PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




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Tour & Travel

Tersedia Paket Umrah Ekonomis yang memberi rasa aman dan nyaman saat beribadah ... Kami Tour & Travel memiliki Izin dan Legalitas Resmi dari ... Tour & Travel

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Paket Umroh 2015

Biro Travel Umroh Jakarta Melayani Biaya Harga Paket Umroh Murah Promo Hemat dan Plus Turki Desember 2015 - Januari | Februari | Maret | April 2016. Paket Umroh 2015

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Travel Umroh

Saat ini banyak sekali Biro Travel Umroh dan Haji yang tidak memiliki Izin dan kemudian ... Paket Umroh Murah 1499 USD By Citilink Berangkat Maret 2016. Travel Umroh

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PENGALAMAN ADALAH GURU TERBAIK

Dalam kehidupan yang pasti akan semakin besar, beban dan pengalaman yang diperoleh tentu akan berubah lebih dan lebih, dan jika kehidupan yang buruk terjadi tidak melihatnya sebagai beban yang akan berakhir menjadi belenggu dalam pikiran kita. mencoba untuk bisa menjadi tulus dalam menerima segala sesuatu yang telah terjadi, sebuah ... Selanjutnya

> PENGALAMAN ADALAH GURU TERBAIK

MACAM TIPE JENIS KERTAS CETAK FOTO


Dalam jual beli, jika anda ingin Bisnis Kertas HVS-A4–Folio–Art Paper dan sejenisnya, maka anda harus tahu strateginya agar mendapatkan keuntungan melimpah dalam bisnis kertas.
Untuk mendapatkan harga kertas termurah dari pabrik, maka anda harus bisa mendapatkan sub dari pabrik pusat yang menyuplai kertas tersebut. Karena jika mengambil dari pabrik langsung, maka anda harus teken kontrak terlebih dahulu dengan pabrik yang bersangkutan yang nilainya ratusan hingga miliaran rupiah untuk bisa menjalankan bisnis kertas tersebut.
kerta-A4-HVS%25255B4%25255Dkertas-foto-copy-folio%25255B4%25255D
Jika anda ingin bisnis kertas dengan skala kecil yang bisa anda jual langsung di fotocopy atau perceakan offset yang kelasnya kecil hingga sedang. Untuk kelas ke atas (percetakan besar), maka anda juga harus berani bersaing, dan itu merupakan pertarungan normal dalam bisnis.
Kembali ke urusan kertas. Untuk mendapatkan harga kertas termurah, ukuran HVS dengan ukuran A4, Folio, hingga Double Folio maka bisa di akali dengan membeli kertas HVS plano (ukuran besar). Yang tentunya, berdasarkan pengalaman, harga kertas tersebut mempunyai selisih harga yang lebih murah dari pada kertas terbungkus langsung dari pabriknya.
Namun demikian, untuk memulai Bisnis Kertas Harga Murah, anda harus terlebih dahulu meng-cros chek dari berbagai toko kertas, hingga ke pergudangan kertas (sub pabrik) untuk mendapatkan harga terbaik, yakni harga kertas termurah yang lebih murah dari pada harga grosir kertas A4 atau Folio.
Dengan membeli kertas di sub agen kertas tersebut, ada kelebihan tentunya. karena anda tidak perlu menanam modal terlebih dahulu, yakni jika ada uang bisa langsung membeli dan tidak ada target penjualan dalam tiap bulannya seperti halnya sub agen dari pabrik tersebut. Dan tentunya sudah sesuai dengan apa yang anda harapkan, mendapatkan harga kertas termurah sesuai dengan kualifikasi jenis kertas tersebut.
HARGA JUAL BELI KERTAS MURAH dan STRATEGI Sebagai Ladang Bisnis
Untuk mendapatkan harga beli kertas murah, maka anda harus membeli kertas ukuran satu plano, yang bisa di potong A4 atau Folio yang nantinya juga bisa anda jual kertas tersebut dengan harg lebih murah juga dari toko kertas yang lain.
Sebagai gambaran ukuran kertas HVS satu plano  misalnya: 61x86, 65x100, 79x109 dan sejenisnua. Itu merupakan kertas pada umumnya yang dipakai untuk percetakan  maupun foto copy dalam pembuatan buku-buku dari pemesannya. Berlaku juga untuk kertas Artpaper, namun yang ukuran 61x86 agak sulit dicari, setahu saya memang tidak ada. Jadi khusus untuk Art paper kebanyakan mulai ukuran 65x100 ke atas ketika artikel ini Showroom cetak tulis. Mungkin saja, harga dan jenis kertas di tahun 2013 ada perubahan, maka anda harus cek juga di toko kertas tentang harga kertas.
Selanjutnya, setelah anda mendapatkan kertas ukuran plano, anda bisa memotong jenis ukuran kertas tersebut sesuai ukuran, baik A4 ataupun kertas Folio. Tergantung selera dan konsumsi dari pembeli yang menjadi sasaran anda.
Dan yang terpenting, anda juga harus mempersiapkan harga jual kertas A4 atau folio tersebut dan bandingkan dengan toko lain. Tips jual dalam bisnis kertas, jika awal penjualan, maka jangan mengambil selisih terlalu banyak dari toko sebelah, tapi targetkan pelanggan terlebih dahulu. Baru selanjutnya terserah anda.
Demikian rahasia dan Strategi Bisnis Kertas HVS-A4–Folio–Art Paper dan Sejenisnya jika anda ingin mulai merambah bisnis kertas sebagai usaha anda. Salam Wirausaha.

 

> MACAM TIPE JENIS KERTAS CETAK FOTO

Negara dengan Makanan Paling Sehat di Dunia, adalah Belanda

Bekasi, Saco-Indonesua.com — Negara Belanda telah menciptakan pasar bagus yang memungkinkan orang untuk cukup mendapat makanan dengan harga relatif murah dan stabil dan jenis yang seimbang.

Belanda menyalip Perancis dan Swiss sebagai negara dengan makanan paling bergizi, berlimpah, dan sehat, sementara Amerika Serikat dan Jepang gagal masuk dalam 20 besar, dalam sebuah daftar baru yang dirilis oleh Oxfam, Selasa (14/1/2014).

Chad ada di urutan terbawah dari daftar 125 negara, di belakang Etiopia dan Angola, dalam indeks makanan dari badan bantuan dan pembangunan internasional tersebut.

"Belanda telah menciptakan pasar bagus yang memungkinkan orang untuk cukup mendapat makanan. Harga relatif murah dan stabil dan jenis makanan yang dimakan pun seimbang," ujar Deborah Hardoon, peneliti senior Oxfam yang mengompilasi hasil-hasil tersebut.

"Belanda membentuk fundamental yang benar dan lebih baik dari sebagian besar negara di seluruh dunia."

Oxfam melakukan pemeringkatan berdasarkan ketersediaan, kualitas, serta harga makanan dan kesehatan makanan. Organisasi tersebut juga melihat persentase anak berbobot kurang, keberagaman makanan dan akses terhadap air bersih, serta hasil kesehatan negatif seperti obesitas dan diabetes.

Negara-negara Eropa mendominasi peringkat-peringkat teratas, tetapi Australia ada di antara 12 teratas, setara dengan Irlandia, Italia, Portugal, dan Luksemburg pada posisi delapan. Inggris berada di peringkat 13 akibat ketidakstabilan harga makanan dibandingkan barang-barang lain. Negara-negara Afrika, bersama Laos (112), Banglades (102), Pakistan (97), dan India (97) mendominasi 30 terbawah.

Indonesia berada di peringkat 83 setara dengan Rwanda, sedangkan negara Asia Tenggara lainnya berada di posisi lebih baik seperti Vietnam (71), Filipina, (67), Malaysia (44), dan Thailand (42).

Kelaparan

Oxfam mengatakan, angka-angka terakhir menunjukkan bahwa 840 juta orang kelaparan setiap hari, meski ada cukup makanan untuk mereka. Organisasi ini mendesak perubahan dalam cara produksi dan distribusi makanan di seluruh dunia.

Penyebab kelaparan, menurutnya, termasuk kurangnya investasi dalam infrastruktur di negara-negara berkembang dan dalam pertanian skala kecil, keamanan, persetujuan perdagangan prohibitif, target-target biofuel yang mengubah tanaman menjadi bahan bakar, dan dampak perubahan iklim.

Oxfam mengumpulkan data antara Oktober dan Desember 2013 menggunakan informasi terakhir dari Badan Kesehatan Dunia (WHO), Badan Pangan dan Pertanian, dan Organisasi Buruh Internasional, serta badan-badan internasional lainnya.

 

Sumber :voaindonesia.com
Editor : Maulana Lee
> Negara dengan Makanan Paling Sehat di Dunia, adalah Belanda

Pria Aneh Di Dunia

Orang-orang ini dikenal karena memiliki kebiasaan aneh ataupun kejadian unik yang dialaminya. Mulai dari orang yang tidak pernah tidur selama 30 tahun lebih! Ada pula pria yang punya kebiasaan aneh, yakni memakan benda-benda yang secara normal tak bisa dicerna tubuh manusia. Misalnya, sepeda, televisi, hingga pesawat Cessna 150. Astaga!

Berikut 6 pria paling aneh di muka bumi seperti dirangkum dari dari berbagai sumber:

1. Thai Ngoc, tidak tidur 30 tahun lebih

Pria Vietnam ini tak bisa tidur sejak menderita demam pada tahun 1973. Menurut media Vietnam, Thanh Nien, dia mengklaim tak pernah tidur selama 33 tahun. Selama itu, Thai Ngoc atau Hai Ngoc yang dilahirkan tahun 1942 ini menggunakan 'waktu luangnya' di malam hari untuk mengurusi lahan pertaniannya atau ronda menjaga lahannya dari pencuri. Ngoc memiliki lahan pertanian seluas 5 hektar yang terletak di wilayah kaki gunung di Que Trung, distrik Que Son, Thailand. Sehari-hari Ngoc sibuk bertani dan mengurusi hewan-hewan ternaknya, seperti ayam dan babi.

Anehnya, kesehatan Ngoc tidak terpengaruh dengan kebiasaan tidak bisa tidur tersebut. Sang istri pernah membawa Ngoc untuk memeriksakan kesehatannya dan dokter menyatakan, secara keseluruhan kondisi Ngoc sehat. Kecuali, ada sedikit masalah pada fungsi hatinya, namun tidak serius.

"Saya tidak tahu apakah insomnia yang saya alami mempengaruhi kesehatan saya atau tidak. Tapi saya merasa tetap sehat dan bisa bertani seperti yang lainnya," ucap Ngoc. Pria itu bahkan mengaku setiap harinya masih mampu membawa 50 kg karung pupuk sembari berjalan turun gunung sejauh 4 km.

2. Michel Lotito, pria pemakan segala

Michel Lotito yang lahir pada 15 Juni 1950 adalah seorang entertainer. Di Prancis, dia dikenal sebagai Monsieur Mangetout (Mister Eat-it-all) alias 'Pria Pemakan Segala'. Dalam atraksinya, Lotito gemar memakan benda-benda yang secara normal tak bisa dicerna tubuh manusia, seperti logam, kaca, karet. Bahkan juga benda-benda lain seperti sepeda, televisi, hingga pesawat Cessna 150. Benda-benda tersebut terlebih dahulu dibongkar dan dipotong-potong menjadi bagian yang lebih kecil, baru kemudian dimakannya. Lotito diketahui pernah memakan badan pesawat selama 2 tahun, dari 1978-1980

. Kebiasaan makan benda-benda tak lazim ini dilakukan Lotito sejak kecil dan mulai dipamerkan ke publik pada tahun 1966 silam. Meskipun kerap memakan benda-benda aneh, kondisi tubuh dan kesehatan Lotito seolah tak terpengaruh. Dia sama sekali tidak mengalami sakit apapun meskipun telah memakan benda-benda yang mengandung racun.

Ketika memakan berkilo-kilo logam atau benda aneh lainnya, Lotito dibantu dengan minyak mineral atau air dalam jumlah banyak untuk membantu pencernaannya. Menurut pemeriksaan medis, Lotito dinyatakan memiliki perut dan usus dengan ketebalan dua kali lipat dari ukuran normal. Selain itu, asam pencernaan yang ada di dalam lambungnya diperkirakan memiliki kekuatan luar biasa sehingga mampu mencerna benda-benda logam yang dia makan. Luar biasa!

3. Matayoshi Mitsuo, mengaku sebagai Yesus Kristus Politikus eksentrik Jepang ini mengaku dirinya adalah Yesus Kristus. Menurut visi Matayoshi, pria ini mengklaim akan melakukan penghakiman terakhir sebagai Kristus namun dengan cara yang benar-benar sesuai dengan sistem politik saat ini.

Matayoshi menuturkan, langkah pertama yang harus dijalaninya sebagai Juruselamat adalah dengan terpilih menjadi Perdana Menteri Jepang. Kemudian dia akan mereformasi masyarakat Jepang. Tidak hanya itu, Matayoshi juga meminta PBB untuk memberikannya posisi terhormat sebagai Sekretaris Jenderal PBB. Dengan demikian, Matayoshi akan bisa memerintah seluruh dunia dengan dua jabatan legal tersebut, tidak hanya secara agama tapi juga secara politik.

Matayoshi telah berulang kali ikut serta dalam pemilihan umum di Jepang, namun tidak pernah berhasil menang. Dia dikenal karena kampanyenya yang eksentrik -dia pernah menyerukan para rival politiknya untuk bunuh diri dengan melakukan harakiri.

4. Shoichi Yokoi, 28 tahun sembunyi di gua usai PD II

Yokoi tadinya seorang tentara yang tergabung dalam wajib militer di Tentara Kerajaan Jepang pada tahun 1941 silam dan tak lama kemudian dikirim ke Guam. Pada tahun 1944, ketika pasukan Amerika Serikat menduduki Guam, Yokoi memilih bersembunyi.

Hingga akhirnya pada 24 Januari 1972, Yokoi ditemukan di sebuah daerah terpencil di Guam oleh dua warga pulau tersebut. Selama 28 tahun, pria itu hidup bersembunyi di dalam gua bawah tanah di tengah hutan. Yokoi terlalu takut untuk keluar, bahkan setelah dia menemukan selebaran yang isinya menyebutkan bahwa Perang Dunia II telah berakhir.

Yokoi akhirnya dipulangkan ke Jepang sembari membawa senapannya yang telah berkarat.

5. Sanju Bhagat, 'mengandung' saudara kembarnya di dalam perut

Pria asal India ini memiliki kondisi perut yang tidak wajar, yakni membengkak seperti sedang hamil 9 bulan. Bhagat yang tinggal di Nagpur, India ini sering merasa sesak nafas karena kondisinya itu.

Sampai akhirnya pada suatu malam di bulan Juni 1999, Bhagat menjalani operasi di rumah sakit. Isi perut Bhagat yang awalnya diduga tumor ganas, ternyata merupakan sesuatu yang tak diduga sama sekali. Saat dioperasi, dokter menemukan sejumlah bagian tubuh manusia di bagian dalam perut Bhagat. Bagian-bagian tubuh tersebut ternyata milik saudara kembar Bhagat yang terjebak di dalam perutnya sejak lahir.

Dokter menyatakan, Bhagat mengalami kondisi medis teraneh di dunia, yakni janin di dalam janin lainnya. Sangat jarang terjadi bahwa sebuah janin bisa terjebak di dalam janin kembarannya sendiri. Menariknya, janin yang terjebak ini mampu bertahan hidup sebagai parasit dan menyerap darah dan makanan dari tubuh Bhagat, hingga dia bertambah besar dan mulai menyakiti tubuh Bhagat.

6. Mehran Karimi Nasseri, hidup di bandara sejak 1988

Pria yang juga dikenal sebagai Sir, Alfred Mehran ini merupakan seorang pengungsi asal Iran yang tinggal di Bandara Charles de Gaulle, Prancis sejak Agustus 8 Agustus 1988. Mehran tinggal di ruang tunggu keberangkatan di Terminal Satu bandara internasional di Paris itu selama bertahun-tahun karena tak memiliki dokumen.

Kisah Mehran ini dimulai ketika dia dipenjara dan dianiaya di Iran, kemudian dibuang keluar negeri. Mehran lalu berusaha mendapatkan suaka ke sejumlah negara di Eropa, tapi usahanya tidak membuahkan hasil.

Saat mencoba pergi ke Inggris, Mehran mengklaim bahwa dirinya dirampok dan tasnya dicuri orang saat akan berangkat menuju Bandara Charles de Gaulle untuk terbang ke Inggris. Dia pun berhasil naik ke pesawat dan terbang ke Inggris. Tapi setibanya di Bandara Heathrow di London, Inggris, Mehran yang tidak membawa dokumen-dokumen yang diperlukan, diterbangkan kembali ke Bandara Charles de Gaulle.

Kepada otoritas Prancis, Mehran tak bisa menunjukkan identitas maupun dokumen-dokumen yang membuktikan dirinya sebagai seorang pengungsi. Dia pun dipindahkan ke zona tunggu, sebuah tempat 'penahanan' bagi pelancong tanpa dokumen.

Kisah Mehran ini konon menjadi inspirasi bagi film 'The Terminal' keluaran tahun 2004, yang dibintangi oleh aktor Hollywood, Tom Hanks. Namun tidak seperti karakter yang diperankan Hanks dalam film tersebut yang tinggal di area transit bandara, Mehran justru tinggal di area keberangkatan, juga di dekat butik-butik dan restoran yang berada di lantai dasar.

Selama tinggal di bandara, Mehran terlihat jarang berkomunikasi dengan orang lain. Dengan membawa-bawa kereta dorong dan tasnya, Mehran tampak seperti pelancong biasa, tanpa ada yang menyadari bahwa dia sebenarnya adalah gelandangan.

> Pria Aneh Di Dunia

Sebuah Planet "Alien" AkhirnyaBerhasil Dipotret Langsung

Saco-Indonesia.com — Sebuah planet gas alien yang mengorbit bintang berjarak 300 tahun cahaya dari Bumi berhasil diungkap keberadaannya dan dipotret secara langsung. Pemotretan planet secara langsung selama ini sulit dilakukan, apalagi planet yang baru ditemukan ini tergolong kecil.

Potret dari planet yang bernama HD 95086b ini dirilis European Southern Observatory pada Senin (3/6/2013). Potret planet yang mengelilingi bintang bernama HD 95086 ini dipotret dengan cahaya inframerah.

Pada gambar di atas, planet terlihat dengan warna biru terang, ada di bagian kiri bawah. Citra bintang telah dihilangkan sehingga publik bisa menyadari dan melihat keberadaan planet yang dimaksud dengan lebih jelas.

HD 95086 teramati lewat pengamatan secara langsung dengan very large telescope milik ESO. Berdasarkan kecerlangan cahayanya, ilmuwan menduga bahwa planet ini cuma punya massa empat hingga lima kali lebih besar dari Yupiter.

Astronom mengungkapkan, sangat jarang planet alien yang berjarak jauh bisa teramati secara langsung. Kebanyakan planet ditemukan secara tidak langsung dengan mengamati peredupan cahaya bintang saat planet melewati mukanya atau goyangan bintang akibat pengaruh gravitasi planet itu.

"Pengamatan secara langsung adalah teknik yang sangat menantang dan membutuhkan instrumen yang maju, baik yang berbasis di darat maupun antariksa," kata Julian Rameau, astronom di Institute of Astrophysics and Planetology di Perancis.

"Hanya beberapa planet bisa ditemukan secara langsung, membuat setiap penemuan merupakan lompatan penting dalam memahami planet raksasa dan pembentukannya," sambung Rameau seperti dikutip Space.com, Senin kemarin.

Foto lain yang diambil ESO menunjukkan bahwa planet dan bintang yang diorbitnya terletak di konstelasi Carina. HD 95086b mengorbit bintangnya pada jarak dua kali jarak Matahari-Neptunus atau 56 kali jarak Bumi-Matahari.

Penemuan planet ini akan dipublikasikan di Astrophysical Journal. HD 95086 yang menjadi bintang induk diduga masih berusia muda, baru 10-17 juta tahun. Hal ini membuat pembentukan planet dan piringan debu di sekitarnya menarik.

Anne Marie Langrange, peneliti yang juga terlibat penemuan, mengungkapkan, "Posisi planet saat ini memunculkan pertanyaan." Ia mengatakan bahwa planet mungkin telah berpindah dari tempat penemuannya ke tempat "tinggal" saat ini.

Tentang pembentukannya, Langrange mengatakan, "Mungkin planet tumbuh menyatukan batu yang membentuk inti padat dan secara perlahan mengakumulasi gas dari sekitarnya, atau bisa jadi terbentuk dari gumpalan gas yang akibat ketidakstabilan gravitasi di piringannya."

Editor :Liwon Maulana(galipat)
> Sebuah Planet "Alien" AkhirnyaBerhasil Dipotret Langsung

Fatal Police Shootings: Accounts Since Ferguson

Since a white police officer, Darren Wilson fatally shot unarmed black teenager, Michael Brown, in a confrontation last August in Ferguson, Mo., there have been many other cases in which the police have shot and killed suspects, some of them unarmed. Mr. Brown's death set off protests throughout the country, pushing law enforcement into the spotlight and sparking a public debate on police tactics. Here is a selection of police shootings that have been reported by news organizations since Mr. Brown's death. In some cases, investigations are continuing.

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The apartment complex northeast of Atlanta where Anthony Hill, 27, was fatally shot by a DeKalb County police officer. Credit Ben Gray/Atlanta Journal Constitution

Chamblee, Ga.
Fatal Police Shootings: Accounts Since Ferguson | PAKET UMROH BULAN JANUARI 2016

Ben E. King, Soulful Singer of ‘Stand by Me,’ Dies at 76

Mr. King sang for the Drifters and found success as a solo performer with hits like “Spanish Harlem.”

Ben E. King, Soulful Singer of ‘Stand by Me,’ Dies at 76 | PAKET UMROH BULAN JANUARI 2016

Hard but Hopeful Home to ‘Lot of Freddies’

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”
Todd Heisler/The New York Times

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”

Hard but Hopeful Home to ‘Lot of Freddies’

Hard but Hopeful Home to ‘Lot of Freddies’ | PAKET UMROH BULAN JANUARI 2016

Edward Chambers, Early Leader in Community Organizing, Dies at 85

A lapsed seminarian, Mr. Chambers succeeded Saul Alinsky as leader of the social justice umbrella group Industrial Areas Foundation.

Edward Chambers, Early Leader in Community Organizing, Dies at 85 | PAKET UMROH BULAN JANUARI 2016

Negative View of U.S. Race Relations Grows, Poll Finds

Public perceptions of race relations in America have grown substantially more negative in the aftermath of the death of a young black man who was injured while in police custody in Baltimore and the subsequent unrest, far eclipsing the sentiment recorded in the wake of turmoil in Ferguson, Mo., last summer.

Americans are also increasingly likely to say that the police are more apt to use deadly force against a black person, the latest New York Times/CBS News poll finds.

The poll findings highlight the challenges for local leaders and police officials in trying to maintain order while sustaining faith in the criminal justice system in a racially polarized nation.

Sixty-one percent of Americans now say race relations in this country are generally bad. That figure is up sharply from 44 percent after the fatal police shooting of Michael Brown and the unrest that followed in Ferguson in August, and 43 percent in December. In a CBS News poll just two months ago, 38 percent said race relations were generally bad. Current views are by far the worst of Barack Obama’s presidency.

The negative sentiment is echoed by broad majorities of blacks and whites alike, a stark change from earlier this year, when 58 percent of blacks thought race relations were bad, but just 35 percent of whites agreed. In August, 48 percent of blacks and 41 percent of whites said they felt that way.

Looking ahead, 44 percent of Americans think race relations are worsening, up from 36 percent in December. Forty-one percent of blacks and 46 percent of whites think so. Pessimism among whites has increased 10 points since December.

Continue reading the main story
Do you think race relations in the United States are generally good or generally bad?
60
40
20
0
White
Black
May '14
May '15
Generally bad
Continue reading the main story
Do you think race relations in the United States are getting better, getting worse or staying about the same?
Getting worse
Staying the same
Getting better
Don't know/No answer
All adults
Whites
Blacks
44%
37
17
46
36
16
41
42
15

The poll finds that profound racial divisions in views of how the police use deadly force remain. Blacks are more than twice as likely to say police in most communities are more apt to use deadly force against a black person — 79 percent of blacks say so compared with 37 percent of whites. A slim majority of whites say race is not a factor in a police officer’s decision to use deadly force.

Overall, 44 percent of Americans say deadly force is more likely to be used against a black person, up from 37 percent in August and 40 percent in December.

Blacks also remain far more likely than whites to say they feel mostly anxious about the police in their community. Forty-two percent say so, while 51 percent feel mostly safe. Among whites, 8 in 10 feel mostly safe.

One proposal to address the matter — having on-duty police officers wear body cameras — receives overwhelming support. More than 9 in 10 whites and blacks alike favor it.

Continue reading the main story
How would you describe your feelings about the police in your community? Would you say they make you feel mostly safe or mostly anxious?
Mostly safe
Mostly anxious
Don't know/No answer
All adults
Whites
Blacks
75%
21
3
81
16
3
51
42
7
Continue reading the main story
In general, do you think the police in most communities are more likely to use deadly force against a black person, or more likely to use it against a white person, or don’t you think race affects police use of deadly force?
Police more likely to use deadly force against a black person
Police more likely to use deadly force against a white person
Race DOES NOT affect police use of deadly force
Don't know/No answer
All adults
Whites
Blacks
44%
37%
79%
2%
2%
1%
46%
53%
16%
9%
8%
4%
Continue reading the main story
Do you favor or oppose on-duty police officers wearing video cameras that would record events and actions as they occur?
Favor
Oppose
Don't know/No answer
All adults
Whites
Blacks
92%
93%
93%
6%
5%
5%
2%
2%
2%

Asked specifically about the situation in Baltimore, most Americans expressed at least some confidence that the investigation by local authorities would be conducted fairly. But while nearly two-thirds of whites think so, fewer than half of blacks agree. Still, more blacks are confident now than were in August regarding the investigation in Ferguson. On Friday, six members of the police force involved in the arrest of Mr. Gray were charged with serious offenses, including manslaughter. The poll was conducted Thursday through Sunday; results from before charges were announced are similar to those from after.

Reaction to the recent turmoil in Baltimore, however, is similar among blacks and whites. Most Americans, 61 percent, say the unrest after Mr. Gray’s death was not justified. That includes 64 percent of whites and 57 percent of blacks.

Continue reading the main story
As you may know, a Baltimore man, Freddie Gray, recently died after being in the custody of the Baltimore police. How much confidence do you have that the investigation by local authorities into this matter will be conducted fairly?
A lot
Some
Not much
None at all
Don't know/No answer
All adults
Whites
Blacks
29%
31
22
14
5
31
33
20
11
5
20
26
30
22
In general, do you think the unrest in Baltimore after the death of Freddie Gray was justified, or do you think the unrest was not justified?
Justified
Not justified
Don't know/No answer
All adults
Whites
Blacks
28%
61
11
26
64
11
37
57
6

Negative View of U.S. Race Relations Grows, Poll Finds | PAKET UMROH BULAN JANUARI 2016

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet | PAKET UMROH BULAN JANUARI 2016

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64

Ms. Pryor, who served more than two decades in the State Department, was the author of well-regarded biographies of the founder of the American Red Cross and the Confederate commander.

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64 | PAKET UMROH BULAN JANUARI 2016

From T Magazine: Street Lit’s Power Couple

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

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Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

Photo
The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple | PAKET UMROH BULAN JANUARI 2016

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Jean Nidetch, 91, Dies; Pounds Came Off, and Weight Watchers Was Born | PAKET UMROH BULAN JANUARI 2016

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Jayne Meadows, Actress and Steve Allen’s Wife and Co-Star, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

Nepal’s Young Men, Lost to Migration, Then a Quake

Photo
 
Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

Nepal’s Young Men, Lost to Migration, Then a Quake | PAKET UMROH BULAN JANUARI 2016

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Frontline  An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.
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Review: ‘Frontline’ Looks at Missteps During the Ebola Outbreak | PAKET UMROH BULAN JANUARI 2016

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Obama Finds a Bolder Voice on Race Issues

As he reflected on the festering wounds deepened by race and grievance that have been on painful display in America’s cities lately, President Obama on Monday found himself thinking about a young man he had just met named Malachi.

A few minutes before, in a closed-door round-table discussion at Lehman College in the Bronx, Mr. Obama had asked a group of black and Hispanic students from disadvantaged backgrounds what could be done to help them reach their goals. Several talked about counseling and guidance programs.

“Malachi, he just talked about — we should talk about love,” Mr. Obama told a crowd afterward, drifting away from his prepared remarks. “Because Malachi and I shared the fact that our dad wasn’t around and that sometimes we wondered why he wasn’t around and what had happened. But really, that’s what this comes down to is: Do we love these kids?”

Many presidents have governed during times of racial tension, but Mr. Obama is the first to see in the mirror a face that looks like those on the other side of history’s ledger. While his first term was consumed with the economy, war and health care, his second keeps coming back to the societal divide that was not bridged by his election. A president who eschewed focusing on race now seems to have found his voice again as he thinks about how to use his remaining time in office and beyond.

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Obama Speaks of a ‘Sense of Unfairness’

Obama Speaks of a ‘Sense of Unfairness’

At an event announcing the creation of a nonprofit focusing on young minority men, President Obama talked about the underlying reasons for recent protests in Baltimore and other cities.

By Associated Press on Publish Date May 4, 2015. Photo by Stephen Crowley/The New York Times.

In the aftermath of racially charged unrest in places like Baltimore, Ferguson, Mo., and New York, Mr. Obama came to the Bronx on Monday for the announcement of a new nonprofit organization that is being spun off from his White House initiative called My Brother’s Keeper. Staked by more than $80 million in commitments from corporations and other donors, the new group, My Brother’s Keeper Alliance, will in effect provide the nucleus for Mr. Obama’s post-presidency, which will begin in January 2017.

“This will remain a mission for me and for Michelle not just for the rest of my presidency but for the rest of my life,” Mr. Obama said. “And the reason is simple,” he added. Referring to some of the youths he had just met, he said: “We see ourselves in these young men. I grew up without a dad. I grew up lost sometimes and adrift, not having a sense of a clear path. The only difference between me and a lot of other young men in this neighborhood and all across the country is that I grew up in an environment that was a little more forgiving.”

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Organizers said the new alliance already had financial pledges from companies like American Express, Deloitte, Discovery Communications and News Corporation. The money will be used to help companies address obstacles facing young black and Hispanic men, provide grants to programs for disadvantaged youths, and help communities aid their populations.

Joe Echevarria, a former chief executive of Deloitte, the accounting and consulting firm, will lead the alliance, and among those on its leadership team or advisory group are executives at PepsiCo, News Corporation, Sprint, BET and Prudential Group Insurance; former Secretary of State Colin L. Powell; Senator Cory Booker, Democrat of New Jersey; former Attorney General Eric H. Holder Jr.; the music star John Legend; the retired athletes Alonzo Mourning, Jerome Bettis and Shaquille O’Neal; and the mayors of Indianapolis, Sacramento and Philadelphia.

The alliance, while nominally independent of the White House, may face some of the same questions confronting former Secretary of State Hillary Rodham Clinton as she begins another presidential campaign. Some of those donating to the alliance may have interests in government action, and skeptics may wonder whether they are trying to curry favor with the president by contributing.

“The Obama administration will have no role in deciding how donations are screened and what criteria they’ll set at the alliance for donor policies, because it’s an entirely separate entity,” Josh Earnest, the White House press secretary, told reporters on Air Force One en route to New York. But he added, “I’m confident that the members of the board are well aware of the president’s commitment to transparency.”

The alliance was in the works before the disturbances last week after the death of Freddie Gray, the black man who suffered fatal injuries while in police custody in Baltimore, but it reflected the evolution of Mr. Obama’s presidency. For him, in a way, it is coming back to issues that animated him as a young community organizer and politician. It was his own struggle with race and identity, captured in his youthful memoir, “Dreams From My Father,” that stood him apart from other presidential aspirants.

But that was a side of him that he kept largely to himself through the first years of his presidency while he focused on other priorities like turning the economy around, expanding government-subsidized health care and avoiding electoral land mines en route to re-election.

After securing a second term, Mr. Obama appeared more emboldened. Just a month after his 2013 inauguration, he talked passionately about opportunity and race with a group of teenage boys in Chicago, a moment aides point to as perhaps the first time he had spoken about these issues in such a personal, powerful way as president. A few months later, he publicly lamented the death of Trayvon Martin, a black Florida teenager, saying that “could have been me 35 years ago.”

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President Obama on Monday with Darinel Montero, a student at Bronx International High School who introduced him before remarks at Lehman College in the Bronx. Credit Stephen Crowley/The New York Times

That case, along with public ruptures of anger over police shootings in Ferguson and elsewhere, have pushed the issue of race and law enforcement onto the public agenda. Aides said they imagined that with his presidency in its final stages, Mr. Obama might be thinking more about what comes next and causes he can advance as a private citizen.

That is not to say that his public discussion of these issues has been universally welcomed. Some conservatives said he had made matters worse by seeming in their view to blame police officers in some of the disputed cases.

“President Obama, when he was elected, could have been a unifying leader,” Senator Ted Cruz of Texas, a Republican candidate for president, said at a forum last week. “He has made decisions that I think have inflamed racial tensions.”

On the other side of the ideological spectrum, some liberal African-American activists have complained that Mr. Obama has not done enough to help downtrodden communities. While he is speaking out more, these critics argue, he has hardly used the power of the presidency to make the sort of radical change they say is necessary.

The line Mr. Obama has tried to straddle has been a serrated one. He condemns police brutality as he defends most officers as honorable. He condemns “criminals and thugs” who looted in Baltimore while expressing empathy with those trapped in a cycle of poverty and hopelessness.

In the Bronx on Monday, Mr. Obama bemoaned the death of Brian Moore, a plainclothes New York police officer who had died earlier in the day after being shot in the head Saturday on a Queens street. Most police officers are “good and honest and fair and care deeply about their communities,” even as they put their lives on the line, Mr. Obama said.

“Which is why in addressing the issues in Baltimore or Ferguson or New York, the point I made was that if we’re just looking at policing, we’re looking at it too narrowly,” he added. “If we ask the police to simply contain and control problems that we ourselves have been unwilling to invest and solve, that’s not fair to the communities, it’s not fair to the police.”

Moreover, if society writes off some people, he said, “that’s not the kind of country I want to live in; that’s not what America is about.”

His message to young men like Malachi Hernandez, who attends Boston Latin Academy in Massachusetts, is not to give up.

“I want you to know you matter,” he said. “You matter to us.”

Obama Finds a Bolder Voice on Race Issues | PAKET UMROH BULAN JANUARI 2016

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