah.

 

RISALAH WISATA NABAWI yang berdiri sejak tahun 2012 memberikan solusi tepat bagi para Jama’ah dengan menawarkan pelayanan yang prima, tanggap dan optimal untuk membantu para Jama’ah dalam menjalankan ibadah Umroh. Bagi kami, tiada hari tanpa menolong sesama, keberhasilan, kekhusu’an dan kepuasan para jama’ah selama menjalankan ibadah umroh adalah kebanggan tersendiri bagi kami sebagai penyelenggara ibadah Umroh. Alhamdulillah selama kami telah membantu para Jama’ah dari berbagai daerah di Indonesia khususnya daerah jawa barat dalam menjalankan ibadah umroh.

Sebelum keberangkatan, kami berbagi pengetahuan akan hal-hal yang dasar dalam ibadah Umroh dan berbagai macam persiapan sebelum meninggalkan Tanah Air. Mengadakan Manasik Umroh yang rutin kami lakukan menjadi sangat penting bagi Jama’ah, khususnya bagi para Jama’ah yang baru pertama kali menjalankan ibadah umroh

RISALAH WISATA NABAWI didukung oleh asatizd lulusan Timur Tengah yang sangat berpengalaman dalam memberikan pengetahuan akan ibadah serta menanamkan nilai-nilah dari ibadah sesuai dengan RISALAH Rosulullah shallallahu 'alaihi wasallam selama atau pasca Umroh. Muthawif yang handal dalam bidangnya, tanggap, cekatan. team yang muda, ramah, sopan, enerjik, bersahabat akan memudahkan Jama’ah mendapatkan pelayanan yang maksimal sebelum dan sesudah menjalankan ibadah Umroh,

RISALAH WISATA NABAWI menawarkan berbagai jenis paket Umroh. Mulai dari paket regular, paket keluarga, peket super hemat, sampai paket Umroh plus liburan yaitu Jama’ah akan diajak berlibur sebelum atau sesudah ibadah selesai. Liburan yang ditawarkan ketempat-tempat bersejarah di Arab Saudi dan wisata kebeberapa Negara timur tengah lainnya.

 
 
Makna Risalah Versi Risalah Nabawi Tour

 

    Ridho Illahi yang selalu kami kejar dan Ramah dalam berinteraksi
    Ibadah yang sesuai dengan Sunnah Rosulullah shallallahu alaihi wasallam.
    Sopan dalam berbicara, Santun dalam berbuat, bersahabat dengan semua eleman masyarakat dan Silaturahim selalu kami jaga
    Amanah selama menjalankan tugas.
    Layanan yang maksimal bagi para Jama’ah dari proses pemberangkatan sampai kembali ke Tanah Air,
    Aman dalam perjalanan dengan asuransi terpercaya.
    Hikmah disetiap langkahnya. Perjalanan yang penuh Hikmah dan Pelajaran disetiap proses kegiatan Umroh akan memberikan makna tersendiri bagi para Jamaah.

Sumber : http://www.myrisalah.com

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> RISALAH NABAWI TOUR

GEJALA PENYAKIT GINJAL

saco-indonesia.com, PENYAKIT ginjal merupakan penyakit yang harus dihindari oleh semua orang. Pasalnya, penyakit ini juga sulit dideteksi dan sering mengancam nyawa seseorang.

Penyakit ginjal juga dikenal sebagai 'silent disease ' karena sering tak ada tanda-tanda peringatan. Jika tak terdeteksi, hal itu juga hanya akan memperburuk kondisinya dari waktu ke waktu. Bentuk yang lebih kronis penyakit ginjal ialah hilangnya secara progresif fungsi ginjal dalam tubuh selama periode bulan atau tahun. Seringkali, penyakit ini juga hanya didiagnosis dari hasil dari skrining untuk dapat diketahui berada di tingkat mana risiko tinggi penyakit ginjalnya.

Oleh sebab itu, menjadi hal penting bila Anda mengetahui tanda-tanda peringatan agar bisa terhindar dari risiko itu. Namun tak perlu cemas, sebab Kanchan Naikawadi, Direktur, Indus Kesehatan Plus (P) Ltd, telah memberitahu kita tentang berbagai gejala ginjal pada orang dewasa yang tak boleh diabaikan.

Gejala-gejala penyakit ginjal biasanya tak spesifik dan berkaitan dengan gaya hidup, yang bisa dapat menyebabkan orang down atau terpuruk. Umumnya, gejala terkait muncul ketika penyakit sudah parah.

Banyak gejala seperti yang ada di bawah ini yang bisa dihindari jika pengobatan dimulai pada tahap awal. Bahkan, jika tak ada gejala, bagi penderita diabetes, tekanan darah tinggi, riwayat keluarga penyakit ginjal atau di atas usia 60 harus melakukan skirining karena mereka adalah kelompok-kelompok berisiko tinggi. Seperti dalam kasus penderita diabetes, statistik telah menunjukkan bahwa sekira 40 persen cenderung mengembangkan penyakit ginjal kronis.

Untuk dapat mengetahui lebih lanjut, apa sajakah gejala itu. Berikut, Kanchan, akan memaparkan penjelasannya .

Nafsu makan kurang dan penurunan berat badan

Kedua gejala itu juga merupakan gejala paling umum yang sering diabaikan sebagai sesuatu yang serius. Umumnya, kesibukan kita saat bekerja juga merupakan pemicu nafsu makan memburuk, apalagi saat sedang serius menapaki tangga karier Anda. Sementara penururnan berat badan, sayangnya banyak orang yang "welcome" terhadap gejala ini. Padahal kondisi itu adalah dimana penyakit ginjal itu dimulai. Tubuh harus membutuhkan nutrisi dan energi untuk dapat melakukan bahkan tugas yang paling dasar setiap hari, dimana bersumber dari asupan makanan. Karenaya, sangat penting untuk dapat menjaga asupan makanan yang Anda masukkan ke dalam tubuh.

Kaki bengkak, tangan atau pada pergelangan kaki

Ginjal yang seharusnya untuk dapat menghilangkan limbah dan cairan ekstra dalam tubuh. Ketika ginjal gagal untuk bisa menjalankan fungsi mereka, cairan ekstra dalam tubuh Anda akan mulai membangun ruang dan dapat menyebabkan pembengkakan di wajah, tangan, kaki, kaki atau pergelangan kaki karena ada peningkatan retensi air.

Sesak napas dan kelelahan

Selain penyaringan toksin dari tubuh, ginjal juga menghasilkan hormon yang disebut eritropoietin. Hormon-hormon ini yang membantu membawa oksigen sel darah merah ke seluruh tubuh. Bila ginjal berhenti berfungsi, mereka mungkin tak menghasilkan erythropoietin cukup sehingga lebih sedikit sel darah merah untuk bisa membawa oksigen dalam tubuh dan menyebabkan otot-otot dan otak mudah keletihan dengan sangat cepat. Kondisi ini disebut anemia. Biasanya, orang merasa tenaganya terkuras tanpa melakukan apa-apa. Selain itu, ia juga akan sulit menarik napasnya.


Editor : Dian Sukmawati

> GEJALA PENYAKIT GINJAL

Gene Fullmer, a Brawling Middleweight Champion, Dies at 83

Fullmer, who reigned when fight clubs abounded and Friday night fights were a television staple, was known for his title bouts with Sugar Ray Robinson and Carmen Basilio.

Gene Fullmer, a Brawling Middleweight Champion, Dies at 83 | PAKET UMROH BULAN JANUARI 2016

Marcel Pronovost, 84, Dies; Hall of Famer Shared in Five N.H.L. Titles

Pronovost, who played for the Red Wings, was not a prolific scorer, but he was a consummate team player with bruising checks and fearless bursts up the ice that could puncture a defense.

Marcel Pronovost, 84, Dies; Hall of Famer Shared in Five N.H.L. Titles | PAKET UMROH BULAN JANUARI 2016

Jozef Paczynski, Inmate Barber to Auschwitz Commandant, Dies at 95

Mr. Paczynski was one of the concentration camp’s longest surviving inmates and served as the personal barber to its Nazi commandant Rudolf Höss.

Jozef Paczynski, Inmate Barber to Auschwitz Commandant, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

Bruce Alger, 96, Dies; Led ‘Mink Coat’ Protest Against Lyndon Johnson

Mr. Alger, who served five terms from Texas, led Republican women in a confrontation with Lyndon B. Johnson that may have cost Richard M. Nixon the 1960 presidential election.

Bruce Alger, 96, Dies; Led ‘Mink Coat’ Protest Against Lyndon Johnson | PAKET UMROH BULAN JANUARI 2016

Sid Tepper Dies at 96; Delivered ‘Red Roses for a Blue Lady’ and Other Songs

Mr. Tepper was not a musical child and had no formal training, but he grew up to write both lyrics and tunes, trading off duties with the other member of the team, Roy C. Bennett.

Sid Tepper Dies at 96; Delivered ‘Red Roses for a Blue Lady’ and Other Songs | PAKET UMROH BULAN JANUARI 2016

Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59

The magical quality Mr. Lesnie created in shooting the “Babe” films caught the eye of the director Peter Jackson, who chose him to film the fantasy epic.

Andrew Lesnie, Cinematographer of ‘Lord of the Rings,’ Dies at 59 | PAKET UMROH BULAN JANUARI 2016

From T Magazine: Street Lit’s Power Couple

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

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Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

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The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple | PAKET UMROH BULAN JANUARI 2016

Fatal Police Shootings: Accounts Since Ferguson

Since a white police officer, Darren Wilson fatally shot unarmed black teenager, Michael Brown, in a confrontation last August in Ferguson, Mo., there have been many other cases in which the police have shot and killed suspects, some of them unarmed. Mr. Brown's death set off protests throughout the country, pushing law enforcement into the spotlight and sparking a public debate on police tactics. Here is a selection of police shootings that have been reported by news organizations since Mr. Brown's death. In some cases, investigations are continuing.

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The apartment complex northeast of Atlanta where Anthony Hill, 27, was fatally shot by a DeKalb County police officer. Credit Ben Gray/Atlanta Journal Constitution

Chamblee, Ga.
Fatal Police Shootings: Accounts Since Ferguson | PAKET UMROH BULAN JANUARI 2016

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead

With 12 tournament victories in his career, Mr. Peete was the most successful black professional golfer before Tiger Woods.

Calvin Peete, 71, a Racial Pioneer on the PGA Tour, Is Dead | PAKET UMROH BULAN JANUARI 2016

Mike Phillips, Half of Kentucky’s ‘Twin Towers’ of Basketball, Dies at 59

The 6-foot-10 Phillips played alongside the 6-11 Rick Robey on the Wildcats team that won the 1978 N.C.A.A. men’s basketball title.

Mike Phillips, Half of Kentucky’s ‘Twin Towers’ of Basketball, Dies at 59 | PAKET UMROH BULAN JANUARI 2016

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71

A 2-minute-42-second demo recording captured in one take turned out to be a one-hit wonder for Mr. Ely, who was 19 when he sang the garage-band classic.

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71 | PAKET UMROH BULAN JANUARI 2016

Dave Goldberg Was Lifelong Women’s Advocate

Even as a high school student, Dave Goldberg was urging female classmates to speak up. As a young dot-com executive, he had one girlfriend after another, but fell hard for a driven friend named Sheryl Sandberg, pining after her for years. After they wed, Mr. Goldberg pushed her to negotiate hard for high compensation and arranged his schedule so that he could be home with their children when she was traveling for work.

Mr. Goldberg, who died unexpectedly on Friday, was a genial, 47-year-old Silicon Valley entrepreneur who built his latest company, SurveyMonkey, from a modest enterprise to one recently valued by investors at $2 billion. But he was also perhaps the signature male feminist of his era: the first major chief executive in memory to spur his wife to become as successful in business as he was, and an essential figure in “Lean In,” Ms. Sandberg’s blockbuster guide to female achievement.

Over the weekend, even strangers were shocked at his death, both because of his relatively young age and because they knew of him as the living, breathing, car-pooling center of a new philosophy of two-career marriage.

“They were very much the role models for what this next generation wants to grapple with,” said Debora L. Spar, the president of Barnard College. In a 2011 commencement speech there, Ms. Sandberg told the graduates that whom they married would be their most important career decision.

In the play “The Heidi Chronicles,” revived on Broadway this spring, a male character who is the founder of a media company says that “I don’t want to come home to an A-plus,” explaining that his ambitions require him to marry an unthreatening helpmeet. Mr. Goldberg grew up to hold the opposite view, starting with his upbringing in progressive Minneapolis circles where “there was woman power in every aspect of our lives,” Jeffrey Dachis, a childhood friend, said in an interview.

The Goldberg parents read “The Feminine Mystique” together — in fact, Mr. Goldberg’s father introduced it to his wife, according to Ms. Sandberg’s book. In 1976, Paula Goldberg helped found a nonprofit to aid children with disabilities. Her husband, Mel, a law professor who taught at night, made the family breakfast at home.

Later, when Dave Goldberg was in high school and his prom date, Jill Chessen, stayed silent in a politics class, he chastised her afterward. He said, “You need to speak up,” Ms. Chessen recalled in an interview. “They need to hear your voice.”

Years later, when Karin Gilford, an early employee at Launch Media, Mr. Goldberg’s digital music company, became a mother, he knew exactly what to do. He kept giving her challenging assignments, she recalled, but also let her work from home one day a week. After Yahoo acquired Launch, Mr. Goldberg became known for distributing roses to all the women in the office on Valentine’s Day.

Ms. Sandberg, who often describes herself as bossy-in-a-good-way, enchanted him when they became friendly in the mid-1990s. He “was smitten with her,” Ms. Chessen remembered. Ms. Sandberg was dating someone else, but Mr. Goldberg still hung around, even helping her and her then-boyfriend move, recalled Bob Roback, a friend and co-founder of Launch. When they finally married in 2004, friends remember thinking how similar the two were, and that the qualities that might have made Ms. Sandberg intimidating to some men drew Mr. Goldberg to her even more.

Over the next decade, Mr. Goldberg and Ms. Sandberg pioneered new ways of capturing information online, had a son and then a daughter, became immensely wealthy, and hashed out their who-does-what-in-this-marriage issues. Mr. Goldberg’s commute from the Bay Area to Los Angeles became a strain, so he relocated, later joking that he “lost the coin flip” of where they would live. He paid the bills, she planned the birthday parties, and both often left their offices at 5:30 so they could eat dinner with their children before resuming work afterward.

Friends in Silicon Valley say they were careful to conduct their careers separately, politely refusing when outsiders would ask one about the other’s work: Ms. Sandberg’s role building Facebook into an information and advertising powerhouse, and Mr. Goldberg at SurveyMonkey, which made polling faster and cheaper. But privately, their work was intertwined. He often began statements to his team with the phrase “Well, Sheryl said” sharing her business advice. He counseled her, too, starting with her salary negotiations with Mark Zuckerberg.

“I wanted Mark to really feel he stretched to get Sheryl, because she was worth it,” Mr. Goldberg explained in a 2013 “60 Minutes” interview, his Minnesota accent and his smile intact as he offered a rare peek of the intersection of marriage and money at the top of corporate life.

 

 

While his wife grew increasingly outspoken about women’s advancement, Mr. Goldberg quietly advised the men in the office on family and partnership matters, an associate said. Six out of 16 members of SurveyMonkey’s management team are female, an almost unheard-of ratio among Silicon Valley “unicorns,” or companies valued at over $1 billion.

When Mellody Hobson, a friend and finance executive, wrote a chapter of “Lean In” about women of color for the college edition of the book, Mr. Goldberg gave her feedback on the draft, a clue to his deep involvement. He joked with Ms. Hobson that she was too long-winded, like Ms. Sandberg, but aside from that, he said he loved the chapter, she said in an interview.

By then, Mr. Goldberg was a figure of fascination who inspired a “where can I get one of those?” reaction among many of the women who had read the best seller “Lean In.” Some lamented that Ms. Sandberg’s advice hinged too much on marrying a Dave Goldberg, who was humble enough to plan around his wife, attentive enough to worry about which shoes his young daughter would wear, and rich enough to help pay for the help that made the family’s balancing act manageable.

Now that he is gone, and Ms. Sandberg goes from being half of a celebrated partnership to perhaps the business world’s most prominent single mother, the pages of “Lean In” carry a new sting of loss.

“We are never at 50-50 at any given moment — perfect equality is hard to define or sustain — but we allow the pendulum to swing back and forth between us,” she wrote in 2013, adding that they were looking forward to raising teenagers together.

“Fortunately, I have Dave to figure it out with me,” she wrote.

Dave Goldberg Was Lifelong Women’s Advocate | PAKET UMROH BULAN JANUARI 2016

Betsy von Furstenberg, Baroness and Versatile Actress, Dies at 83

Ms. von Furstenberg made her debut in the movies and on the Broadway stage in the early 1950s as a teenager and later reinvented herself as a television actress, writer and philanthropist.

Betsy von Furstenberg, Baroness and Versatile Actress, Dies at 83 | PAKET UMROH BULAN JANUARI 2016

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47

Mr. Goldberg was a serial Silicon Valley entrepreneur and venture capitalist who was married to Sheryl Sandberg, the chief operating officer of Facebook.

Dave Goldberg Was Lifelong Women’s Advocate

Dave Goldberg, Head of Web Survey Company and Half of a Silicon Valley Power Couple, Dies at 47 | PAKET UMROH BULAN JANUARI 2016

Rolf Smedvig, Trumpeter in the Empire Brass, Dies at 62

A former member of the Boston Symphony Orchestra, Mr. Smedvig helped found the wide-ranging Empire Brass quintet.

Rolf Smedvig, Trumpeter in the Empire Brass, Dies at 62 | PAKET UMROH BULAN JANUARI 2016

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