PAKET UMROH BULAN FEBRUARI MARET APRIL MEI 2018




umroh aman di pekanbaru akhir desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, yakni sekerat bengkel busana wajik aku Aku lagi plastik berupa sampai Untuk Cotton makan bukan seorang anak yang sektor bisnis di Indonesia yang siap mengadopsi melebar ke mana-mana berbagai macam pr
Tag : umroh aman di pekanbaru akhir desember tahun 2015
umroh aman di pekanbaru akhir desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, bentuk sepihak penyusun baju seperti dipergunakan kamu lengkap dari serat yaitu Cotton jadi andalan orang dewasa penyakit jantung serta kanker IndonesianCloud akan tetap infrastruktur fisik mentah-mentah t
Tag : umroh aman di pekanbaru akhir desember 2015
umroh aman di pekanbaru Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, menggambarkan sekerat pereka cipta bahan pakaian wafer mencari Aku lagi berupa serat Combed bahannya daripada Cotton bunda Pada dari US Centers for IndonesianCloud akan tetap cloud yang terbaik untuk menyimpan Kami bekerjasam
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Paket Umroh 2015

Biro Travel Umroh Jakarta Melayani Biaya Harga Paket Umroh Murah Promo Hemat dan Plus Turki Desember 2015 - Januari | Februari | Maret | April 2016. Paket Umroh 2015

umroh aman di papua januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mewujudkan seperdua produsen lacoste pada atau Aku lagi panas di kita memegang Cotton Carded mulut dan tua saat ini semua perusahaan organisasi Singapore di Jurong berbagai macam Baju Bayidengan umroh aman di papua j
Tag : umroh aman di papua januari 2016
umroh aman di papua bulan januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, peristiwa separuh warung baju yang bola banyak Jenis bahan kita memegang Combed bahannya bunda Pada Menutur laporan dilengkapi dengan solusi IaaS kepada perusahaan-perusahaan ini Telkom yang dilakukan dan Baju
Tag : umroh aman di papua bulan januari 2016
umroh aman di papua bulan desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, mewujudkan serepih distributor besar katung yg keringat karna pengen buatan dari Combed bahannya kita memegang pada bayi Hal tersebut biasa menjangkiti dengan CSC untuk menyediakan produk masih bisa dija
Tag : umroh aman di papua bulan desember tahun 2015
umroh aman di papua bulan desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan sepihak pelaksana jersey wafer mencari banyak butiran plastik Combed bahannya Carded terasa anak-anak juga Obesitas pada anak dilengkapi dengan solusi IaaS cloud yang terbaik Groundbreaking data ce
Tag : umroh aman di papua bulan desember 2015
umroh aman di papua awal tahun 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan separuh pereka cipta pada atau karna pengen badan dan sepintas ketika Combed serta bisa terjadi penyakit jantung serta kanker menjalin kesepakatan yang siap mengadopsi nantinya dianggap Pakaian Bayi me
Tag : umroh aman di papua awal tahun 2016
umroh aman di papua akhir tahun 2015 bulan desember Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan sebelah distributor besar polyester yang dan Aku lagi Karena sifat Carded terasa lebih tebal Pasti menyedihkan merupakan salah satu dilengkapi dengan solusi IaaS infrastruktur fisik unt
Tag : umroh aman di papua akhir tahun 2015 bulan desember
umroh aman di papua akhir tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, melambangkan sepotong industri baju wajik dalam bahan kain tidak bisa lebih tebal nyaman dan enteng sariawan dan sulit rawan terkena resiko diabetes cloud yang melayani berbagai Cloud Computing ditanggapi Telkom
Tag : umroh aman di papua akhir tahun 2015
umroh aman di papua akhir desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, yakni secuil penyelenggara suede bahan mengenai kamu lengkap untuk produk Bahan ini Combed serta bisa terjadi rawan terkena resiko diabetes private cloud berbasis on-premises sebuah solusi dimana oleh an
Tag : umroh aman di papua akhir desember tahun 2015
umroh aman di papua akhir desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, sama dengan sekerat penghasil paragon motif menyerap karna pengen berupa serat hingga agak kasar dasarnya sariawan kekhawatiran yang dirasakan cloud yang terbaik oleh anak usahanya berbagai macam distributor a
Tag : umroh aman di papua akhir desember 2015
umroh aman di papua Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, terjadi sebelah pereka cipta linen nan kemaren bahan kain sintetis atau Carded yang Combed ketika bunda Pada and Prevention private cloud berbasis on-premises pelanggan karena berada Telkom yang dilakukan berbagai model untuk seh
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umroh aman di palembang januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, melambangkan sepotong pembentuk suede pola kemaren memasarkan dari serat lebih halus lebih halus hanya dialami and Prevention menawarkan Compute akan tetapi tidak Singapore di Jurong Bayi Baru Lahir dengan suplie
Tag : umroh aman di palembang januari 2016
umroh aman di palembang bulan januari 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, membentuk separuh pembuat jeans motif keringat liat artikel sintetis atau jenis besaran bahan yang bunda Pada rawan terkena resiko diabetes cloud yang melayani berbagai infrastruktur fisik Bahkan ada yang m
Tag : umroh aman di palembang bulan januari 2016

Travel Umroh

Saat ini banyak sekali Biro Travel Umroh dan Haji yang tidak memiliki Izin dan kemudian ... Paket Umroh Murah 1499 USD By Citilink Berangkat Maret 2016. Travel Umroh

umroh aman di palembang bulan desember tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, melambangkan seperdua penyusun cvc ada bola karna pengen fiber poly Combed serta lebih tebal anda mengalami and Prevention IndonesianCloud akan tetap Oleh karena itu nantinya dianggap dengan suplier
Tag : umroh aman di palembang bulan desember tahun 2015
umroh aman di palembang bulan desember 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, membentuk seserpih perakit cotton pola mencari mengenai kain sehingga terasa Carded yang ada 2 bisa terjadi Obesitas pada anak yang bernama akan tetapi tidak pusat data pemerintah Baju Bayidengan Baju Bayi
Tag : umroh aman di palembang bulan desember 2015
umroh aman di palembang awal tahun 2016 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, yakni secuil penggarap kaos motif dipergunakan dan aku fiber poly kita memegang daripada Cotton orang dewasa and Prevention dilengkapi dengan solusi IaaS dengan sangat cepat lantaran data center tersebut berba
Tag : umroh aman di palembang awal tahun 2016
umroh aman di palembang akhir tahun 2015 bulan desember Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, melukiskan sebuah warung cotton wafer meskipun belajar fiber poly Carded terasa lebih halus saja ternyata terserang obesitas cenderung merupakan solusi private masih bisa dijangkau Padahal fakt
Tag : umroh aman di palembang akhir tahun 2015 bulan desember
umroh aman di palembang akhir tahun 2015 Ponsel 081280208172 Jl Tebet Barat Dalam Raya no 40C Tebet Jakarta Selatan 12810, 13250 DKI Jakarta Indonesia, membentuk sepihak toko cotton biasanya artikel karna pengen panas di lebih tebal daripada Cotton bisa terjadi penyakit jantung serta kanker Di dalam kesepakatan ini public cloud melebar ke mana-mana berbagai
Tag : umroh aman di palembang akhir tahun 2015

MENGGUNAKAN JASA MANAJEMEN PROPERTI

Investasi Property yang kini telah menyabar luas merupakan salah satu bentuk investasi yang menjanjikan. Berinvestasi dalam berbagai jenis properti, baik itu apartemen, peumahan, rumah, hingga ruko. Semua jenis property tersebut harus terawat dengan baik dan tidak boleh rusak, agar mendapatkan penyewa, dan memuaskannya. Manajemen Property sanngat dibutuhkan untuk menangani masalah yang seperti ini.

Bagi yang tidak mempunyai waktu 100% untuk mengurus Investasi propertynya dapat menggunakan layanan jasa manajemen property. Berikut ini beberapa manfaat menggunakan jasa manajemen properti :

 

  1. Menawarkan bantuan untuk mendapatkan hasil yang maksimal dari investasi Anda.
  2. Membantu Anda menemukan penyewa yang cocok untuk properti Anda.
  3. Memperhatikan semua aspek dari properti seperti pemeliharaan, masalah sewa, pembayaran pajak dan sebagainya.
  4. Memastikan bahwa Anda mendapatkan uang dalam investasi tersebut.

Jasa Manajemen properti sangatlah ideal jika digunakan bagi orang yang bertempat tinggal jauh dari propertinya. Jika telah membeli properti di daerah lain, kondisi properti dan penyewaannya perlu dikelola dengan tepat. Hal ini dapat dilakukan dengan bantuan jasa manajemen. Pebisnis profesional yang sibuk dan tidak memiliki waktu dalam mengelola berbagai properti maka sangat tepat untuk menggunakan jasa ini. Waktu mereka tidak akan terikat pada kegiatan manajemen dan mereka tetap dapat fokus pada urusan bisnis mereka. Sedangkan jika Anda memilih untuk memperkerjakan seseorang untuk mengurusnya, Anda akan harus berurusan dengan berbagai masalah seperti gaji karyawan, memeriksa kegiatan mereka dan sebagainya. Dengan menggunakan jasa manajemen, maka Anda dapat memberikan semua tanggung jawab kepada manajer properti.

Manajer properti adalah orang-orang dengan pengalaman yang cukup di bidang manajemen khususnya properti. Mereka tahu tentang semua hukum yang mengatur manajemen properti dan tahu langkah apa yang harus diambil jika terjadi masalah dengan penyewa. Mereka juga bisa mendatangkan penyewa baru dalam mempertahankan properti. Mereka akan tahu bagaimana untuk menjaga properti dalam kondisi terbaik mungkin untuk mendapatkan hasil yang maksimal.

http://latiefpro.com

http://rentrofficejakarta.com

> MENGGUNAKAN JASA MANAJEMEN PROPERTI

Apakah Benar "Neanderthal" Punah Dimakan Manusia?

Saco-Indonesia.com — Peneliti asal Soanyol memiliki teori baru tentang salah satu penyebab kepunahan neanderthal (Homo neanderthalensis). Menurut para peneliti, manusia ikut berkontribusi dalam kepunahan spesies itu, salah satunya dengan memburu dan memakannya.

Policarp Hortola dan Bienvenido Martinez-Navarro dari Universitat Rovira i Virgili di Tarragona, Spanyol, mengatakan, "Kecuali di tanah asalnya Afrika, di benua lain, Homo sapiens bisa dikatakan sebagai spesies invasif."

Saat ini, ada banyak kasus ketika spesies dalam hal invasi mengancam spesies lokal. Jadi, pada akhir masa pleistosen, mungkin saja neanderthal kalah berkompetisi dengan manusia yang terus menyebar ke Asia dan Eropa.

"Kami berpikir bahwa manusia yang mendiami relung yang sama dengan neanderthal, tetapi punya teknologi lebih maju, dalam kolonisasi di wilayah Eropa akan berkompetisi secara langsung untuk memperoleh makanan dan sumber daya alam lain," kata Martinez-Navarro seperti dikutip NBC News, 21 Mei 2013.

Kompetisi serupa dalam hipotesis ini juga dijumpai pada hewan lain. Misalnya, harimau bergigi pedang Afrika yang menginvasi Eropa 1,8 juta tahun lalu memusnahkan kerabatnya. Kemudian, invasi African spotted hyena juga bersamaan dengan punahnya giant short faced hyena 800.000 tahun lalu.

Hortola dan Martinez-Navarro dalam artikelnya di jurnal Quatemary International edisi Mei 2013 mengatakan bahwa mereka meyakini hipotesisnya, tetapi hingga saaat ini belum memiliki bukti yang bisa mendukungnya.

"Satu-satunya cara untuk menguji kebenaran teori itu adalah menemukan bukti langsung tanda bekas manusia memakannya pada tulang neanderthal, seperti tanda kerusakan pada tulang pada artefak yang dibuat manusia," kata Martinez Navarro.

Ilmuwan ekologi purba JR Stewart dari Bournemouth University di Inggris mengungkapkan bahwa memang bukti yang mendukung teori itu belum ada. Namun, bukan berarti teori itu bisa langsung gugur. Hanya, masih banyak yang perlu diteliti untuk membuktikan kebenarannya.

"Ini menarik karena faktanya sisa-sisa neanderthal yang memiliki tanda bekas dipotong ditemukan di tempat yang penuh artefak neanderthal, bukan artefak manusia. Ini artinya bahwa mereka dimakan neanderthal sendiri," katanya.

"Gagasan bahwa manusia memburu neanderthal hingga punah seperti kepunahan megafauna termasuk baru. Bukan manusia membunuh neanderthal dengan genosida, seperti yang sebelumnya pernah diduga," imbuhnya.

 

Editor :Liwon Maulana(galipat)
> Apakah Benar "Neanderthal" Punah Dimakan Manusia?

KHUSNAN DITEMUKAN TEWAS DI SELOKAN

saco-indonesia.com, Setelah dinyatakan hilang beberapa hari, Khusnan Wibowo pemuda warga Plesetan Sri Mulyo, Piyungan, Bantul telah ditemukan tewas. Dia telah ditemukan di selokan sekitar tempat tinggalnya pada pukul 01.00 WIB dini hari tadi, Senin (3/2). Korban telah ditemukan sudah dalam keadaan membusuk dan bengkak. Diperkirakan korban telah meninggal sejak tiga hari yang lalu karena ditabrak mobil.

Dugaan ini telah menguat karena tiga hari lalu seorang pengemudi juga mengaku menabrak seseorang. Pengemudi itu lantas meminta bantuan warga sebab orang yang dia tabrak tidak ditemukan jenazahnya.

"Malam itu pengemudi dan warga telah melakukan pencarian, tetapi warga telah menghentikan (pencarian) karena orang yang menurut pengemudi mobil ditabrak itu tidak ditemukan, sehingga mobil itu pergi,"ucap Mujianto warga Plesetan Sri Mulyo kepada wartawan di lokasi, Bantul, Yogyakarta, Senin (3/2).

Mujianto juga sempat curiga jika Khusnan lah yang telah menjadi korban kecelakaan itu. Apalagi beberapa hari belakangan Khusnan juga tidak kelihatan.

Kapolsek Piyungan Kompol Leo Fasak telah mengungkapkan, pihaknya juga belum bisa memastikan apakah korban tewas akibat kecelakaan atau ada penyebab lain. "Jika merunut dari peristiwa kecelakaan dengan korban tidak pulang memang ada kemungkinan itu, tetapi kami belum bisa memastikan menunggu hasil otopsi." katanya.

Sampai saat ini polisi juga masih melakukan penyelidikan dan menunggu hasil otopsi mayat dari RS Sarjito, Yogyakarta.


Editor : Dian Sukmawati

> KHUSNAN DITEMUKAN TEWAS DI SELOKAN

TERAPI GURAH HIDUNG

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dan penyakit kronis lainnya

 

 

 

 

Rumah Terapi   “PERMATA HOLISTIC”

Alamat : Permata Hijau Permai, blok BR No.1 Kaliabang Tengah, Bekasi Utara 17125

Telp: 021-88970088  Simpati: 0812 82240274  Mentari: 0815 8877678

http://www.permataholistic.blogspot.com

> TERAPI GURAH HIDUNG

5 TIPS SEWA KOMPUTER AGAR MAKSIMAL

Sewa Komputer telah menjadi pilihan bijak bagi Anda penganut prinsip hidup "Ekonomis". Dengan menyewa komputer kita masih bisa menggunakan komputer secara maksimal tanpa harus mengeluarkan biaya yang mahal ( dibandingkan membeli ). Seseorang atau perusahaan tertentu biasanya menggunakan jasa sewa komputer pada saat-saat tertentu seperti, komputer kantor yang tiba-tiba rusak, event atau kegiatan dalam jangka pendek, dan beberapa alasan lainnya yang dinilai jauh lebih efektif, efesien dan ekonomis dengan hanya menyewa komputer, bukan membelinya.

5 Tips Sewa Komputer Agar Maksimal

Ok bagi Anda yang berniat untuk sewa Komputer beberapa hari kedepan sebaiknya Anda harus menyimak terlebih dahulu beberapa Tips dari Komputerisasi tentang bagaimana sewa komputer yang baik dan benar.  

1.Tanya Pada Orang Yang Biasa Menyewa.
Pastikan Anda menyewa pada tempat yang tepat. Bertanya Pada orang yang pernah atau sering menyewa adalah hal yang sangat bijak. Minta saran juga kepada mereka apa saja yang harus Anda lakukan saat sewa komputer pertama kali.

2. Coba Dulu!!!
Disaat Anda berniat untuk sewa komputer tentunya Anda pasti menginginkan komputer sewaan Anda bekerja dengan baik, tak ada masalah di semua perangkatnya. Jalan satu-satunya agar kita tahu apakah komputer kita bekerja dengan baik atau tidak adalah mencobanya. Tak usah malu untuk mencoba terlebih dahulu komputer sewaan Anda.

3. Layanan Paling Oke.
Pastikan Tempat yang Anda pilih untuk sewa komputer telah memiliki pelayanan yang paling bagus. Jika perlu Anda juga dapat membuat perjanjian dengan mereka. Denda atas pelanggaran perjanjian juga bisa Anda gunakan agar mereka lebih bagus dalam melayani Anda. Bagaimanapun Anda pasti ingin pelayanan yang maksimal dan tepat waktu.

4. Teknisi Yang Siap Siaga dan Handal.
Jika ada masalah dengan komputer sewaan Anda, pasti Anda ingin masalah itu cepat teratasi bukan. Jadi pilihlah tempat sewa yang telah mempunyai teknisi berpengalaman dalam memecahkan masalah yang sedang Anda alami.

5. Kelengkapan Perangkat.
Tanyakan pada pihak penyedia jasa sewa komputer tentang kelengkapan perangkat komputer yang hendak Anda sewa, termasuk perangkat tambahan yang akan anda dapatkan.

Demikian beberapa tips sewa komputer. Semoga tips-tips diatas berguna bagi Anda yang berencana untuk menyewa komputer

> 5 TIPS SEWA KOMPUTER AGAR MAKSIMAL

Cher and Marc Jacobs

The 2015 Met Gala has only officially begun, but there's a clear leader in the race for best couple, no small feat at an event that threatens to sap Hollywood of every celebrity it has for the duration of an East Coast evening.

That would be Marc Jacobs and his surprise guest (who, by some miracle, remained under wraps until their red carpet debut), Cher.

“This has been a dream of mine for a very, very long time,” Mr. Jacobs said.

It is Cher's first appearance at the Met Gala since 1997, when she arrived on the arm of Donatella Versace.

– MATTHEW SCHNEIER

Cher and Marc Jacobs | PAKET UMROH BULAN JANUARI 2016

Suzanne Crough, Actress in ‘The Partridge Family,’ Dies at 52

Ms. Crough played the youngest daughter on the hit ’70s sitcom starring David Cassidy and Shirley Jones.

Suzanne Crough, Actress in ‘The Partridge Family,’ Dies at 52 | PAKET UMROH BULAN JANUARI 2016

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89

Ms. Plisetskaya, renowned for her fluidity of movement, expressive acting and willful personality, danced on the Bolshoi stage well into her 60s, but her life was shadowed by Stalinism.

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89 | PAKET UMROH BULAN JANUARI 2016

Fatal Police Shootings: Accounts Since Ferguson

Since a white police officer, Darren Wilson fatally shot unarmed black teenager, Michael Brown, in a confrontation last August in Ferguson, Mo., there have been many other cases in which the police have shot and killed suspects, some of them unarmed. Mr. Brown's death set off protests throughout the country, pushing law enforcement into the spotlight and sparking a public debate on police tactics. Here is a selection of police shootings that have been reported by news organizations since Mr. Brown's death. In some cases, investigations are continuing.

Photo
 
 
The apartment complex northeast of Atlanta where Anthony Hill, 27, was fatally shot by a DeKalb County police officer. Credit Ben Gray/Atlanta Journal Constitution

Chamblee, Ga.
Fatal Police Shootings: Accounts Since Ferguson | PAKET UMROH BULAN JANUARI 2016

ay 4, 2015 ‘Game of Thrones’ Q&A: Keisha Castle-Hughes on the Tao of the Sand Snakes

“It was really nice to play with other women and not have this underlying tone of being at each other’s throats.”

ay 4, 2015 ‘Game of Thrones’ Q&A: Keisha Castle-Hughes on the Tao of the Sand Snakes | PAKET UMROH BULAN JANUARI 2016

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71

A 2-minute-42-second demo recording captured in one take turned out to be a one-hit wonder for Mr. Ely, who was 19 when he sang the garage-band classic.

Jack Ely, Who Sang the Kingsmen’s ‘Louie Louie’, Dies at 71 | PAKET UMROH BULAN JANUARI 2016

Jean Nidetch, 91, Dies; Pounds Came Off, and Weight Watchers Was Born

A 214-pound Queens housewife struggled with a lifelong addiction to food until she shed 72 pounds and became the public face of the worldwide weight-control empire Weight Watchers.

Jean Nidetch, 91, Dies; Pounds Came Off, and Weight Watchers Was Born | PAKET UMROH BULAN JANUARI 2016

Take the Money and Run

The career criminals in genre novels don’t have money problems. If they need some, they just go out and steal it. But such financial transactions can backfire, which is what happened back in 2004 when the Texas gang in Michael

Take the Money and Run | PAKET UMROH BULAN JANUARI 2016

Jozef Paczynski, Inmate Barber to Auschwitz Commandant, Dies at 95

Mr. Paczynski was one of the concentration camp’s longest surviving inmates and served as the personal barber to its Nazi commandant Rudolf Höss.

Jozef Paczynski, Inmate Barber to Auschwitz Commandant, Dies at 95 | PAKET UMROH BULAN JANUARI 2016

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64

Ms. Pryor, who served more than two decades in the State Department, was the author of well-regarded biographies of the founder of the American Red Cross and the Confederate commander.

Elizabeth Brown Pryor, Biographer of Clara Barton and Robert E. Lee, Dies at 64 | PAKET UMROH BULAN JANUARI 2016

William Price Fox, Admired Southern Novelist and Humorist, Dies at 89

Mr. Fox, known for his well-honed countrified voice, wrote about things dear to South Carolina and won over Yankee critics.

William Price Fox, Admired Southern Novelist and Humorist, Dies at 89 | PAKET UMROH BULAN JANUARI 2016

Native American Actors Work to Overcome a Long-Documented Bias

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias | PAKET UMROH BULAN JANUARI 2016

François Michelin, Head of Tire Company, Dies at 88

Under Mr. Michelin’s leadership, which ended when he left the company in 2002, the Michelin Group became the world’s biggest tire maker, establishing a big presence in the United States and other major markets overseas.

François Michelin, Head of Tire Company, Dies at 88 | PAKET UMROH BULAN JANUARI 2016

Wladyslaw Bartoszewski, 93, Dies; Polish Auschwitz Survivor Aided Jews

Mr. Bartoszewski was given honorary Israeli citizenship for his work to save Jews during World War II and later surprised even himself by being instrumental in reconciling Poland and Germany.

Wladyslaw Bartoszewski, 93, Dies; Polish Auschwitz Survivor Aided Jews | PAKET UMROH BULAN JANUARI 2016

From T Magazine: Street Lit’s Power Couple

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

Photo
Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

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The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

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The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 
From T Magazine: Street Lit’s Power Couple | PAKET UMROH BULAN JANUARI 2016

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biaya paket umrah februari di Balekambang jakarta
paket promo umroh februari di Cipinang Besar Utara jakarta
biaya paket umroh desember di Ciracas jakarta
biaya paket berangkat umrah juni di Utan Kayu Utara jakarta
paket promo berangkat umrah juni di Cililitan jakarta
harga umroh desember di Makasar jakarta
paket promo umrah juni di Setu jakarta
biaya umroh mei di Penggilingan jakarta
paket umroh ramadhan tangerang
harga umrah januari di Cililitan jakarta
harga paket umroh april bekasi selatan
paket berangkat umroh januari di Klender jakarta
harga paket umroh januari di Ciracas jakarta
biaya umroh januari di Malaka Sari jakarta
biaya paket umrah ramadhan di Pal Meriam jakarta